The Lancashire Witches, William Harrison Ainsworth [best 7 inch ereader .TXT] 📗

fearful object met their view. A dressing-table, with a large mirror upon it, occupied the spot where the altar had formerly stood; but, in spite of this, and of other furniture, the little place of prayer, as has previously been observed, retained much of its original character, and seemed more calculated to inspire sentiments of devotional awe than any other.

After remaining for a short time in the oratory, during which she pointed out the impossibility of any one being concealed there, Mistress Nutter assured Dorothy she might rest quite easy that nothing further would occur to alarm her, and recommending her to lose the sense of her fears as speedily as she could in sleep, took her departure with Alizon.

But the recommendation was of little avail. The poor girl's heart died within her, and all her former terrors returned, and with additional force. Sitting down, she looked fixedly at the hangings till her eyes ached, and then covering her face with her hands, and scarcely daring to breathe, she listened intently for the slightest sound. A rustle would have made her scream--but all was still as death, so profoundly quiet, that the very hush and silence became a new cause of disquietude, and longing for some cheerful sound to break it, she would have spoken aloud but from a fear of hearing her own voice. A book lay before her, and she essayed to read it, but in vain. She was ever glancing fearfully round--ever listening intently. This state could not endure for ever, and feeling a drowsiness steal over her she yielded to it, and at length dropped asleep in her chair. Her dreams, however, were influenced by her mental condition, and slumber was no refuge, as promised by Mistress Nutter, from the hauntings of terror.

At last a jarring sound aroused her, and she found she had been awakened by the clock striking twelve. Her lamp required trimming and burnt dimly, but by its imperfect light she saw the arras move. This could be no fancy, for the next moment the hangings were raised, and a figure looked from behind them; and this time it was not the monk, but a female robed in white. A glimpse of the figure was all Dorothy caught, for it instantly retreated, and the tapestry fell back to its place against the wall. Scared by this apparition, Dorothy rushed out of the room so hurriedly that she forgot to take her lamp, and made her way, she scarcely knew how, to the adjoining chamber. She did not tap at the door, but trying it, and finding it unfastened, opened it softly, and closed it after her, resolved if the occupants of the room were asleep not to disturb them, but to pass the night in a chair, the presence of some living beings beside her sufficing, in some degree, to dispel her terrors. The room was buried in darkness, the tapers being extinguished.

Advancing on tiptoe she soon discovered a seat, when what was her surprise to find Alizon asleep within it. She was sure it was Alizon--for she had touched her hair and face, and she felt surprised that the contact had not awakened her. Still more surprised did she feel that the young girl had not retired to rest. Again she stepped forward in search of another chair, when a gleam of light suddenly shot from one side of the bed, and the tapestry, masking the entrance to the closet, was slowly drawn aside. From behind it, the next moment, appeared the same female figure, robed in white, that she had previously beheld in the abbot's chamber. The figure held a lamp in one hand, and a small box in the other, and, to her unspeakable horror, disclosed the livid and contorted countenance of Mistress Nutter.

[Illustration: ALIZON ALARMED AT THE APPEARANCE OF MRS. NUTTER.]

Dreadful though undefined suspicions crossed her mind, and she feared, if discovered, she should be sacrificed to the fury of this strange and terrible woman. Luckily, where she stood, though Mistress Nutter was revealed to her, she herself was screened from view by the hangings of the bed, and looking around for a hiding-place, she observed that the mysterious wardrobe, close behind her, was open, and without a moment's hesitation, she slipped into the covert and drew the door to, noiselessly. But her curiosity overmastered her fear, and, firmly believing some magical rite was about to be performed, she sought for means of beholding it; nor was she long in discovering a small eyelet-hole in the carving which commanded the room.

Unconscious of any other presence than that of Alizon, whose stupor appeared to occasion her no uneasiness, Mistress Nutter, placed the lamp upon the table, made fast the door, and, muttering some unintelligible words, unlocked the box. It contained two singularly-shaped glass vessels, the one filled with a bright sparkling liquid, and the other with a greenish-coloured unguent. Pouring forth a few drops of the liquid into a glass near her, Mistress Nutter swallowed them, and then taking some of the unguent upon her hands, proceeded to anoint her face and neck with it, exclaiming as she did so, "Emen hetan! Emen hetan!"--words that fixed themselves upon the listener's memory.

Wondering what would follow, Dorothy gazed on, when she suddenly lost sight of Mistress Nutter, and after looking for her as far as her range of vision, limited by the aperture, would extend, she became convinced that she had left the room. All remaining quiet, she ventured, after awhile, to quit her hiding-place, and flying to Alizon, tried to waken her, but in vain. The poor girl retained the same moveless attitude, and appeared plunged in a deathly stupor.

