The Thirteen, Honoré de Balzac [best books to read for self improvement .txt] 📗
- Author: Honoré de Balzac
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weak in appearance yet as vigorous physically as intellectually, was so genuinely useful to his pupil, so complacent to his vices, so fine a calculator of all kinds of strength, so profound when it was needful to make some human reckoning, so youthful at table, at Frascati, at--I know not where, that the grateful Henri de Marsay was hardly moved at aught in 1814, except when he looked at the portrait of his beloved bishop, the only personal possession which the prelate had been able to bequeath him (admirable type of the men whose genius will preserve the Catholic, Apostolic, and Roman Church, compromised for the moment by the feebleness of its recruits and the decrepit age of its pontiffs; but if the church likes!).
The continental war prevented young De Marsay from knowing his real father. It is doubtful whether he was aware of his name. A deserted child, he was equally ignorant of Madame de Marsay. Naturally, he had little regret for his putative father. As for Mademoiselle de Marsay, his only mother, he built for her a handsome little monument in Pere Lachaise when she died. Monseigneur de Maronis had guaranteed to this old lady one of the best places in the skies, so that when he saw her die happy, Henri gave her some egotistical tears; he began to weep on his own account. Observing this grief, the abbe dried his pupil's tears, bidding him observe that the good woman took her snuff most offensively, and was becoming so ugly and deaf and tedious that he ought to return thanks for her death. The bishop had emancipated his pupil in 1811. Then, when the mother of M. de Marsay remarried, the priest chose, in a family council, one of those honest dullards, picked out by him through the windows of his confessional, and charged him with the administration of the fortune, the revenues of which he was willing to apply to the needs of the community, but of which he wished to preserve the capital.
Towards the end of 1814, then, Henri de Marsay had no sentiment of obligation in the world, and was as free as an unmated bird. Although he had lived twenty-two years he appeared to be barely seventeen. As a rule the most fastidious of his rivals considered him to be the prettiest youth in Paris. From his father, Lord Dudley, he had derived a pair of the most amorously deceiving blue eyes; from his mother the bushiest of black hair, from both pure blood, the skin of a young girl, a gentle and modest expression, a refined and aristocratic figure, and beautiful hands. For a woman, to see him was to lose her head for him; do you understand? to conceive one of those desires which eat the heart, which are forgotten because of the impossibility of satisfying them, because women in Paris are commonly without tenacity. Few of them say to themselves, after the fashion of men, the "_Je Maintiendrai_," of the House of Orange.
Underneath this fresh young life, and in spite of the limpid springs in his eyes, Henri had a lion's courage, a monkey's agility. He could cut a ball in half at ten paces on the blade of a knife; he rode his horse in a way that made you realize the fable of the Centaur; drove a four-in-hand with grace; was as light as a cherub and quiet as a lamb, but knew how to beat a townsman at the terrible game of _savate_ or cudgels; moreover, he played the piano in a fashion which would have enabled him to become an artist should he fall on calamity, and owned a voice which would have been worth to Barbaja fifty thousand francs a season. Alas, that all these fine qualities, these pretty faults, were tarnished by one abominable vice: he believed neither in man nor woman, God nor Devil. Capricious nature had commenced by endowing him, a priest had completed the work.
To render this adventure comprehensible, it is necessary to add here that Lord Dudley naturally found many women disposed to reproduce samples of such a delicious pattern. His second masterpiece of this kind was a young girl named Euphemie, born of a Spanish lady, reared in Havana, and brought to Madrid with a young Creole woman of the Antilles, and with all the ruinous tastes of the Colonies, but fortunately married to an old and extremely rich Spanish noble, Don Hijos, Marquis de San-Real, who, since the occupation of Spain by French troops, had taken up his abode in Paris, and lived in the Rue St. Lazare. As much from indifference as from any respect for the innocence of youth, Lord Dudley was not in the habit of keeping his children informed of the relations he created for them in all parts. That is a slightly inconvenient form of civilization; it has so many advantages that we must overlook its drawbacks in consideration of its benefits. Lord Dudley, to make no more words of it, came to Paris in 1816 to take refuge from the pursuit of English justice, which protects nothing Oriental except commerce. The exiled lord, when he saw Henri, asked who that handsome young man might be. Then, upon hearing the name, "Ah, it is my son.... What a pity!" he said.
