Henry Dunbar, Mary Elizabeth Braddon [reading list txt] 📗

Kerstall senior, who never left off smiling, nodded and chuckled, and scratched his head, and seemed to plunge into a depth of profound thought.

Laura began to hope again.

"I remember painting Sir Jasper Rivington, who was Lord Mayor in the year--bless my heart how the dates do slip out of my mind, to be sure!--I remember painting _him_, in his robes too; yes, sir--by gad, sir, his official robes. He'd liked me to have painted him looking out of the window of his state-coach, sir, bowing to the populace on Ludgate Hill, with the dome of St. Paul's in the background; but I told him the notion wasn't practicable, sir; I told him it couldn't be done, sir; I----"

Laura looked despairingly at Mr. Kerstall the younger.

"May we see the pictures?" she asked. "I am sure that I shall recognize my father's portrait, if by any chance it should be amongst them."

"We will set to work at once, then," the artist said, briskly. "We're going to look at your pictures, father."

Unframed canvases, and unfinished sketches on millboard, were lying about the room in every direction, piled against the wall, heaped on side-tables, and stowed out of the way upon shelves, and everywhere the dust lay thick upon them.

"It was quite a chamber of horrors," Mr. Kerstall the younger said, gaily: for it was here that he banished his own failures; his sketches for his pictures that were to be painted upon some future occasion; carelessly-drawn groups that he meant some day to improve upon; finished pictures that he had been unable to sell; and all the other useless litter of an artist's studio.

There were a great many dingy performances of Mr. Kerstall senior; very classical, and extremely uninteresting; studies from the life, grey and chalky and muscular, with here and there a knotty-looking foot or a lumpy arm, in the most unpleasant phases of foreshortening. There were a good many portraits, gentlemanly to the last degree; but poor Laura looked in vain for the face she wanted to see--the hard cold face, as she fancied it must have been in youth.

There were portraits of elderly ladies with stately head-gear, and simpering young ladies with innocent short-waisted bodices and flowers held gracefully, in their white-muslin draperies; there were portraits of stern clerical grandees, and parliamentary non-celebrities, with popular bills rolled up in their hands, ready to be laid upon the speaker's table, and with a tight look about the lips, that seemed to say the member was prepared to carry his motion, or perish on the floor of the House.

There were only a few portraits of young men of military aspect, looking fiercely over regulation stocks, and with forked lightning and little pyramids of cannon-balls in the background.

Laura sighed heavily at last, for amongst all these portraits there was not one which in the least possible degree recalled the hard handsome face with which she was familiar.

"I'm afraid my father's picture has been lost or destroyed," she said, mournfully.

But Mr. Kerstall would not allow this.

I have said that it was Laura's peculiar privilege to bewitch everybody with whom she came in contact, and to transform them, for the nonce, into her willing slaves, eager to go through fire and water in the service of this beautiful creature, whose eyes and hair were like blue skies and golden sunshine, and carried light and summer wherever they went.

The black-bearded artist in the paint-smeared holland blouse was in no manner proof against Lady Jocelyn's fascinations.

He had well-nigh suffocated himself with dust half-a-dozen times already in her service, and was ready to inhale as much more dust if she desired him so to do.

"We won't give it up just yet, Lady Jocelyn," he said, cheerfully; "there's a couple of shelves still to examine. Suppose we try shelf number one, and see if we can find Mr. Henry Dunbar up there."

Mr. Kerstall junior mounted upon a chair, and brought down another heap of canvases, dirtier than any previous collection. He brought these to a table by the side of his father's easel, and one by one he wiped them clean with a large ragged silk handkerchief, and then placed them on the easel.

The easel stood in the full light of the broad window. The day was bright and clear, and there was no lack of light, therefore, upon the portraits.

Mr. Kerstall senior began to be quite interested in his son's proceedings, and contemplated the younger man's operations with a perpetual chuckling and nodding of the head, that were expressive of unmitigated satisfaction.

"Yes, they're gentlemanly," the old man mumbled; "nobody can deny that they're gentlemanly. They may make a cabal against me in Trafalgar Square, and decline to hang 'em: but they can't say my pictures are ungentlemanly. No, no. Take a basin of water and a sponge, Fred, and wash the dust off. It pleases me to see 'em again--yes, by gad, sir, it pleases me to see 'em again!"

Mr. Frederick Kerstall obeyed his father, and the pictures brightened wonderfully under the influence of a damp sponge. It was rather a slow operation; but Laura was bent upon seeing every picture, and Philip Jocelyn waited patiently enough until the inspection should be concluded.

The old man brightened up as much as his paintings, and began presently to call out the names of the subjects.

"The member for Slopton-on-the-Tees," he said, as his son placed a portrait on the easel; "that was a presentation picture, but the subscriptions were never paid up, and the committee left the portrait upon my hands. I don't remember the name of the member, because my memory isn't quite so good as it used to be; but the borough was Slopton-on-the-Tees--Slopton--yes, yes, I remember that."

