The Back of Our Heads, Stephen Barr [good novels to read txt] 📗
- Author: Stephen Barr
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Q. But you have turned what was intended to be a field-trip for examination and analysis into a crusade. With all your nagging and irritating them, there have been no results—no real advances.
A. I thought you were complaining that I was altering what I was sent to examine. You talk about unification—or absorption—as if it were a catchword. That's the trouble with generalities: they're not necessarily true in all cases.
Q. You mean they are too general?
A. I mean that they are not general enough. I agree that men progress too slowly toward unification, but we mustn't confuse it with domination. We cannot impose it on them. That would lead to a world divided into the ruled and the rulers—not a unity.
Q. Then you are for absorption?
A. You know, you twist things around much worse than I do.
Q. The Unity is incapable of—
A. Furthermore, I think you have been altered more than I have.
Q. You are part of the Unity.
A. And the least altered part. You won't be able to absorb them the way you can reabsorb me without destroying them as entities.
Q. You set yourself up as the only one to know this. Why?
A. Because I have been the one to make the trips. I have been your eye.
Q. But the others—the ones you called the spies?
A. They weren't there to look at Man, only to watch me. They weren't even sightseeing—they were slumming. However, I think I am ceasing to be the only one. I think you are coming to know these things, too.
Q. Very gratifying. Now, as to the latest trip?
A. There seems to have been a slip-up....
Q. Another one?
A. Different. The ones I made were errors in time; this one is not mine, and it's in hyper-time. I was trying to explain it to a friend, but he already knew all about it and that led to the slip-up. It caused it, yet it came afterward.
Q. How annoying for you. How did you explain hyper-time?
A. I said that when an object moves or changes, time is needed as one of the coordinates to describe that change. I said that consciousness moves through time—from Monday to Tuesday—otherwise we would be merely aware of differences without experiencing them as change. I said that to describe this motion of consciousness along the dimension of time, another coordinate is needed: hyper-time.
Q. And the slip-up—which you claim is not yours?
A. Is in hyper-time. It is the result of the Unity and Mankind affecting one another. You have, through my efforts, examined them—and thus changed them. Now they begin to examine you—with the result that you change.
Q. They begin to examine us? You must mean they have examined you.
A. There is a man—a young physicist—and he has found out something. I think that without quite knowing it, he has detected you. At all events, he has found out where you are, and I think that perhaps you are aware.
Q. What makes you say that?
A. Obviously these things work both ways. Heisenberg's principle says—
Q. We want to hear no more of Heisenberg's principle! There's enough confusion as it is, without that!
A. I admit it. That's why I decided to—to close my eyes to everything but essentials on this trip.
Q. It is gratifying to hear you admit something for a change. What are you "closing your eyes to" in this case?
A. Appearances.
Q. Why?
A. Appearances are deceitful. That is, they are now; they weren't before, when the Unity was the Unity and Mankind was Mankind, not something of each. You ask me to keep my objectivity and you don't tell me how. You can't, of course—your own is too lost for you even to know it's gone. So I have to work out my way alone and the best method seems to be to work with as few senses as possible. That won't give me real objectivity, but it will mean somewhat less involvement.
Q. The less you see, the more you can observe? Does that make sense?
A. Nothing does any more. Oh, if you had only stopped in time—no, that wasn't possible.
Q. Why not?
A. Because, being in hyper-time, the slip-up is both in the past and the future in simple time. The last trip is going on now....
Katherine was lying on the lab sofa with her hands behind her head. The sofa was shabby and was alleged to have belonged at one time to a psychoanalyst. Its present function was to offer temporary rest to anyone working late in the lab. Today was Sunday and no undergraduates were there.
"What are you fiddling around with, Phil?" Katherine asked.
"The electron microscope," he said. Phil Kaufman was an assistant physics professor, short, bony and intense-looking, and at the moment he was engaged in extra-curricular research.
"You know, I bet this old chaise-longue could many a tale unfold," she said.
"Well, according to rumor, many have been unfolded on it."
"Professor, your mind wanders. I'm thinking of its previous condition of servitude. Think of the dreams it used to hear."
Phil Kaufman didn't answer. There was a pause and she said, "This afternoon you're working with the microscope, and last night it was the telescope. You were in the observatory until dawn."
"How did you find that out?"
"I have my methods, Watson. I don't see how you expect to keep going on no sleep at all. Russ is worried about you."
"Pro or con?"
"Pro, of course. He likes you very much. In fact, he thinks you are the best brain on the faculty."
"Coming from the president, that's praise indeed." Phil got up and went to a desk, where he looked at some notes. "Speaking as my boss's wife, would you say he was pro or con about this work I'm doing?"
"I would say he can't make it out. Alternating between the Microcosm and the Macrocosm. Incidentally, why don't they call that thing in the observatory a macroscope? I don't think Russ is very good at understanding the unfamiliar. I was telling him about the concept of hyper-time the other day, and his reaction was one of solicitude—he got me a drink." Katherine stretched her arms. "What are you doing now?"
"Checking some figures. You know, that was odd, your bringing up the business of hyper-time. This thing I'm working on seems to involve it."
"Oh?" Katherine put her arms behind her head again. "Tell me something, Phil—what does he look like?"