Such was the story of the young man who, about the middle of the month of April, 1815, was walking indolently up the broad avenue of the Tuileries, after the fashion of all those animals who, knowing their strength, pass along in majesty and peace. Middle-class matrons turned back naively to look at him again; other women, without turning round, waited for him to pass again, and engraved him in their minds that they might remember in due season that fragrant face, which would not have disadorned the body of the fairest among themselves.
"What are you doing here on Sunday?" said the Marquis de Ronquerolles to Henri, as he passed.
"There's a fish in the net," answered the young man.
This exchange of thoughts was accomplished by means of two significant glances, without it appearing that either De Ronquerolles or De Marsay had any knowledge of the other. The young man was taking note of the passers-by with that promptitude of eye and ear which is peculiar to the Parisian who seems, at first, to see and hear nothing, but who sees and hears all.
At that moment a young man came up to him and took him familiarly by the arm, saying to him: "How are you, my dear De Marsay?"
"Extremely well," De Marsay answered, with that air of apparent affection which amongst the young men of Paris proves nothing, either for the present or the future.
In effect, the youth of Paris resemble the youth of no other town. They may be divided into two classes: the young man who has something, and the young man who has nothing; or the young man who thinks and he who spends. But, be it well understood this applies only to those natives of the soil who maintain in Paris the delicious course of the elegant life. There exist, as well, plenty of other young men, but they are children who are late in conceiving Parisian life, and who remain its dupes. They do not speculate, they study; they _fag_, as the others say. Finally there are to be found, besides, certain young people, rich or poor, who embrace careers and follow them with a single heart; they are somewhat like the Emile of Rousseau, of the flesh of citizens, and they never appear in society. The diplomatic impolitely dub them fools. Be they that or no, they augment the number of those mediocrities beneath the yoke of which France is bowed down. They are always there, always ready to bungle public or private concerns with the dull trowel of their mediocrity, bragging of their impotence, which they count for conduct and integrity. This sort of social _prizemen_ infests the administration, the army, the magistracy, the chambers, the courts. They diminish and level down the country and constitute, in some manner, in the body politic, a lymph which infects it and renders it flabby. These honest folk call men of talent immoral or rogues. If such rogues require to be paid for their services, at least their services are there; whereas the other sort do harm and are respected by the mob; but, happily for France, elegant youth stigmatizes them ceaselessly under the name of louts.
At the first glance, then, it is natural to consider as very distinct the two sorts of young men who lead the life of elegance, the amiable corporation to which Henri de Marsay belonged. But the observer, who goes beyond the superficial aspect of things, is soon convinced that the difference is purely moral, and that nothing is so deceptive as this pretty outside. Nevertheless, all alike take precedence over everybody else; speak rightly or wrongly of things, of men, literature, and the fine arts; have ever in their mouth the Pitt and Coburg of each year; interrupt a conversation with a pun, turn into ridicule science and the _savant_; despise all things which they do not know or which they fear; set themselves above all by constituting themselves the supreme judges of all. They would all hoax their fathers, and be ready to shed crocodile tears upon their mothers' breasts; but generally they believe in nothing, blaspheme women, or play at modesty, and in reality are led by some old woman or an evil courtesan. They are all equally eaten to the bone with calculation, with depravity, with a brutal lust to succeed, and if you plumbed for their hearts you would find in all a stone. In their normal state they have the prettiest exterior, stake their friendship at every turn, are captivating alike. The same badinage dominates their ever-changing jargon; they seek for oddity in their toilette, glory in repeating the stupidities of such and such actor who is in fashion, and commence operations, it matters not with whom, with contempt and impertinence, in order to have, as it were, the first move in the game; but, woe betide him who does not know how to take a blow on one cheek for the sake of rendering two. They resemble, in fine, that pretty white spray which crests the stormy waves. They dress and dance, dine and take their pleasure, on the day of Waterloo, in the time of cholera or revolution. Finally, their expenses are all the same, but here the contrast comes in. Of this fluctuating fortune, so agreeably flung away, some possess the capital for which the others wait; they have the same tailors, but the bills of the latter are still to pay. Next, if the first, like sieves, take in ideas of all kinds without retaining any, the latter compare them and assimilate all the good. If the first believe they know something, know nothing and understand everything, lend all to those who need nothing and offer nothing to those who are in need; the latter study secretly others' thoughts and place out their money, like their follies, at big interest. The one class have no more faithful impressions, because their soul, like a mirror, worn from use, no longer reflects any image; the others economize their senses and life, even while they seem, like the first, to be flinging them away broadcast. The first, on the faith of a hope, devote themselves without conviction to a system which has wind and tide against it, but they leap upon another political craft when the first goes adrift; the second take the measure of the future, sound it, and see in political fidelity what the English see in commercial integrity, an element of success. Where the young man of possessions makes a
