The Nabob, Alphonse Daudet [new books to read .txt] 📗

his bedside, and, confronted by the lie visible even beneath the make-up of the decrepit old man, remarked:
"Oh, you know--no humbug! From you to me, truth. What do they say? I am in a very bad way, eh?"
Monpavon prefaced his reply with a significant silence; then brutally, cynically, for fear of breaking down as he spoke:
"Done for, my poor Augustus!"
The duke received the sentence full in the face without flinching.
"Ah!" he said simply.
He pulled his mustache with a mechanical gesture, but his features remained motionless. And immediately he made up his mind.
That the poor wretch who dies in a hospital, without home or family, without other name than the number of his bed, that he should accept death as a deliverance or bear it as his last trial; that the old peasant who passes away, bent double, worn out, in his dark and smoky cellar, that he should depart without regret, savouring in advance the taste of that fresh earth which he has so many times dug over and over--that is intelligible. And yet how many, even among such, cling to existence despite all their misery! how many there are who cry, holding on to their sordid furniture and to their rags, "I don't want to die!" and depart with nails broken and bleeding from that supreme wrench. But here there was nothing of the kind.
To possess all, and to lose all. What a catastrophe!
In the first silence of that dreadful moment, while he heard the sound of the music coming faintly from the duchess's ball at the other end of the palace, whatever attached this man to life, power, honour, wealth, all that splendour must have seemed to him already far away and in an irrevocable past. A courage of a quite exceptional temper must have been required to bear up under such a blow without any spur of personal vanity. No one was present save the friend, the doctor, the servant, three intimates acquainted with all his secrets; the lights moved back, left the bed in shadow, and the dying man might quite well have turned his face to the wall in lamentation of his own fate without being noticed. But not an instant of weakness, nor of useless demonstration. Without breaking a branch of the chestnut-trees in the garden, without withering a flower on the great staircase of the palace, his footsteps muffled on the thick pile of the carpets, Death had opened the door of this man of power and signed to him "Come!" And he answered simply, "I am ready." The true exit of a man of the world, unforeseen, rapid, and discreet.
Man of the world! Mora was nothing if not that. Passing through life masked, gloved, breast-plated--breast-plate of white satin, such as the masters of fence wear on great days; preserving his fighting dress immaculate and clean; sacrificing everything to that irreproachable exterior which with him did duty for armour; he had determined on his _role_ as statesman in the passage from the drawing-room to a wider scene, and made, indeed, a statesman of the first rank on the strength alone of his qualities as a man about town, the art of listening and of smiling, knowledge of men, scepticism, and coolness. That coolness did not leave him at the supreme moment.
With eyes fixed on the time, so short, which still remained to him--for the dark visitor was in a hurry, and he could feel on his face the draught from the door which he had not closed behind him--his one thought now was to occupy the time well, to satisfy all the obligations of an end like his, which must leave no devotion unrecompensed nor compromise any friend. He gave a list of certain persons whom he wished to see and who were sent for immediately, summoned the head of his cabinet, and, as Jenkins ventured the opinion that it was a great fatigue for him, said:
"Can you guarantee that I shall wake to-morrow morning? I feel strong at this moment; let me take advantage of it."
Louis inquired whether the duchess should be informed. The duke, before replying, listened to the sounds of music that reached his room through the open windows from the little ball, sounds that seemed prolonged in the night on an invisible bow, then answered:
"Let us wait a little. I have something to finish."
They brought to his bedside the little lacquered table that he might himself sort out the letters which were to be destroyed; but feeling his strength give way, he called Monpavon.
"Burn everything," said he to him in a faint voice; and seeing him move towards the fireplace, where a fire was burning despite the warmth of the season.
"No," he added, "not here. There are too many of them. Some one might come."
Monpavon took up the writing-table, which was not heavy, and signed to the _valet de chambre_ to go before him with a light. But Jenkins sprang forward:
"Stay here, Louis; the duke may want you."
He took hold of the lamp; and moving carefully down the whole length of the great corridor, exploring the waiting-rooms, the galleries, in which the fireplaces proved to be filled with artificial plants and quite emptied of ashes, they wandered like spectres in the silence and darkness of the vast house, alive only over yonder on the right, were pleasure was singing like a bird on a roof which is about to fall in ruins.
"There is no fire anywhere. What is to be done with all this?" they asked each other in great embarrassment. They might have been two thieves dragging away a chest which they did not know how to open. At last Monpavon, out of patience, walked straight to a door, the only one which they had not yet opened.
"_Ma foi_, so much the worse! Since we cannot burn them, we will drown them. Hold the light, Jenkins."
And they entered.
