Antonina; Or, The Fall of Rome, Wilkie Collins [inspirational novels .txt] 📗

moment the girl's eye met the sentinel's vacant glance, and she renewed, with a last effort of strength, and a greater vehemence of supplication, her cries for help; but the soldier neither moved nor answered. Exhausted as he was, no sight could affect him now but the sight of food. Like the rest of the citizens, he was sunk in a heavy stupor of starvation—selfish, reckless, brutalised. No disasters could depress, no atrocities rouse him. Famine had torn asunder every social tie, had withered every human sympathy among his besieged fellow-citizens, and he was famishing like them.

At the moment when the dawn had first appeared, could he have looked down by some mysterious agency to the interior foundations of the wall, from the rampart on which he kept his weary watch, such a sight must then have presented itself as would have aroused even his sluggish observation to rigid attention and involuntary surprise.

Winding upward and downward among jagged masses of ruined brick-work, now lost amid the shadows of dreary chasms, now prominent over the elevations of rising arches, the dark irregular passages broken by Ulpius in the rotten wall would then have presented themselves to his eyes; not stretching forth in dismal solitude, not peopled only by the reptiles native to the place, but traced in all their mazes by human forms. Then he would have perceived the fierce, resolute Pagan, moving through darkness and obstacles with a sure, solemn progress, drawing after him, like a dog devoted to his will, the young girl whose hapless fate had doomed her to fall into his power. Her half-fainting figure might have been seen, sometimes prostrate on the higher places of the breach, while her fearful guide descended before her into a chasm beyond, and then turned to drag her after him to a darker and a lower depth yet; sometimes bent in supplication, when her lips moved once more with a last despairing entreaty, and her limbs trembled with a final effort to escape from her captor's relentless grasp. While still, through all that opposed him, the same fierce tenacity of purpose would have been invariably visible in every action of Ulpius, constantly confirming him in his mad resolution to make his victim the follower of his progress through the wall, ever guiding him with a strange instinct through every hindrance, and preserving him from every danger in his path, until it brought him forth triumphant, with his prisoner still in his power, again free to tread the desolate streets and mingle with the famine-stricken citizens of Rome.

And now when, after peril and anguish, she once more stood within the city of her home, what hope remained to Antonina of obtaining her last refuge under her father's roof, and deriving her solitary consolation from the effort to regain her father's love? With the termination of his passage through the breach in the wall had ended every recollection associated with it in the Pagan's shattered memory. A new blank now pervaded his lost faculties, desolate as that which had overwhelmed them in the night when he first stood in the farm-house garden by the young chieftain's grave. He moved onward, unobservant, unthinking, without aim or hope, driven by a mysterious restlessness, forgetting the very presence of Antonina as she followed him, but still mechanically grasping her hand, and dragging her after him he knew not whither.

And she, on her part, made no effort more for deliverance. She had seen the sentinel unmoved by her entreaties, she had seen the walls of her father's house receding from her longing eyes, as Ulpius pitilessly hurried her father and farther from its distant door; and she lost the last faint hope of restoration, the last lingering desire of life, as the sense of her helplessness now weighed heaviest on her mind. Her heart was full of her young warrior, who had been slain, and of her father, from whom she had parted in the hour of his wrath, as she now feebly followed the Pagan's steps, and resigned herself to a speedy exhaustion and death in her utter despair.

They turned from the Pincian Gate and gained the Campus Martius; and here the aspect of the besieged city and the condition of its doomed inhabitants were fully and fearfully disclosed to view. On the surface of the noble area, once thronged with bustling crowds passing to and fro in every direction as their various destinations or caprices might lead them, not twenty moving figures were now discernible. These few, who still retained their strength or the resolution to pace the greatest thoroughfare of Rome, stalked backwards and forwards incessantly, their hollow eyes fixed on vacancy, their wan hands pressed over their mouths; each separate, distrustful, and silent; fierce as imprisoned madmen; restless as spectres disturbed in a place of tombs.

Such were the citizens who still moved over the Campus Martius; and, besetting their path wherever they turned, lay the gloomy numbers of the dying and the dead—the victims already stricken by the pestilence which had now arisen in the infected city, and joined the famine in its work of desolation and death. Around the public fountains, where the water still bubbled up as freshly as in the summer-time of prosperity and peace, the poorer population of beleaguered Rome had chiefly congregated to expire. Some still retained strength enough to drink greedily at the margin of the stone basins, across which others lay dead—their heads and shoulders immersed in the water—drowned from lack of strength to draw back after their first draught. Children mounted over the dead bodies of their parents to raise themselves to the fountain's brim; parents stared vacantly at the corpses of their children alternately floating and sinking in the water, into which they had fallen unsuccoured and unmourned.

In other parts of the place, at the open gates of the theatres and hippodromes, in the unguarded porticoes of the palaces and the baths lay the discoloured bodies of those who had died ere they could reach the fountains—of women and children especially—surrounded in frightful contrast by the abandoned furniture of luxury and the discarded inventions of vice—by gilded couches—by inlaid tables—by jewelled cornices—by obscene picture and statues—by brilliantly framed, gaudily tinted manuscripts of licentious songs, still hanging at their accustomed places on the lofty marble walls. Farther on, in the by-streets and the retired courts, where the corpse of the tradesman was stretched on his empty counter; where the soldier of the city guard dropped down overpowered ere he reached the limit of his rounds; where the wealthy merchant lay pestilence-stricken upon the last hoards of repulsive food which his gold had procured; the assassin and the robber might be seen—now greedily devouring the offal that lay around them, now falling dead upon the bodies which they had rifled but the moment before.