Much frightened, Dorothy resolved to alarm the house, but some fears of Mistress Nutter restrained her, and she crept towards the closet to see whether that dread lady could be there. All was perfectly still; and somewhat emboldened, she returned to the table, where the box, which was left open and its contents unguarded, attracted her attention.

What was the liquid in the phial? What could it do? These were questions she asked herself, and longing to try the effect, she ventured at last to pour forth a few drops and taste it. It was like a potent distillation, and she became instantly sensible of a strange bewildering excitement. Presently her brain reeled, and she laughed wildly. Never before had she felt so light and buoyant, and wings seemed scarcely wanting to enable her to fly. An idea occurred to her. The wondrous liquid might arouse Alizon. The experiment should be tried at once, and, dipping her finger in the phial, she touched the lips of the sleeper, who sighed deeply and opened her eyes. Another drop, and Alizon was on her feet, gazing at her in astonishment, and laughing wildly as herself.

Poor girls! how wild and strange they looked--and how unlike themselves!

"Whither are you going?" cried Alizon.

"To the moon! to the stars!--any where!" rejoined Dorothy, with a laugh of frantic glee.

"I will go with you," cried Alizon, echoing the laugh.

"Here and there!--here and there!" exclaimed Dorothy, taking her hand. "Emen hetan! Emen hetan!"

As the mystic words were uttered they started away. It seemed as if no impediments could stop them; how they crossed the closet, passed through a sliding panel into the abbot's room, entered the oratory, and from it descended, by a secret staircase, to the garden, they knew not--but there they were, gliding swiftly along in the moonlight, like winged spirits. What took them towards the conventual church they could not say. But they were drawn thither, as the ship was irresistibly dragged towards the loadstone rock described in the Eastern legend. Nothing surprised them then, or they might have been struck by the dense vapour, enveloping the monastic ruins, and shrouding them from view; nor was it until they entered the desecrated fabric, that any consciousness of what was passing around returned to them.

Their ears were then assailed by a wild hubbub of discordant sounds, hootings and croakings as of owls and ravens, shrieks and jarring cries as of night-birds, bellowings as of cattle, groans and dismal sounds, mixed with unearthly laughter. Undefined and extraordinary shapes, whether men or women, beings of this world or of another they could not tell, though they judged them the latter, flew past with wild whoops and piercing cries, flapping the air as if with great leathern bat-like wings, or bestriding black, monstrous, misshapen steeds. Fantastical and grotesque were these objects, yet hideous and appalling. Now and then a red and fiery star would whiz crackling through the air, and then exploding break into numerous pale phosphoric lights, that danced awhile overhead, and then flitted away among the ruins. The ground seemed to heave and tremble beneath the footsteps, as if the graves were opening to give forth their dead, while toads and hissing reptiles crept forth.

Appalled, yet partly restored to herself by this confused and horrible din, Alizon stood still and kept fast hold of Dorothy, who, seemingly under a stronger influence than herself, was drawn towards the eastern end of the fane, where a fire appeared to be blazing, a strong ruddy glare being cast upon the broken roof of the choir, and the mouldering arches around it. The noises around them suddenly ceased, and all the uproar seemed concentrated near the spot where the fire was burning. Dorothy besought her friend so earnestly to let her see what was going forward, that Alizon reluctantly and tremblingly assented, and they moved slowly towards the transept, taking care to keep under the shelter of the columns.

On reaching the last pillar, behind which they remained, an extraordinary and fearful spectacle burst upon them. As they had supposed, a large fire was burning in the midst of the choir, the smoke of which, ascending in eddying wreaths, formed a dark canopy overhead, where it was mixed with the steam issuing from a large black bubbling caldron set on the blazing embers. Around the fire were ranged, in a wide circle, an assemblage of men and women, but chiefly the latter, and of these almost all old, hideous, and of malignant aspect, their grim and sinister features looking ghastly in the lurid light. Above them, amid the smoke and steam, wheeled bat and flitter-mouse, horned owl and screech-owl, in mazy circles. The weird assemblage chattered together in some wild jargon, mumbling and muttering spells and incantations, chanting fearfully with hoarse, cracked voices a wild chorus, and anon breaking into a loud and long-continued peal of laughter. Then there was more mumbling, chattering, and singing, and one of the troop producing a wallet, hobbled forward.

She was a fearful old crone; hunchbacked, toothless, blear-eyed, bearded, halt, with huge gouty feet swathed in flannel. As she cast in the ingredients one by one, she chanted thus:--


"Head of monkey, brain of cat,
Eye of weasel, tail of rat,
Juice of mugwort, mastic, myrrh--
All within the pot I stir."

"Well sung, Mother Mould-heels," cried a little old man, whose doublet and hose were of rusty black, with a short cloak, of the same hue, over his shoulders. "Well sung, Mother Mould-heels," he cried, advancing as the old witch retired, amidst a roar of laughter from the others, and chanting as he filled the caldron:

"Here is foam from a mad dog's lips,