The Haunted Chamber, Margaret Wolfe Hungerford [top young adult novels .txt] 📗

there is, or was, an engagement between Arthur and Miss Delmaine?" he begins, with his eyes fixed upon the ground.

"I think nothing, you silly man," says the widow playfully, "until I am told it. But I am glad Florence is once more friendly with poor Arthur; he is positively wrapped up in her. Now, has that interesting _tableau_ we so nearly interrupted given you a distaste for all other pictures? Shall we try the smaller gallery?"

"Just as you will."

"Of course"--with a girlish laugh--"it would be imprudent to venture again into the one we have just quitted. By this time, doubtless, they are quite reconciled--and--"

"Yes--yes," interrupts Sir Adrian hastily, trying in vain to blot out the picture she has raised before his eyes of Florence in her lover's arms. "What you have just told me has quite taken me by surprise," he goes on nervously. "I should never have guessed it from Miss Delmaine's manner; it quite misled me."

"Well, between you and me," says Dora, raising herself on tiptoe, as though to whisper in his ear, and so coming very close to him, "I am afraid my dearest Florence is a little sly! Yes, really; you wouldn't think it, would you? The dear girl has such a sweet ingenuous face--quite the loveliest face on earth, I think, though some pronounce it too cold. But she is very self-contained; and to-day, you see, she has given you an insight into this slight fault in her character. Now, has she not appeared to you to avoid Arthur almost pointedly?"

"She has indeed," agrees Sir Adrian, with a smothered groan.

"Well"--triumphantly--"and yet, here we find her granting him a private audience, when she believed we were all safely out of the way; and in the north gallery too, which, as a rule, is deserted."

"She didn't know we were thinking of driving to the hills," says Sir Adrian, making a feeble effort to find a flaw in his companion's statement.

"Oh, yes, she did!" declares the widow lightly. "I told her myself, about two hours ago, that I intended asking you to make a party to go there, as I dote on lovely scenery; and I dare say"--coquettishly--"she knew--I mean thought--you would not refuse so small a request of mine. But for poor Lady FitzAlmont's headache we should be there now."

"It is true," admits Sir Adrian, feeling that the last straw has descended.

"And now that I think of it," the widow goes on, even more vivaciously, "the reason she assigned for not coming with us must have been a feigned one. Ah, slyboots that she is!" laughs Mrs. Talbot merrily. "Of course, she wanted the course clear to have an explanation with Arthur. Well, after all, that was only natural. But she might have trusted me, whom she knows to be her true friend."

Ill-tempered--capricious--sly! And all these faults are attributed to Florence by "her true friend!" A quotation assigned to Marechal Villars when taking leave of Louis XIV. occurs to him--"Defend me from my friends." The words return to him persistently; but then he looks down on Dora Talbot, and stares straight into her liquid blue eyes, so apparently guileless and pure, and tells himself that he wrongs her. Yes, it is a pity Florence had not put greater faith in this kind little woman, a pity for all of them, as then many heart-breaks might have been prevented.


CHAPTER IV.

It is the evening of the theatricals; and in one of the larger drawing-rooms at the castle, where the stage has been erected, and also in another room behind connected with it by folding-doors, everybody of note in the county is already assembled. Fans are fluttering--so are many hearts behind the scenes--and a low buzz of conversation is being carried on among the company.

Then the curtain rises; the fans stop rustling, the conversation ceases, and all faces turn curiously to the small but perfect stage that the London workmen have erected.

Every one is very anxious to see what his or her neighbor is going to do when brought before a critical audience. Nobody, of course, hopes openly for a break-down, but secretly there are a few who would be glad to see such-and-such a one's pride lowered.

No mischance, however, occurs. The insipid Tony speaks his lines perfectly, if he fails to grasp the idea that a little acting thrown in would be an improvement; a very charming Cousin Con is made out of Miss Villiers; a rather stilted but strictly correct old lady out of Lady Gertrude Vining. But Florence Delmaine, as Kate Hardcastle, leaves nothing to be desired, and many are the complimentary speeches uttered from time to time by the audience. Arthur Dynecourt too had not overpraised his own powers. It is palpable to every one that he has often trod the boards, and the pathos he throws into his performance astonishes the audience. Is it only acting in the final scene when he makes love to Miss Hardcastle, or is there some real sentiment in it?

This question arises in many breasts. They note how his color changes as he takes her hand, how his voice trembles; they notice too how she grows cold, in spite of her desire to carry out her part to the end, as he grows warmer, and how instinctively she shrinks from his touch. Then it is all over, and the curtain falls amidst loud applause. Florence comes before the curtain in response to frequent calls, gracefully, half reluctantly, with a soft warm blush upon her cheeks and a light in her eyes that renders her remarkable loveliness only more apparent. Sir Adrian, watching her with a heart faint and cold with grief and disappointment, acknowledges sadly to himself that never has he seen her look so beautiful. She advances and bows to the audience, and only loses her self-possession a very little when a bouquet directed at her feet by an enthusiastic young man alights upon her shoulder instead.