Over the whole prospect, far and near, wherever it might extend, whatever the horrors by which it might be occupied, was spread a blank, supernatural stillness. Not a sound arose; the living were as silent as the dead; crime, suffering, despair, were all voiceless alike; the trumpet was unheard in the guard-house; the bell never rang from the church; even the thick, misty rain, that now descended from the black and unmoving clouds, and obscured in cold shadows the outlines of distant buildings and the pinnacle tops of mighty palaces, fell noiseless to the ground. The sky had no wind; the earth no echoes—the pervading desolation appalled the eye; the vast stillness weighed dull on the ear—it was a scene as of the last-left city of an exhausted world, decaying noiselessly into primeval chaos.

Through this atmosphere of darkness and death, along these paths of pestilence and famine; unregarding and unregarded, the Pagan and his prisoner passed slowly onward towards the quarter of the city opposite the Pincian Mount. No ray of thought, even yet, brightened the dull faculties of Ulpius; still he walked forward vacantly, and still he was followed wearily by the fast-failing girl.

Sunk in her mingled stupor of bodily weakness and mental despair, she never spoke, never raised her head, never looked forth on the one side or the other. She had now ceased even to feel the strong, cold grasp of the Pagan's hand. Shadowy visions of spheres beyond the world, arrayed in enchanting beauty, and people with happy spirits in their old earthly forms, where a long deathless existence moved smoothly and dreamily onward, without mark of time or taint of woe, were opening before her mind. She lost all memory of afflictions and wrongs, all apprehension of danger from the madman at whose mercy she remained. And thus she still moved feebly onward as the will of Ulpius guided her, with no observation of her present peril, and no anxiety for her impending fate.

They passed the grand circular structure of the Pantheon, entered the long narrow streets leading to the banks of the river, and finally gained the margin of the Tiber—hard by the little island that still rises in the midst of its waters. Here, for the first time, the Pagan paused mechanically in his course, and vacantly directed his dull, dreamy eyes on the prospect before him, where the walls, stretching abruptly outward from their ordinary direction, enclosed the Janiculum Hill, as it rose with its irregular mass of buildings on the opposite bank of the river.

At this sudden change from action to repose, the overtasked energies which had hitherto gifted the limbs of Antonina with an unnatural power of endurance, abruptly relaxed. She sank down helpless and silent; her head drooped towards the hard ground, as towards a welcome pillow, but found no support, for the Pagan's iron grasp of her hand remained unyielding as ever. Infirm though he was, he appeared at this moment to be unconscious that his prisoner was now hanging at his side. Every association connected with her, every recollection of his position with her in her father's house, had vanished from his memory. A darker blindness seemed to have sunk over his bodily perceptions; his eyes rolled slowly to and fro over the prospect before him, but regarded nothing; his panting breaths came thick and fast; his shrunk chest heaved as if some deep, dread agony were pent within it—it was evident that a new crisis in his insanity was at hand.

At this moment one of the bands of marauders—the desperate criminals of famine and plague—who still prowled through the city, appeared in the street. Their trembling hands sought their weapons, and their haggard faces brightened, when they first discerned the Pagan and the girl; but as they approached nearer they saw enough in the figures of the two, at a glance, to destroy their hopes of seizing on them either plunder or food. For an instant they stood by their intended victims, as if debating whether to murder them only for murder's sake, when the appearance of two women, stealthily quitting a house farther on in the street, carrying a basket covered by some tattered garments, attracted their attention. They turned instantly to follow the bearers of the basket, and again Ulpius and Antonina were left alone on the river's bank.

The appearance of the assassins had been powerless, as every other sight or event in the city, in arousing the faculties of Ulpius. He had neither looked on them nor fled from them when they surrounded him; but now when they were gone he slowly turned his head in the direction by which they had departed. His gaze wandered over the wet flagstones of the street, over two corpses stretched on them at a little distance, over the figure of a female slave who lay forsaken near the wall of one of the houses, exerting her last energies to drink from the turbid rain-water which ran down the kennel by her side; and still his eyes remained unregardful of all that they encountered. The next object which by chance attracted his vacant attention was a deserted temple. This solitary building fixed him immediately in contemplation—it was destined to open a new and a warning scene in the dark tragedy of his closing life.

In his course through the city he had passed unheeded many temples far more prominent in situation, far more imposing in structure, than this. It was a building of no remarkable extent or extraordinary beauty. Its narrow porticoes and dark doorway were more fitted to repel than to invite the eye; but it had one attraction, powerful above all glories of architecture and all grandeur of situation to arrest in him those wandering faculties whose sterner and loftier aims were now suspended for ever; it was dedicated to Serapis—to the idol which had been the deity of his first worship, and the inspiration of his last struggle for the restoration of his faith. The image of the god, with the three-headed monster