Vendetta, Honoré de Balzac [e novels to read txt] 📗

the garret door, and departed noiselessly.

"Fear nothing," said the painter to the officer. "Mademoiselle is the daughter of a most faithful friend of the Emperor, the Baron di Piombo."

The young soldier retained no doubts as to Ginevra's patriotism as soon as he saw her.

"You are wounded," she said.

"Oh! it is nothing, mademoiselle," he replied; "the wound is healing."

Just at this moment the loud cries of the vendors of newspapers came up from the street: "Condemned to death!" They all trembled, and the soldier was the first to hear a name that turned him pale.

"Labedoyere!" he cried, falling on a stool.

They looked at each other in silence. Drops gathered on the livid forehead of the young man; he seized the black tufts of his hair in one hand with a gesture of despair, and rested his elbow on Ginevra's easel.

"After all," he said, rising abruptly, "Labedoyere and I knew what we were doing. We were certain of the fate that awaited us, whether from triumph or defeat. He dies for the Cause, and here am I, hiding myself!"

He rushed toward the door of the studio; but, quicker than he, Ginevra reached it, and barred his way.

"Can you restore the Emperor?" she said. "Do you expect to raise that giant who could not maintain himself?"

"But what can I do?" said the young man, addressing the two friends whom chance had sent to him. "I have not a relation in the world. Labedoyere was my protector and my friend; without him, I am alone. To-morrow I myself may be condemned; my only fortune was my pay. I spent my last penny to come here and try to snatch Labedoyere from his fate; death is, therefore, a necessity for me. When a man decides to die he ought to know how to sell his life to the executioner. I was thinking just now that the life of an honest man is worth that of two traitors, and the blow of a dagger well placed may give immortality."

This spasm of despair alarmed the painter, and even Ginevra, whose own nature comprehended that of the young man. She admired his handsome face and his delightful voice, the sweetness of which was scarcely lessened by its tones of fury. Then, all of a sudden, she poured a balm upon the wounds of the unfortunate man:--

"Monsieur," she said, "as for your pecuniary distress, permit me to offer you my savings. My father is rich; I am his only child; he loves me, and I am sure he will never blame me. Have no scruple in accepting my offer; our property is derived from the Emperor; we do not own a penny that is not the result of his munificence. Is it not gratitude to him to assist his faithful soldiers? Take the sums you need as indifferently as I offer them. It is only money!" she added, in a tone of contempt. "Now, as for friends,--those you shall have."

She raised her head proudly, and her eyes shone with dazzling brilliancy.

"The head which falls to-morrow before a dozen muskets will save yours," she went on. "Wait till the storm is over; you can then escape and take service in foreign countries if you are not forgotten here; or in the French army, if you are."

In the comfort that women give there is always a delicacy which has something maternal, foreseeing, and complete about it. But when the words of hope and peace are said with grace of gesture and that eloquence of tone which comes from the heart, and when, above all, the benefactress is beautiful, a young man does not resist. The prisoner breathed in love through all his senses. A rosy tinge colored his white cheeks; his eyes lost something of the sadness that dulled them, and he said, in a peculiar tone of voice:--

"You are an angle of goodness--But Labedoyere!" he added. "Oh, Labedoyere!"

At this cry they all three looked at one another in silence, each comprehending the others' thoughts. No longer friends of twenty minutes only, they were friends of twenty years.

"Dear friend," said Servin, "can you save him?"

"I can avenge him."

Ginevra quivered. Though the stranger was handsome, his appearance had not influenced her; the soft pity in a woman's heart for miseries that are not ignoble had stifled in Ginevra all other emotions; but to hear a cry of vengeance, to find in that proscribed being an Italian soul, devotion to Napoleon, Corsican generosity!--ah! that was, indeed, too much for her. She looked at the officer with a respectful emotion which shook his heart. For the first time in her life a man had caused her a keen emotion. She now, like other women, put the soul of the stranger on a par with the noble beauty of his features and the happy proportions of his figure, which she admired as an artist. Led by accidental curiosity to pity, from pity to a powerful interest, she came, through that interest, to such profound sensations that she felt she was in danger if she stayed there longer.

"Until to-morrow, then," she said, giving the officer a gentle smile by way of a parting consolation.

Seeing that smile, which threw a new light on Ginevra's features, the stranger forgot all else for an instant.

"To-morrow," he said, sadly; "but to-morrow, Labedoyere--"

Ginevra turned, put a finger on her lips, and looked at him, as if to say: "Be calm, be prudent."

And the young man cried out in his own language:

"Ah! Dio! che non vorrei vivere dopo averla veduta?--who would not wish to live after seeing her?"

