The Hand in the Dark, Arthur J. Rees [learn to read activity book .TXT] 📗

the revolver had not been identified as Nepcote's. It seemed to me that the mere disclosure of that fact was sufficient to direct attention to Nepcote and bring to light his movements on that night. But the detective who came to see me about the revolver was too foolish and obstinate to grasp the importance of my information. It was then I decided to go to you. It was daring, perhaps, but it seemed safe enough to me. I was determined to entangle Nepcote, and to free Hazel Rath.

"I told you no more than I had told to the other detective. I had powerful motives for reticence. If I had told you more you would have seen that I had an ulterior reason for directing attention to Nepcote. I had not the least fear that you would discover my secret, but the knowledge, if imparted to you, would have weakened the impression I wanted to convey by suggesting to your mind that I was actuated by hatred of Nepcote. Besides, I did not wish any living being to know of my shame. I believed that I could accomplish my revenge without its ever being known. I thought Nepcote would prefer to perish as the victim of circumstances rather than incur public opprobrium by a defence which he knew would never be believed. The actual facts against him were too strong. He could neither extenuate nor deny them. He could not explain his lying telegrams, his secret return, his presence in the moat-house, his possession of the necklace, the revolver in the bedroom where the body was. Therefore, it was only necessary to give you a starting point, because discovery was inevitable where so much was hidden. I saw to it that the loss of the necklace was discovered after your arrival. That was all you needed to know.

"I do not know what oversight of mine put you on the track of the truth. There was one, but I do not see how that could have helped you. It was not until the following afternoon in the gun-room, when Musard drew your attention to the pistol-case, that I remembered that the pistol I had used was still at the back of the fireplace upstairs, where apparently it had lain undiscovered during my illness. I had taken the precaution of concealing the key of the case, but I decided to restore the pistol that night after you left. It was more difficult to recover than I anticipated, owing to the depth of the space behind the grate. I had to push back the bedstead and use the tongs before I could reach it. I believe it would have lain there undiscovered for years. There was nothing else that I can recall, except that when I restored the pistol I saw I had left the end of one of my experimental tinder-lighter wicks lying in the case.

"But I do not wish to know how you found out, now that Nepcote has escaped. I have nothing left to live for. The doctor thinks I am recovering, but I knew that it was only the hope of revenge which kept me going. Now that is gone I have not long to live. I rejoice that it is so. But whatever had happened, I would have saved that poor girl, Hazel Rath.... I ask you to believe that ... Violet...."

He ceased, and with a weary gesture, let his head fall on his outstretched arms, as though the strength which bore him up while he told his tale deserted him when he had made manifest the truth.

His two listeners sat for some minutes in silence, each engrossed in his own thoughts. Musard stared gloomily at Phil with unseeing eyes. He was as one who had passed through unimagined horrors in a space not to be measured by time, to emerge with a fatigued sense of the black malignity of unknown gods who create the passions of humanity for their own brutal sport. His moving lips betrayed a consciousness loosened from its moorings, tossed in a turbulent sea of disaster. Then they formed the whispered words:

"The house was founded in horror and it ends in horror. So the old tradition comes true."

The next moment he turned his eyes on Colwyn with a look askance, as though he saw in him the instrument of this misery.

"Why did Hazel Rath keep silence?" he asked.

"Women have made greater sacrifices for love," Colwyn gently replied. "Hazel Rath loved him, and kept silence to shield him. She would not have spoken at all if suspicion had not fastened on Nepcote, and even when she did speak she kept something back. We may now learn later what actually passed between Hazel and Mrs. Heredith in the bedroom that night. My own opinion is that, while Hazel was bending over her, the dying woman whispered the name of her murderer."

"What are you going to do now?" Musard abruptly demanded, in sudden change of mood, speaking as though there were nobody present but their two selves.

"There is only one thing to do."

"Do you mean to let the world know the truth—to give him up to justice?"

"What other course is there open for me to pursue?" said Colwyn sadly.

"I cannot see what earthly purpose will be gained by making this horrible story public. Consider, I beg of you, all the circumstances before you inflict this dreadful sorrow and scandal on an honoured family."

"It is because I have to consider all the circumstances that I have no option."

"Is there no other way?" persisted Musard. "He is mad. He must have been possessed. You heard his story; his hallucinations were those of an insane person. He had some justification. He would never have committed this terrible deed of his own free will."

Colwyn did not reply. It was useless to point out that there is no such thing as free will in human affairs, and that if Philip Heredith had been impelled to his crime by the evil force of passions which were stronger than the restraining power of human reason, he must pay the full price demanded by humanity for the only safeguard of its supremacy.

There was the sound of an opening door and footsteps outside, and a voice called:

"Phil! Vincent! Where are you?"

"They have returned!" Musard excitedly exclaimed. "What are they to be told?"

"I cannot say," replied Colwyn, casting a sombre glance at Phil's drooping and motionless figure.

There was something new in his posture—a stark stillness which arrested his eye. He stepped quickly to his side and bent over him.

"He is dead," he said.

"Dead? My God! Impossible!"

"It is quite true. It is better so."

"Vincent!" Miss Heredith's voice sounded not far away.

"She is coming here. Quick, what am I to say to her?"

"I cannot tell you," responded Colwyn, with another glance at the still form. "It was he who called me in to solve this mystery, and I have done what he asked. I will leave you to tell her what you will, but I cannot keep silence afterwards where the liberty of innocent people is involved. Justice is as impersonal as Truth herself."

"Vincent!" This time the voice sounded just outside the door.

"I must stop her—she must not come in here," said Musard, starting up.

But he was too late. The door opened, and Miss Heredith stood in the doorway.

Her startled eyes took in the agitated face of Musard, and then travelled to the drooping attitude of the figure at the table. She went quickly past the two men, and bent over her nephew. As she did so, she sobbed aloud. All the pity and pathos of a woman, all the misery and mystery of a broken heart, welled forth in her faint mournful cry.

"This will kill her," said Musard savagely.

But Colwyn felt that it would not be so. As he turned from the room, leaving the living and the dead together, he knew that when the first bitterness of the shock was over, and she was faced again with the consciousness of duty, she would call on her abiding faith to help her to wear, without flinching, the heavy grey garment of life.

THE END

By REES & WATSON

THE MYSTERY OF THE DOWNS

THE HAMPSTEAD MYSTERY

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