"Doctor Russell Farley?"
"Yes. I suppose it's a funny sort of question to ask about one's husband. How does he look to you?"
"Like the youngest college president in America, I guess. Brawny but brainy. You make what they call a handsome couple."
"Yes, I was going to ask you what I looked like, only it's a waste of time. People never tell you."
"I can," Phil said, "but I won't, for fear of giving you a swelled head."
"As a matter of fact, it's silly of me to ask," she went on. "I wouldn't understand. I don't even know what 'pretty' means, although I have a dim idea what 'ugly' does. Color is another enigma to me. Somebody once told me it's like a smell, but when I get a bad cold, I can't remember what smells are like. It's like not being able to think of the word 'bubble' when your mouth is wide open—you think of 'Ah-uh.'"
"I'll tell you one thing about yourself," Phil said. "You don't look as though...."
"As though I was blind?"
"Correct. And it's incredible the way you get around. You never bump into anything, and you look people right in the eye when they talk to you."
"They say it's hearing faint echoes from an obstacle—like a bat. Personally, I feel the wall in front of me. I admit when my ears are stopped up I can't hear the wall, but I'm not so sure that's a convincing proof. It's the same with pit vipers—some smart investigator discovered that when you plug up their little heat-detecting organs—I guess those are the pits—they can't locate warm prey in the dark. Conversely, in the dark and not plugged up, they will strike at a hot-water bottle."
"Sounds pretty convincing to me," Phil said, and went back to the electron microscope.
"Tush," Katherine said. "How about people not wanting to smoke in the dark? Does that prove that the sense of taste depends on sight? I smoke. In fact, you might bring me a cigarette and an ashtray. The only reason most blind people don't smoke is they're afraid of fire." She took the cigarette Phil brought her. "Thanks."
"Aren't you afraid of fire?" he asked.
"Of course not. I can detect a match flame at fifteen feet."
"You ought to go to Duke University sometime and have Rhine take a look at you."
"I did. All he said was 'Hmm,' and I joined the other statistics."
There was silence for a while, interrupted at one point by a muffled "Damn!" from Phil peering into the electron microscope, and the warm sun lay across Katherine's lap. Finally he straightened up and switched off the current. "Well, it's there, all right," he said, and got up and went to the couch and sat at her feet.
"What is?"
"The red shift."
"Aren't you confusing things?" she said. "You're not in the observatory now, Buster; this is the lab. I thought the red shift was the recession of the distant galaxies ... whatever 'red' is."
"Quite right, Holmes. However, in this case, it's the recession of the not-so-distant atoms. They are small-sized solar systems, too, in a way, and when I say 'red' I mean something I can only infer mathematically, because I'm not dealing with light in the ordinary sense."
"You mean they're receding?"
"Only in this context," he said. "Motion is length over time; in this case, it's length over hyper-time, so they're still here in the lab."
"I'm relieved to hear it," she said. "However, I should think they'd be receding into tomorrow."
"They are, but into yesterday, and new ones from tomorrow are continually coming in to take their place. It's like Fred Hoyle's theory of the continuous birth of hydrogen."
"You're making me feel like my poor husband," Katherine said. "I understand the necessity of hyper-time to describe the motion of consciousness along time, but what's this got to do with the atoms?"
There was a knock at the door and Phil stood up, just as Doctor Russell Chalmers Farley came in without waiting for an answer. Phil and Katherine felt faintly embarrassed—there was scarcely any need to knock on the door to the physics lab; it somehow suggested that the door should be kept open when entertaining callers.
Doctor Farley was a handsome man of thirty-eight with a blond mustache that gave him the look of a Kipling colonial officer.
"Ah, there you are, Katherine," he said cheerfully. "Hello, Kaufman. How's the Research Magnificent?"
"It's beginning to show signs of life," Phil said. "I think I can detect a sort of fetal pulse."
Doctor Farley blinked his pale eyelashes and smiled. He sat down at the end of the couch where Phil had been sitting and looked up at him. Part of his charm was that, when he talked to a man shorter than himself, he got below him and looked up. At his evening "sherries" at home, he had a way of deferring to the newest and least important visitor, who was thus raised to the temporary rank of philosopher, while Russell Chalmers Farley was reduced to the position of listener.
The role of humble servitor of the Truth was his most useful one—it had worked rather well with Katherine, and he had an adroit and imaginative way of expressing his ideas, which usually disguised the fact that they were generally borrowed.
They had met at a street corner in New York City where she was waiting for the sound of traffic to abate so that she could cross. He was on the opposite side, and with his extraordinary eyesight and intuition instantly recognized that the beautiful, odd-looking girl facing him on the other side of the street was blind. He was at her side before the light—and the sound of traffic—had changed, and said, "I hope you don't think I'm being forward, but let me offer you my arm. Taxis have a way of making illegal turns sometimes...."
"You are very kind," she replied, pulling him back from the path of a taxi making an illegal turn. "You have a very nice voice," she said as they got to the other side. "I guess being blind makes one ... forward!" She laughed and started to walk on.
"No, please wait!" he said, and caught up with her. "I wish you hadn't said that. It can be taken in another way: that I am forward because you are
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