The continental war prevented young De Marsay from knowing his real father. It is doubtful whether he was aware of his name. A deserted child, he was equally ignorant of Madame de Marsay. Naturally, he had little regret for his putative father. As for Mademoiselle de Marsay, his only mother, he built for her a handsome little monument in Pere Lachaise when she died. Monseigneur de Maronis had guaranteed to this old lady one of the best places in the skies, so that when he saw her die happy, Henri gave her some egotistical tears; he began to weep on his own account. Observing this grief, the abbe dried his pupil's tears, bidding him observe that the good woman took her snuff most offensively, and was becoming so ugly and deaf and tedious that he ought to return thanks for her death. The bishop had emancipated his pupil in 1811. Then, when the mother of M. de Marsay remarried, the priest chose, in a family council, one of those honest dullards, picked out by him through the windows of his confessional, and charged him with the administration of the fortune, the revenues of which he was willing to apply to the needs of the community, but of which he wished to preserve the capital.
Towards the end of 1814, then, Henri de Marsay had no sentiment of obligation in the world, and was as free as an unmated bird. Although he had lived twenty-two years he appeared to be barely seventeen. As a rule the most fastidious of his rivals considered him to be the prettiest youth in Paris. From his father, Lord Dudley, he had derived a pair of the most amorously deceiving blue eyes; from his mother the bushiest of black hair, from both pure blood, the skin of a young girl, a gentle and modest expression, a refined and aristocratic figure, and beautiful hands. For a woman, to see him was to lose her head for him; do you understand? to conceive one of those desires which eat the heart, which are forgotten because of the impossibility of satisfying them, because women in Paris are commonly without tenacity. Few of them say to themselves, after the fashion of men, the "_Je Maintiendrai_," of the House of Orange.
Underneath this fresh young life, and in spite of the limpid springs in his eyes, Henri had a lion's courage, a monkey's agility. He could cut a ball in half at ten paces on the blade of a knife; he rode his horse in a way that made you realize the fable of the Centaur; drove a four-in-hand with grace; was as light as a cherub and quiet as a lamb, but knew how to beat a townsman at the terrible game of _savate_ or cudgels; moreover, he played the piano in a fashion which would have enabled him to become an artist should he fall on calamity, and owned a voice which would have been worth to Barbaja fifty thousand francs a season. Alas, that all these fine qualities, these pretty faults, were tarnished by one abominable vice: he believed neither in man nor woman, God nor Devil. Capricious nature had commenced by endowing him, a priest had completed the work.
To render this adventure comprehensible, it is necessary to add here that Lord Dudley naturally found many women disposed to reproduce samples of such a delicious pattern. His second masterpiece of this kind was a young girl named Euphemie, born of a Spanish lady, reared in Havana, and brought to Madrid with a young Creole woman of the Antilles, and with all the ruinous tastes of the Colonies, but fortunately married to an old and extremely rich Spanish noble, Don Hijos, Marquis de San-Real, who, since the occupation of Spain by French troops, had taken up his abode in Paris, and lived in the Rue St. Lazare. As much from indifference as from any respect for the innocence of youth, Lord Dudley was not in the habit of keeping his children informed of the relations he created for them in all parts. That is a slightly inconvenient form of civilization; it has so many advantages that we must overlook its drawbacks in consideration of its benefits. Lord Dudley, to make no more words of it, came to Paris in 1816 to take refuge from the pursuit of English justice, which protects nothing Oriental except commerce. The exiled lord, when he saw Henri, asked who that handsome young man might be. Then, upon hearing the name, "Ah, it is my son.... What a pity!" he said.
Such was the story of the young man who, about the middle of the month of April, 1815, was walking indolently up the broad avenue of the Tuileries, after the fashion of all those animals who, knowing their strength, pass along in majesty and peace. Middle-class matrons turned back naively to look at him again; other women, without turning round, waited for him to pass again, and engraved him in their minds that they might remember in due season that fragrant face, which would not have disadorned the body of the fairest among themselves.
