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identity was known, and proceeded to ask questions on the strange arrangements of the place without reserve.

On either side of the passage, which was silent and padded, as if to deaden the footfall, were narrow little doors, their size and arrangement suggestive of the cells of a Victorian prison. But the upper portion of each door was of the same greenish transparent stuff that had enclosed him at his awakening, and within, dimly seen, lay, in every case, a very young baby in a little nest of wadding. Elaborate apparatus watched the atmosphere and rang a bell far away in the central office at the slightest departure from the optimum of temperature and moisture. A system of such creches had almost entirely replaced the hazardous adventures of the old-world nursing. The attendant presently called Graham’s attention to the wet nurses, a vista of mechanical figures, with arms, shoulders and breasts of astonishingly realistic modelling, articulation, and texture, but mere brass tripods below, and having in the place of features a flat disc bearing advertisements likely to be of interest to mothers.

Of all the strange things that Graham came upon that night, none jarred more upon his habits of thought than this place. The spectacle of the little pink creatures, their feeble limbs swaying uncertainly in vague first movements, left alone, without embrace or endearment, was wholly repugnant to him. The attendant doctor was of a different opinion. His statistical evidence showed beyond dispute that in the Victorian times the most dangerous passage of life was the arms of the mother, that there human mortality had ever been most terrible. On the other hand this creche company, the International Creche Syndicate, lost not one-half per cent of the million babies or so that formed its peculiar care. But Graham’s prejudice was too strong even for those figures.

Along one of the many passages of the place they presently came upon a young couple in the usual blue canvas peering through the transparency and laughing hysterically at the bald head of their first-born. Graham’s face must have showed his estimate of them, for their merriment ceased and they looked abashed. But this little incident accentuated his sudden realisation of the gulf between his habits of thought and the ways of the new age. He passed on to the crawling rooms and the Kindergarten, perplexed and distressed. He found the endless long playrooms were empty! the latter-day children at least still spent their nights in sleep. As they went through these, the little officer pointed out the nature of the toys, developments of those devised by that inspired sentimentalist Froebel. There were nurses here, but much was done by machines that sang and danced and dandled.

Graham was still not clear upon many points. “But so many orphans,” he said perplexed, reverting to a first misconception, and learnt again that they were not orphans.

So soon as they had left the creche he began to speak of the horror the babies in their incubating cases had caused him. “Is motherhood gone?” he said. “Was it a cant? Surely it was an instinct. This seems so unnatural—abominable almost.”

“Along here we shall come to the dancing place,” said Asano by way of reply. “It is sure to be crowded. In spite of all the political unrest it will be crowded. The women take no great interest in politics—except a few here and there. You will see the mothers—most young women in London are mothers. In that class it is considered a creditable thing to have one child—a proof of animation. Few middle class people have more than one. With the Labour Company it is different. As for motherhood They still take an immense pride in the children. They come here to look at them quite often.”

“Then do you mean that the population of the world—?”

“Is falling? Yes. Except among the people under the Labour Company. They are reckless—.”

The air was suddenly dancing with music, and down a way they approached obliquely, set with gorgeous pillars as it seemed of clear amethyst, flowed a concourse of gay people and a tumult of merry cries and laughter. He saw curled heads, wreathed brows, and a happy intricate flutter of gamboge pass triumphant across the picture.

“You will see,” said Asano with a faint smile “The world has changed. In a moment you will see the mothers of the new age. Come this way. We shall see those yonder again very soon.”

They ascended a certain height in a swift lift, and changed to a slower one. As they went on the music grew upon them, until it was near and full and splendid, and, moving with its glorious intricacies they could distinguish the beat of innumerable dancing feet. They made a payment at a turnstile, and emerged upon the wide gallery that overlooked the dancing place, and upon the full enchantment of sound and sight.

“Here,” said Asano, “are the fathers and mothers of the little ones you saw.”

The hall was not so richly decorated as that of the Atlas, but saving that, it was, for its size, the most splendid Graham had seen. The beautiful white limbed figures that supported the galleries reminded him once more of the restored magnificence of sculpture; they seemed to writhe in engaging attitudes, their faces laughed. The source of the music that filled the place was hidden, and the whole vast shining floor was thick with dancing couples. “Look at them,” said the little officer, “see how much they show of motherhood.”

The gallery they stood upon ran along the upper edge of a huge screen that cut the dancing hall on one side from a sort of outer hall that showed through broad arches the incessant onward rush of the city ways. In this outer hall was a great crowd of less brilliantly dressed people, as numerous almost as those who danced within, the great majority wearing the blue uniform of the Labour Company that was now so familiar to Graham. Too poor to pass the turnstiles to the festival, they were yet unable to keep away from the sound of its seductions. Some of them even had cleared spaces, and were dancing also, fluttering their rags in the air. Some shouted as they danced, jests and odd allusions Graham did not understand. Once someone began whistling the refrain of the revolutionary song, but it seemed as though that beginning was promptly suppressed. The corner was dark and Graham could not see. He turned to the hall again. Above the caryatidae were marble busts of men whom that age esteemed great moral emancipators and pioneers; for the most part their names were strange to Graham, though he recognised Grant Allen, Le Gallienne, Nietzsche, Shelley and Goodwin. Great black festoons and eloquent sentiments reinforced the huge inscription that partially defaced the upper end of the dancing place, and asserted that “The Festival of the Awakening” was in progress.

“Myriads are taking holiday or staying from work because of that, quite apart from the labourers who refuse to go back,” said Asano. “These people are always ready for holidays.”

Graham walked to the parapet and stood leaning over, looking down at the dancers. Save for two or three remote whispering couples, who had stolen apart, he and his guide had the gallery to themselves. A warm breath of scent and vitality came up to him. Both men and women below were lightly clad, bare-armed, open-necked, as the universal warmth of the city permitted. The hair of the men was often a mass of effeminate curls, their chins were always shaven, and many of them had flushed or coloured cheeks. Many of the women were very pretty, and all were dressed with elaborate

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