The Yellow Claw, Sax Rohmer [top 100 novels of all time .TXT] 📗

sacrament of opium; thousands, millions of evil carnivals had trailed in impish procession about that bed. He knew enough of the creative power of thought to be aware that a sensitive mind coming into contact with such an atmosphere could not fail to respond in some degree to the suggestions, to the elemental hypnosis, of the place.

Was he, owing to his self-induced receptivity of mind, redreaming the evil dreams of those who had occupied that bed before him?

It might be so, but, whatever the explanation, he found himself unable to shake off that uncanny sensation of being watched, studied, by a powerful and inimical intelligence.

Mr. King!... Mr. King was watching him!

The director of that group, whose structure was founded upon the wreckage of human souls, was watching him! Because of a certain sympathy which existed between his present emotions and those which had threatened to obsess him whilst the Eurasian was in the room, he half believed that it was she who peered down at him, now... or she, and another.

The lamp swung gently to and fro, turning slowly to the right and then revolving again to the left, giving life in its gyrations to the intermingled figures on the walls. The atmosphere of the room was nauseating; it was beginning to overpower him....

Creative power of thought... what startling possibilities it opened up. Almost it seemed, if Sir Brian Malpas were to be credited, that the collective mind-force of a group of opium smokers had created the “glamor” of a woman—an Oriental woman—who visited them regularly in their trances. Or had that vision a prototype in the flesh—whom he had seen?...

Creative power of thought... MR. KING! He was pursuing Mr. King; whilst Mr. King might be nothing more than a thought-form—a creation of cumulative thought—an elemental spirit which became visible to his subjects, his victims, which had power over them; which could slay them as the “shell” slew Frankenstein, his creator; which could materialize:... Mr. King might be the Spirit of Opium....

The faint clicking sound was repeated.

Beads of perspiration stood upon M. Max's forehead; his imagination had been running away with him. God! this was a house of fear! He controlled himself, but only by dint of a tremendous effort of will.

Stealthily watching the lamp, he saw that the arc described by its gyrations was diminishing with each successive swing, and, as he watched, its movements grew slighter and slighter, until finally it became quite stationary again, floating, purple and motionless, upon the stagnant air.

Very slowly, he ventured to change his position, for his long ordeal was beginning to induce cramp. The faint creaking of the metal bunk seemed, in the dead stillness and to his highly-tensed senses, like the rattling of castanets.

For ten minutes he lay in his new position; then moved slightly again and waited for fully three-quarters of an hour. Nothing happened, and he now determined to proceed with his inquiries.

Sitting upon the edge of the bunk, he looked about him, first directing his attention to that portion of the wall immediately above. So cunningly was the trap contrived that he could find no trace of its existence. Carefully balancing himself upon the rails on either side of the bunk, he stood up, and peered closely about that part of the wall from which the sound had seemed to come. He even ran his fingers lightly over the paper, up as high as he could reach; but not the slightest crevice was perceptible. He began to doubt the evidence of his own senses.

Unless his accursed imagination had been playing him tricks, a trap of some kind had been opened above his head and someone had looked in at him; yet—and his fingers were trained to such work—he was prepared to swear that the surface of the Chinese paper covering the wall was perfectly continuous. He drummed upon it lightly with his finger-tips, here and there over the surface above the bed. And in this fashion he became enlightened.

A portion, roughly a foot in height and two feet long, yielded a slightly different note to his drumming; whereby he knew that that part of the paper was not ATTACHED to the wall. He perceived the truth. The trap, when closed, fitted flush with the back of the wall-paper, and this paper (although when pasted upon the walls it showed no evidence of the fact) must be TRANSPARENT.

From some dark place beyond, it was possible to peer in THROUGH the rectangular patch of paper as through a window, at the occupant of the bunk below, upon whom the shaded lamp directly poured its rays!

He examined more closely a lower part of the wall, which did not fall within the shadow of the purple lamp-shade; for he was thinking of the draught which had followed the opening of the trap. By this examination he learnt two things: The explanation of the draught, and that of a peculiar property possessed by the mural decorations. These (as Soames had observed before him) assumed a new form if one stared at them closely; other figures, figures human and animal, seemed to take shape and to peer out from BEHIND the more obvious designs which were perceptible at a glance. The longer and the closer one studied these singular walls, the more evident the UNDER design became, until it usurped the field of vision entirely. It was a bewildering delusion; but M. Max had solved the mystery.

There were TWO designs; the first, an intricate Chinese pattern, was painted or printed upon material like the finest gauze. This was attached over a second and vividly colored pattern upon thick parchment-like paper—as he learnt by the application of the point of his pocket-knife.

The observation trap was covered with this paper, and fitted so nicely in the opening that his fingers had failed to detect, through the superimposed gauze, the slightest irregularity there. But, the trap opened, a perfectly clear view of the room could be obtained through the gauze, which, by reason of its texture, also admitted a current of air.

This matter settled, M. Max proceeded carefully to examine the entire room foot by foot. Opening the door in one corner, he entered the bathroom, in which, as in the outer apartment, an electric light was burning. No window was discoverable, and not even an opening for ventilation purposes. The latter fact he might have deduced from the stagnation of the atmosphere.

Half an hour or more he spent in this fashion, without having discovered anything beyond the secret of the observation trap. Again he took out his pocket-knife, which was a large one with a handsome mother-o'-pearl handle. Although Mr. Ho-Pin had examined this carefully, he had solved only half of its secrets. M. Max extracted a little pair of tweezers from the slot in which they were lodged—as Ho-Pin had not neglected to do; but Ho-Pin, having looked at the tweezers, had returned them to their place: M. Max did not do so. He opened the entire knife as though it had been a box, and revealed within it a tiny set of appliances designed principally for the desecration of locks!

Selecting one of these, he took up his watch from the table upon which it lay, and approached the door. It possessed a lever handle of the Continental pattern, and M. Max silently prayed that this might not be a snare and a delusion, but that the lock below might be of the same manufacture.