Where were they? Saint-Simon relating the downfall of one of those sovereign existences, the disarray of ceremonies, of dignities, of grandeurs, caused by death and especially by sudden death, only Saint-Simon might have found words to tell you. With his delicate, carefully kept hands, the Marquis de Monpavon did the pumping. The other passed to him the letters after tearing them into small pieces, packets of letters, on satin paper, tinted, perfumed, adorned with crests, coats of arms, small flags with devices, covered with handwritings, fine, hurried, scrawling, entwining, persuasive; and all those flimsy pages went whirling one over the other in eddying streams of water which crumpled them, soiled them, washed out their tender links before allowing them to disappear with a gurgle down the drain.
They were love-letters and of every kind, from the note of the adventuress, "_I saw you pass yesterday in the Bois, M. le Duc_," to the aristocratic reproaches of the last mistress but one, and the complaints of ladies deserted, and the page, still fresh, of recent confidences. Monpavon was in the secret of all these mysteries--put a name on each of them: "That is Mme. Moor. Hallo! Mme. d'Athis!" A confusion of coronets and initials, of caprices and old habits, sullied by the promiscuity of this moment, all engulfed in the horrid closet by the light of a lamp, with the noise of an intermittent gush of water, departing into oblivion by a shameful road. Suddenly Jenkins paused in his work of destruction. Two satin-gray letters trembled as he held them in his fingers.
"Who is that?" asked Monpavon, noticing the unfamiliar handwriting and the Irishman's nervous excitement. "Ah, doctor, if you want to read them all, we shall never have finished."
Jenkins, his cheeks flushed, the two letters in his hand, was consumed by a desire to carry them away, to pore over them at his ease, to martyrize himself with delight by reading them, perhaps also to forge out of this correspondence a weapon for himself against the imprudent woman who had signed her name. But the rigorous correctness of the marquis made him afraid. How could he distract his attention--get him away? The opportunity occurred of its own accord. Among the letters, a tiny page written in a senile and shaky hand, caught the attention of the charlatan, who said with an ingenuous air: "Oh, oh! here is something that does not look much like a _billet-doux. 'Mon Duc, to the rescue--I am sinking! The Court of Exchequer has once more stuck its nose into my affairs.'_"
"What are you reading there?" exclaimed Monpavon abruptly, snatching the letter from his hands. And immediately, thanks to Mora's negligence in thus allowing such private letters to lie about, the terrible situation in which he would be left by the death of his protector returned to his mind. In his grief, he had not yet given it a thought. He told himself that in the midst of all his preparations for his departure, the duke might quite possibly overlook him; and, leaving Jenkins to complete the drowning of Don Juan's casket by himself, he returned precipitately in the direction of the bed-chamber. Just as he was on the point of entering, the sound of a discussion held him back behind the lowered door-curtain. It was Louis's voice, tearful like that of a beggar in a church-porch, trying to move the duke to pity for his distress, and asking permission to take certain bundles of bank-notes that lay in a drawer. Oh, how hoarse, utterly wearied, hardly intelligible the answer, in which there could be detected the effort of the sick man to turn over in his bed, to bring back his vision from a far-off distance already half in sight:
"Yes, yes; take them. But for God's sake, let me sleep--let me sleep!"
Drawers opened, closed again, a short and panting breath. Monpavon heard no more of what was going on, and retraced his steps without entering. The ferocious rapacity of his servant had set his pride upon its guard. Anything rather than degradation to such a point as that.
The sleep which Mora craved for so insistently--the lethargy, to be more accurate--lasted a whole night, and through the next morning also, with uncertain wakings disturbed by terrible sufferings relieved each time by soporifics. No further attempt was made to nurse him to recovery; they tried only to soothe his last moments, to help him to slip painlessly over that terrible last step. His eyes had opened again during this time, but were already dimmed, fixed in the void on floating shadows, vague forms like those a diver sees quivering in the uncertain light under water.
In the afternoon of the Thursday, towards three o'clock, he regained complete consciousness, and recognising Monpavon, Cardailhac, and two or three other intimate friends, he smiled to them, and betrayed in a sentence his only anxiety:
"What do they say about it in Paris?"
They said many things about it, different and contradictory; but very certainly he was the only subject of conversation, and the news spread through the town since the morning, that Mora was at his last breath, agitated the streets, the drawing-rooms, the cafes, the workshops, revived the question of the political situation in newspaper offices and clubs, even in porters' lodges and on the tops of omnibuses, in every place where the unfolded public newspapers commented on this startling rumour of the day.
Mora was the most brilliant incarnation of the Empire. One sees from a distance, not the solid or insecure base of the building, but the gilded and delicate spire, embellished, carved into hollow tracery, added for the satisfaction of the age. Mora was what was seen in France and throughout Europe of the Empire. If he fell, the monument would find itself bereft of all its elegance, split as by some long and irreparable crack. And how many lives would be dragged down by that sudden