"What are you doing here on Sunday?" said the Marquis de Ronquerolles to Henri, as he passed.
"There's a fish in the net," answered the young man.
This exchange of thoughts was accomplished by means of two significant glances, without it appearing that either De Ronquerolles or De Marsay had any knowledge of the other. The young man was taking note of the passers-by with that promptitude of eye and ear which is peculiar to the Parisian who seems, at first, to see and hear nothing, but who sees and hears all.
At that moment a young man came up to him and took him familiarly by the arm, saying to him: "How are you, my dear De Marsay?"
"Extremely well," De Marsay answered, with that air of apparent affection which amongst the young men of Paris proves nothing, either for the present or the future.
In effect, the youth of Paris resemble the youth of no other town. They may be divided into two classes: the young man who has something, and the young man who has nothing; or the young man who thinks and he who spends. But, be it well understood this applies only to those natives of the soil who maintain in Paris the delicious course of the elegant life. There exist, as well, plenty of other young men, but they are children who are late in conceiving Parisian life, and who remain its dupes. They do not speculate, they study; they _fag_, as the others say. Finally there are to be found, besides, certain young people, rich or poor, who embrace careers and follow them with a single heart; they are somewhat like the Emile of Rousseau, of the flesh of citizens, and they never appear in society. The diplomatic impolitely dub them fools. Be they that or no, they augment the number of those mediocrities beneath the yoke of which France is bowed down. They are always there, always ready to bungle public or private concerns with the dull trowel of their mediocrity, bragging of their impotence, which they count for conduct and integrity. This sort of social _prizemen_ infests the administration, the army, the magistracy, the chambers, the courts. They diminish and level down the country and constitute, in some manner, in the body politic, a lymph which infects it and renders it flabby. These honest folk call men of talent immoral or rogues. If such rogues require to be paid for their services, at least their services are there; whereas the other sort do harm and are respected by the mob; but, happily for France, elegant youth stigmatizes them ceaselessly under the name of louts.
At the first glance, then, it is natural to consider as very distinct the two sorts of young men who lead the life of elegance, the amiable corporation to which Henri de Marsay belonged. But the observer, who goes beyond the superficial aspect of things, is soon convinced that the difference is purely moral, and that nothing is so deceptive as this pretty outside. Nevertheless, all alike take precedence over everybody else; speak rightly or wrongly of things, of men, literature, and the fine arts; have ever in their mouth the Pitt and Coburg of each year; interrupt a conversation with a pun, turn into ridicule science and the _savant_; despise all things which they do not know or which they fear; set themselves above all by constituting themselves the supreme judges of all. They would all hoax their fathers, and be ready to shed crocodile tears upon their mothers' breasts; but generally they believe in nothing, blaspheme women, or play at modesty, and in reality are led by some old woman or an evil courtesan. They are all equally eaten to the bone with calculation, with depravity, with a brutal lust to succeed, and if you plumbed for their hearts you would find in all a stone. In their normal state they have the prettiest exterior, stake their friendship at every turn, are captivating alike. The same badinage dominates their ever-changing jargon; they seek for oddity in their toilette, glory in repeating the stupidities of such and such actor who is in fashion, and commence operations, it matters not with whom, with contempt and impertinence, in order to have, as it were, the first move in the game; but, woe betide him who does not know how to take a blow on one cheek for the sake of rendering two. They resemble, in fine, that pretty white spray which crests the stormy waves. They dress and dance, dine and take their pleasure, on the day of Waterloo, in the time of cholera or revolution. Finally, their expenses are all the same, but here the contrast comes in. Of this fluctuating fortune, so agreeably flung away, some possess the capital for which the others wait; they have the same tailors, but the bills of the latter are still to pay. Next, if the first, like sieves, take in ideas of all kinds without retaining any, the latter compare them and assimilate all the good. If the first believe they know something, know nothing and understand everything, lend all to those who need nothing and offer nothing to those who are in need; the latter study secretly others' thoughts and place out their money, like their follies, at big interest. The one class have no more faithful impressions, because their soul, like a mirror, worn from use, no longer reflects any image; the others economize their senses and life, even while they seem, like the first, to be flinging them away broadcast. The first, on the faith of a hope, devote themselves without conviction to a system which has wind and tide against it, but they leap upon another political craft when the first goes adrift; the second take the measure of the future, sound it, and see in political fidelity what the English see in commercial integrity, an element of success. Where the young man of possessions makes a
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