The younger Kerstall took away the member for Slopton, and put another picture on the easel. But this was like the rest; the pictured face bore no trace of resemblance to that face for which Laura was looking.

"I remember him too," the old man cried, with a triumphant chuckle. "He was an officer in the East-India Company's service. I remember him; a dashing young fellow he was too. He had the picture painted for his mother: paid me a third of the money at the first sitting; never paid me a sixpence afterwards; and went off to India, promising to send me a bill of exchange for the balance by the next mail; but I never heard any more of him."

Mr. Kerstall removed the Indian officer, and substituted another portrait.

Sir Philip, who was sitting near the window, looking on rather listlessly, cried--

"What a handsome face!"

It _was_ a handsome face--a bright young face, which smiled haughty defiance at the world--a splendid face, with perhaps a shade of insolence in the curve of the upper lip, sharply denned under a thick auburn moustache, with pointed ends that curled fiercely upwards. It was such a face as might have belonged to the favourite of a powerful king; the face of the Cinq Mars, on the very summit of his giddy eminence, with a hundred pairs of boots in his dressing-room, and quiet Cardinal Richelieu watching silently for the day of his doom. English Buckingham may have worn the same insolent smile upon his lips, the same bright triumph in his glance, when he walked up to the throne of Louis the Just, with the pearls and diamonds dropping from his garments as he went along, and with forbidden love beaming on him out of Austrian Anne's blue eyes. It was such a face as could only belong to some high favourite of fortune, defiant of all mankind in the consciousness of his own supreme advantages.

But Laura Jocelyn shook her head as she looked at the picture.

"I begin to despair of finding my father's portrait," she said; "I have seen nothing at all like it yet."

The old man lifted up his bony hand, and pointed to the picture on the easel.

"That's the best thing I ever did," he said, "the very best thing I ever did. It was exhibited in the Academy six-and-thirty years ago--yes, by gad, sir, six-and-thirty years ago! and the papers mentioned it very favourably, sir; but the man who commissioned it, sent it back to me for alteration. The expression of the face didn't please him; but he paid me two hundred guineas for the picture, so I had no reason to complain; and if I'd remained in England, the connection might have been advantageous to me; for they were rich city people, sir--enormously wealthy--something in the banking-line, and the name, the name--let me see--let me see!"

The old man tapped his forehead thoughtfully.

"I remember," he added presently: "it was a great name in the City--it was a well-known name--Dun--Dunbar--Dunbar."

"Why, father, that was the very name I was asking you about, half an hour ago!"

"I don't remember your asking me any such thing," the old man answered, rather snappishly; "but I do know that the picture on that easel is the portrait of Mr. Dunbar's only son."

Mr. Kerstall the younger looked at Laura Jocelyn, full; expecting to see her face beaming with satisfaction; but, to his own surprise, she looked more disappointed than ever.

"Your poor father's memory deceives him," she said, in a low voice; "that is not my father's portrait."

"No," said Philip Jocelyn, "that was never the likeness of Henry Dunbar."

Mr. Frederick Kerstall shrugged his shoulders.

"I told you as much," he murmured, confidentially. "I told you my poor father's memory was gone. Would you like to see the rest of the pictures?"

"Oh, yes, if you do not mind all this trouble."

Mr. Kerstall brought down another heap of unframed canvases from shelf number two. Some of these were fancy heads, and some sketches for grand historical pictures. There were only about four portraits, and not one of them bore the faintest likeness to the face that Laura wanted to see.

The old man chuckled as his son exhibited the pictures, and every now and then volunteered some scrap of information about these various works of art, to which his son listened patiently and respectfully.

So at last the inspection was ended. The baronet and his wife thanked the artist very warmly for his politeness, and Philip gave him a commission for a replica of the picture which Laura had admired in the Luxembourg. Mr. Frederick Kerstall conducted his guests down the dingy staircase, and saw them to the hired carriage that was waiting under the archway.

And this was all that came of Laura Jocelyn's search for her father's portrait.


CHAPTER XXXVII.


MARGARET'S LETTER.

Life seemed very blank to Clement Austin when he returned to London a day or two after Margaret Wilmot's departure from the Reindeer. He told his mother that he and his betrothed had parted; but he would tell no more.

"I have been cruelly disappointed, mother, and the subject is very bitter to me," he said; and Mrs. Austin had not the courage to ask any further questions.

"I suppose I _must_ be satisfied, Clement," she said. "It seems to me as if we had been living lately in an atmosphere of enigmas. But I can afford to be contented, Clement, so long as I have you with me."

Clement went back to London. His life seemed to have altogether slipped away from him, and he felt like an old man who has lost all the bright chances of existence; the hope of domestic happiness and a