The Monastery, Walter Scott [if you liked this book txt] 📗

Sir Piercie Shafton,” continued Christie, “you will judge for yourself, whether secrecy and safety is not more your object even now, than soft beds and high cheer. And do not judge of the dame's goods by the semblance of her cottage; for you will see by the dinner she is about to spread for us, that the vassal of the kirk is seldom found with her basket bare.” To Mary Avenel, Christie presented the stranger, after the best fashion he could, as to the niece of his master the baron.

While he thus laboured to reconcile Sir Piercie Shafton to his fate, the widow, having consulted her son Edward on the real import of the Lord Abbot's injunction, and having found that Christie had given a true exposition, saw nothing else left for her but to make that fate as easy as she could to the stranger. He himself also seemed reconciled to his lot by some feeling probably of strong necessity, and accepted with a good grace the hospitality which the dame offered with a very indifferent one.

In fact, the dinner, which soon smoked before the assembled guests, was of that substantial kind which warrants plenty and comfort. Dame Glendinning had cooked it after her best manner; and, delighted with the handsome appearance which her good cheer made when placed on the table, forgot both her plans and the vexations which interrupted them, in the hospitable duty of pressing her assembled visiters to eat and drink, watching every trencher as it waxed empty, and loading it with fresh supplies ere the guest could utter a negative.

In the meanwhile, the company attentively regarded each other's motions, and seemed endeavouring to form a judgment of each other's character. Sir Piercie Shafton condescended to speak to no one but to Mary Avenel, and on her he conferred exactly the same familiar and compassionate, though somewhat scornful sort of attention, which a pretty fellow of these days will sometimes condescend to bestow on a country miss, when there is no prettier or more fashionable woman present. The manner indeed was different, for the etiquette of those times did not permit Sir Piercie Shafton to pick his teeth, or to yawn, or to gabble like the beggar whose tongue (as he says) was cut out by the Turks, or to affect deafness or blindness, or any other infirmity of the organs. But though the embroidery of his conversation was different, the groundwork was the same, and the high-flown and ornate compliments with which the gallant knight of the sixteenth century inter-larded his conversation, were as much the offspring of egotism and self-conceit, as the jargon of the coxcombs of our own days.

The English knight was, however, something daunted at finding that Mary Avenel listened with an air of indifference, and answered with wonderful brevity, to all the fine things which ought, as he conceived, to have dazzled her with their brilliancy, and puzzled her by their obscurity. But if he was disappointed in making the desired, or rather the expected impression, upon her whom he addressed, Sir Piercie Shafton's discourse was marvellous in the ears of Mysie the Miller's daughter, and not the less so that she did not comprehend the meaning of a single word which he uttered. Indeed, the gallant knight's language was far too courtly to be understood by persons of much greater acuteness than Mysie's.

It was about this period, that the “only rare poet of his time, the witty, comical, facetiously-quick, and quickly-facetious, John Lylly—he that sate at Apollo's table, and to whom Phoebus gave a wreath of his own bays without snatching” {Footnote: Such, and yet more extravagant, are the compliments paid to this author by his editor, Blount. Notwithstanding all exaggeration, Lylly was really a man of wit and imagination, though both were deformed by the most unnatural affectation that ever disgraced a printed page.}—he, in short, who wrote that singularly coxcomical work, called Euphues and his England, was in the very zenith of his absurdity and his reputation. The quaint, forced, and unnatural style which he introduced by his “Anatomy of Wit,” had a fashion as rapid as it was momentary—all the court ladies were his scholars, and to parler Euphuisme, was as necessary a qualification to a courtly gallant, as those of understanding how to use his rapier, or to dance a measure.

It was no wonder that the Maid of the Mill was soon as effectually blinded by the intricacies of this erudite and courtly style of conversation, as she had ever been by the dust of her father's own meal-sacks. But there she sate with her mouth and eyes as open as the mill-door and the two windows, showing teeth as white as her father's bolted flour, and endeavouring to secure a word or two for her own future use out of the pearls of rhetoric which Sir Piercie Shafton scattered around him with such bounteous profusion.

For the male part of the company, Edward felt ashamed of his own manner and slowness of speech, when he observed the handsome young courtier, with an ease and volubility of which he had no conception, run over all the commonplace topics of high-flown gallantry. It is true the good sense and natural taste of young Glendinning soon informed him that the gallant cavalier was speaking nonsense. But, alas! where is the man of modest merit, and real talent, who has not suffered from being outshone in conversation and outstripped in the race of life, by men of less reserve, and of qualities more showy, though less substantial? and well constituted must the mind be, that can yield up the prize without envy to competitors more worthy than himself.

Edward Glendinning had no such philosophy. While he despised the jargon of the gay cavalier, he envied the facility with which he could run on, as well as the courtly tone and expression, and the perfect ease and elegance with which he offered all the little acts of politeness to which the duties of the table gave opportunity. And if I am to speak truth, I must own that he envied those qualities the more as they were all exercised in Mary Avenel's service, and, although only so far accepted as they could not be refused, intimated a wish on the stranger's part to place himself in her good graces, as the only person in the room to whom he thought it worth while to recommend himself. His title, rank, and very handsome figure, together with some sparks of wit and spirit which flashed across the cloud of nonsense which he uttered, rendered him, as the words of the old song say, “a lad for a lady's viewing;” so that poor Edward, with all his real worth and acquired knowledge, in his home-spun doublet, blue cap, and deerskin trowsers, looked like a clown beside the courtier, and, feeling the full inferiority, nourished no good-will to him by whom he was eclipsed.

Christie, on the other hand, as soon as he had satisfied to the full a commodious appetite, by means of which persons of his profession could, like the wolf and eagle, gorge themselves with as much food at one meal as might serve them for several days, began also to feel himself more in the back-ground than he liked to be. This worthy had, amongst his other good qualities, an excellent opinion of himself; and, being of a bold and forward disposition, had no mind to be thrown into the shade by any one. With an impudent familiarity which such persons mistake for graceful ease, he broke in upon the knight's finest speeches with as little remorse as he would have driven the point of his lance through a laced doublet. Sir Piercie Shafton, a man of rank and high birth, by no means encouraged or endured this familiarity, and requited the intruder either with total neglect, or such laconic replies as intimated a sovereign contempt for the rude spearman, who affected to converse with him upon terms of equality.

The Miller held his peace; for, as his