Writings in the United Amateur, 1915-1922, H. P. Lovecraft [easy books to read .txt] 📗
- Author: H. P. Lovecraft
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The illustrated bit of humor by George William Stokes deserves mention as presenting one of the cleverest drawings to appear lately in the amateur press. It is difficult to decide in which domain Mr. Stokes shines the more brightly, literature or pictorial art. His heading for The Little Budget is a masterpiece of its kind.
The Pippin for May brings once more to our notice amateurdom's foremost high-school club, the Appleton aggregation, whose existence is due to Mr. Maurice W. Moe's untiring efforts. "Doings of the Pippins," by Joseph Harriman, is a terse and informing chronicle of recent activity. "Once Upon a Time," by Florence A. Miller, is a bit of humorous verse whose metre might be improved by the use of greater care. "Some Cloth!," by John Ingold, is an exceedingly clever piece of wit; which, though avowedly Irish, bears the characteristic hall-mark of native American humor. The delightful exaggerations recall some of the brightest spots in American light literature. "Speed," by Matilda Harriman, is an interesting sketch recalling Poe's "Mellonta Tauta," in its imaginative flights. "From Over the Threshold," by Ruth Ryan, shows much promise in the realm of fiction. "Once an Amateur, Always an Amateur" is one of those rare bits of prose with which our distinguished Critical member, Mr. Moe, favours us. We are proud of the unshaken amateur allegiance of so brilliant a personality, and trust that some day he may realise his dream of "an attic or basement printshop." "The Press Club," by Ruth Schumaker, is a pleasing sketch, as is also Miss Kelly's "Our Club and the United." We trust that the Appleton Club may safely weather the hard times of which Miss Kelly complains.
THE UNITED AMATEUR for May contains a captivating and graceful sketch by W. Edwin Gibson, entitled "Beauty." Mr. Gibson is one of our younger members who bids fair to become prominent in the coming amateur generation. Of the month's poetry, we may mention with particular commendation Miss von der Heide's "Worship," though through some error, possibly typographical, the final line of the second stanza seems to lack two syllables. "When Dreams Come True," by Kathleen Foster Smith, is likewise of more than common merit, though the word hear in the second line of the second stanza is probably a misprint for heard. "Smile," by O. M. Blood, is ingenious though scarcely novel. Its chief defects are inequalities in the lines, which care should be able to correct. The first line contains two superfluous syllables, while the fourth line contains one too many. The ninth line of the final section contains two syllables too many, as do the tenth and eleventh lines as well. The rhyme of appear and disappear is incorrect, since syllables in rhyme should be merely similar—not the same. Mr. Blood requires much practice in poetry, but undoubtedly possesses the germ of success. "To the U. A. P. A.," by Matthew Hilson, is acceptable in construction and delightful in sentiment, laying strata on the new Anglo-American unity—the one redeeming feature of the present international crisis. THE UNITED AMATEUR closes with a quotation from Euripides, which we will not attempt to review here, since the author has been receiving critical attention from far abler men for many centuries!
Chairman.
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NEWS NOTESMaurice W. Moe, Chief of our Department of Private Criticism, is trying a novel experiment this summer for the sake of his health. He has undertaken a labourer's work on one of the new buildings of Lawrence College, lifting planks, shovelling mud, and wheeling bags of cement like a seasoned workingman. While painful at first, the regimen is proving actually beneficial, and Mr. Moe is proud of the physical prowess he is beginning to exhibit. One of our amateur poetasters recently perpetrated the following four lines on the unusual occurrence of a learned instructor working manually upon a college building:
To M. W. M.That soon shall shine as Learning's sacred halls;
A man so apt at ev'ry art and trade,
He well might govern what his hands have made!
The Privilege of Reminiscence, however rambling or tiresome, is one generally allow'd to the very aged; indeed, 'tis frequently by means of such Recollections that the obscure occurrences of History, and the lesser Anecdotes of the Great, are transmitted to Posterity.
Tho' many of my readers have at times observ'd and remark'd a Sort of antique Flow in my Stile of Writing, it hath pleased me to pass amongst the Members of this Generation as a young Man, giving out the Fiction that I was born in 1890, in America. I am now, however, resolv'd to unburthen myself of a secret which I have hitherto kept thro' Dread of Incredulity; and to impart to the Publick a true knowledge of my long years, in order to gratifie their taste for authentick Information of an Age with whose famous Personages I was on familiar Terms. Be it then known that I was born on the family Estate in Devonshire, of the 10th day of August, 1690, (or in the new Gregorian Stile of Reckoning, the 20th of August) being therefore now in my 228th year. Coming early to London, I saw as a Child many of the celebrated Men of King William's Reign, including the lamented Mr. Dryden, who sat much at the Tables of Will's Coffee-House. With Mr. Addison and Dr. Swift I later became very well acquainted, and was an even more familiar Friend to Mr. Pope, whom I knew and respected till the Day of his Death. But since it is of my more recent Associate, the late Dr. Johnson, that I am at this time desir'd to write; I will pass over my Youth for the present.
I had first Knowledge of the Doctor in May of the year 1738, tho' I did not at that Time meet him. Mr. Pope had just compleated his Epilogue to his Satires, (the Piece beginning: "Not twice a Twelvemonth you appear in Print.") and had arrang'd for its Publication. On the very Day it appear'd, there was also publish'd a Satire in Imitation of Juvenal, entituled "London,"
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