Arthur Dynecourt, who has accompanied her to the footlights, and who joins in her triumph, picks up the bouquet and presents it to her.

As he does so the audience again become aware that she receives it from him in a spirit that suggests detestation of the one that hands it, and that her smile withers as she does so, and her great eyes lose their happy light of a moment before.

Sir Adrian sees all this too, but persuades himself that she is now acting another part--the part shown him by Mrs. Talbot. His eyes are blinded by jealousy; he can not see the purity and truth reflected in hers; he misconstrues the pained expression that of late has saddened her face.

For the last few days, ever since her momentous interview with Arthur Dynecourt in the gallery, she has been timid and reserved with Sir Adrian, and has endeavored to avoid his society. She is oppressed with the thought that he has read her secret love for him, and seeks, by an assumed coldness of demeanor and a studied avoidance of him, to induce him to believe himself mistaken.

But Sir Adrian is only rendered more miserable by this avoidance, in the thought that probably Mrs. Talbot has told Florence of his discovery of her attachment to Arthur, and that she dreads his taxing her with her duplicity, and so makes strenuous efforts to keep herself apart from him. They have already drifted so far apart that to-night, when the play has come to an end, and Florence has retired from the dressing-room, Sir Adrian does not dream of approaching her to offer the congratulations on her success that he would have showered upon her in a happier hour.

Florence, feeling lonely and depressed, having listlessly submitted to her maid's guidance and changed her stage gown for a pale blue ball-dress of satin and pearls--as dancing is to succeed the earlier amusement of the evening--goes silently down-stairs, but, instead of pursuing her way to the ball-room, where dancing has already commenced, she turns aside, and, entering a small, dimly lighted antechamber, sinks wearily upon a satin-covered lounge.

From a distance the sweet strains of a German waltz come softly to her ears. There is deep sadness and melancholy in the music that attunes itself to her own sorrowful reflections. Presently the tears steal down her cheeks. She feels lonely and neglected, and, burying her head in the cushions of the lounge, sobs aloud.

She does not hear the hasty approach of footsteps until they stop close beside her, and a voice that makes her pulses throb madly says, in deep agitation--

"Florence--Miss Delmaine--what has happened? What has occurred to distress you?"

Sir Adrian is bending over her, evidently in deep distress himself. As she starts, he places his arm round her and raises her to a sitting posture; this he does so gently that, as she remembers all she has heard, and his cousin's assurance that he has almost pledged himself to another, her tears flow afresh. By a supreme effort, however, she controls herself, and says, in a faint voice--

"I am very foolish; it was the heat, I suppose, or the nervousness of acting before so many strangers, that has upset me. It is over now. I beg you will not remember it, Sir Adrian, or speak of it to any one."

All this time she has not allowed herself to glance even in his direction, so fearful is she of further betraying the mental agony she is enduring.

"Is it likely I should speak of it!" returns Sir Adrian reproachfully. "No; anything connected with you shall be sacred to me. But--pardon me--I still think you are in grief, and, believe me, in spite of everything, I would deem it a privilege to be allowed to befriend you in any way."

"It is impossible," murmurs Florence, in a stifled tone.

"You mean you will not accept my help"--sadly. "So be it then. I have no right, I know, to establish myself as your champion. There are others, no doubt, whose happiness lies in the fact that they may render you a service when it is in their power. I do not complain, however. Nay, I would even ask you to look upon me at least as a friend."

"I shall always regard you as a friend," Florence responds in a low voice. "It would be impossible to me to look upon you in any other light."

"Thank you for that," says Adrian quickly. "Though our lives must of necessity be much apart, it will still be a comfort to me to know that at least, wherever you may be, you will think of me as a friend."

"Ah," thinks Florence, with a bitter pang, "he is now trying to let me know how absurd was my former idea that he might perhaps learn to love me!" This thought is almost insupportable. Her pride rising in arms, she subdues all remaining traces of her late emotion, and, turning suddenly, confronts him. Her face is quite colorless, but she can not altogether hide from him the sadness that still desolates her eyes.

"You are right," she agrees. "In the future our lives will indeed be far distant from each other, so far apart that the very tie of friendship will readily be forgotten by us both."

"Florence, do not say that!" he entreats, believing in his turn that she alludes to her coming marriage with his cousin. "And--and--do not be angry with me; but I would ask you to consider long and earnestly before taking the step you have in view. Remember it is a bond that once sealed can never be canceled."