The peculiar accent with which he pronounced the words made Ginevra quiver.

"Are you Corsican?" she cried, returning toward him with a beating heart.

"I was born in Corsica," he replied; "but I was brought, while very young, to Genoa, and as soon as I was old enough for military service I enlisted."

The beauty of the young man, the mighty charm lent to him by his attachment to the Emperor, his wound, his misfortunes, his danger, all disappeared to Ginevra's mind, or, rather, all were blended in one sentiment,--a new and delightful sentiment. This persecuted man was a child of Corsica; he spoke its cherished language! She stood, for a moment, motionless; held by a magical sensation; before her eyes was a living picture, to which all human sentiments, united by chance, gave vivid colors. By Servin's invitation, the officer had seated himself on a divan, and the painter, after removing the sling which supported the arm of his guest, was undoing the bandages in order to dress the wound. Ginevra shuddered when she saw the long, broad gash made by the blade of a sabre on the young man's forearm, and a moan escaped her. The stranger raised his head and smiled to her. There was something touching which went to the soul, in the care with which Servin lifted the lint and touched the lacerated flesh, while the face of the wounded man, though pale and sickly, expressed, as he looked at the girl, more pleasure than suffering. An artist would have admired, involuntarily, this opposition of sentiments, together with the contrasts produced by the whiteness of the linen and the bared arm to the red and blue uniform of the officer.

At this moment a soft half-light pervaded the studio; but a parting ray of the evening sunlight suddenly illuminated the spot where the soldier sat, so that his noble, blanched face, his black hair, and his clothes were bathed in its glow. The effect was simple enough, but to the girl's Italian imagination it was a happy omen. The stranger seemed to her a celestial messenger, speaking the language of her own country. He thus unconsciously put her under the spell of childhood's memories, while in her heart there dawned another feeling as fresh, as pure as her own innocence. For a short, very short moment, she was motionless and dreamy, as though she were plunged in boundless thought. Then she blushed at having allowed her absorption to be noticed, exchanged one soft and rapid glance with the wounded man, and fled with the vision of him still before her eyes.

The next day was not a class-day, but Ginevra came to the studio, and the prisoner was free to sit beside her easel. Servin, who had a sketch to finish, played the part of mentor to the two young people, who talked to each other chiefly in Corsican. The soldier related the sufferings of the retreat from Moscow; for, at nineteen years of age, he had made the passage of the Beresins, and was almost the last man left of his regiment. He described, in words of fire, the great disaster of Waterloo. His voice was music itself to the Italian girl. Brought up as a Corsican, Ginevra was, in some sense, a child of Nature; falseness was a thing unknown to her; she gave herself up without reserve to her impressions; she acknowledged them, or, rather, allowed them to be seen without the affectations of petty and calculating coquetry, characteristic of Parisian girlhood. During this day she sat more than once with her palette in one hand, her brushes in another, without touching a color. With her eyes fastened on the officer, and her lips slightly apart, she listened, in the attitude of painting a stroke which was never painted. She was not surprised to see such softness in the eyes of the young man, for she felt that her own were soft in spite of her will to keep them stern and calm. After periods like this she painted diligently, without raising her head, for he was there, near her, watching her work. The first time he sat down beside her to contemplate her silently, she said, in a voice of some emotion, after a long pause:--

"Does it amuse you to see me paint?"

That day she learned that his name was Luigi. Before separating, it was agreed between them that if, on class-days when they could not see each other, any important political event occurred, Ginevra was to inform him by singing certain Corsican melodies then agreed upon.

The following day Mademoiselle Thirion informed all the members of the class, under pledge of secrecy that Ginevra di Piombo had a lover, a young man who came during the hours for the lesson, and concealed himself in the garret beyond the studio.

"You, who take her part," she said to Mademoiselle Roguin, "watch her carefully, and you will see how she spends her time."

Ginevra was, therefore, observed with diabolical attention. They listened to her songs, they watched her glances. At times, when she supposed that no one saw her, a dozen pairs of eyes were furtively upon her. Thus enlightened, the girls were able to interpret truly the emotions that crossed the features of the beautiful Italian,--her gestures, the peculiar tones in which she hummed a tune, and the attention with which they saw her listen to sounds which only she could hear through the partition.

By the end of a week, Laure was the only one of Servin's fifteen pupils who had resisted the temptation of looking at Luigi through the crevice of the partition; and she, through an instinct of weakness, still defended her beautiful friend. Mademoiselle Roguin endeavored to make her wait on the staircase after the class dispersed, that she might prove to her the intimacy of Ginevra and the young man by entering the studio and surprising them together. But Laure refused to condescend to an act of espial which no curiosity could