One Day, Bjørnstjerne Bjørnson [best free e reader .TXT] 📗

she put down the flowers, made a snowball, and threw it at her back.

When she got home she wrapped the children well up and put them into the sledge with Tea. "Mamma, mamma!" they shouted and pointed up towards the hotel. There stood Aksel Aaroe. He bowed to her.

Soon afterwards he came across. "You are quite alone," he said as he entered.

"Yes." She was arranging the flowers and did not look up for she was trembling.

"Is it a birthday to-day?" he asked.

"Do you mean because of the flowers?"

"Yes. What lovely roses, and those in the glass--dandelions?"

"The first this year," she answered.

He did not look at them. He stood and fidgeted, as though he were thinking of something.

"May I sing to you?" He said at last.

"Yes, indeed." She left the flowers, in order to open the piano and screw down the music-stool, and then drew quietly back.

After a long and subdued prelude, he began with the "Sunset Song," by Ole Olsen, very softly, as he had spoken and moved ever since he came in. Never had he sung more beautifully; he had greatly improved, but the voice was the same, nay, there was even more despair and suffering in it than when she had heard it for the first time. "Sorrow, sorrow, oh, I am lost!" She heard it again plainly. At the end of the first verse, she sat bending forward, and weeping bitterly. She had not even tried to control herself. He heard her and turned round, a moment afterwards she felt him approach her, it even seemed to her that he kissed her plait, certainly he had bent down over her, for she could feel his breath. But she did not raise her head, she dare not.

He walked across the room, returned and then walked back again. Her agitation subsided, she sat immovable and waited.

"May I be allowed to take you for a drive to-day?" she heard him say.

She had known the whole morning that they would go for a drive together, so she was not surprised. Just as _that_ had now been fulfilled, so would the other be--everything. She looked up through her tears and smiled. He smiled too.

"I will go and see about the horses," he said, and as she did not answer he left her.

She went back to the flowers. So she had not been able to give them to him. She would throw away the dandelions. As she took them out of the glass, she recalled the words, "You have something real there." They had certainly not been said about the dandelions, but they had often since recurred to her. Was it strange that they should do so now? She let the dandelions remain.

Aaroe stayed away a long time, more than an hour, but when he returned he was very cheerful. He was in a smart ladies' sledge, in the handsome furs which he had worn the day before; the most valuable ones that she had ever seen. He saluted with his whip, and talked and laughed with every one, old and young, who gathered round him while Ella put on her things. That was soon done; she had not many wraps, nor did she need them.

He got down when she appeared, came forward, muffled her up and drove off at a trot. As they went he stooped over her and whispered, "How good of you to come with me." His voice was very genial, but there was something quite different about his breath. As soon as the handsome horses had slackened speed, he stooped forward again.

"I have telephoned to Baadshaug to order lunch, it will be ready when we get there; you do not mind?"

She turned, so as to raise her head towards him, their faces almost met.

"I forgot to thank you for the card yesterday."

He coloured. "I repented afterwards," he said, "but at the moment, I could not but think of you; how you suit it out here." Now _she_ coloured and drew back. Then she heard close by her: "You must not be angry, it always happens that when we wish to repair a blunder, we make another."

She would have liked to have seen his eyes, as he said this, but she dare not look at him. At all events it was more than he had said up to the present time. His words fell softly on her ears. Before to-day she had almost misinterpreted his reserve, but how beautiful it made everything. She worshipped it.

"In a little time we shall come to the woods, then we will stop and look round us," he said.

"_There_," she thought.

He drove on at a quick trot. How happy she was! The sunlight sparkled on the snow, the air was warm, she had to loosen the shawl over her head, and he helped her to do so. Again she became aware of his breath, there was something, not tobacco, more delicate, pleasanter, but what was it? It seemed to harmonise with him. She felt very happy, with an overflow of joy in the scene through which they were driving and which continually increased in beauty.

On one side of the road were the mountains, the white mountains, which took a warm tint from the sunlight. In front of the mountains were lower hills, partly covered by woods, and among these lay scattered farms. The farms were soon passed and then came woods, nothing but woods. On the other side of the road they had the sea for the whole way, but between them and it were flat expanses, probably marshes. The sea looked steel-grey against the snow. It spoke of another part of life, of eternal unrest; protest after protest against the snow idyl.

During the thaw, tree-trunks, branches, and fences had become wet. The first snow which fell, being itself wet, had stuck to them. But when all this froze together, and there was another overwhelming fall, outlines were formed over the frozen surface, such as one rarely sees the like of. The weight of the first soft snow had caused it to slip down, but it had been arrested here and there by each inequality, and there it had collected, or else it had slid under the branches, or down on both sides of the fences; when this had been augmented both by drift and fall, the most whimsical animal forms were produced--white cats, white hares clawed the tree-trunks with bent backs and heads and fore-quarters outstretched, or sat under the branches, or on the hedges. White beasts were there, some appeared the size of martens, but occasionally they seemed as large as lynxes or even tigers; besides these there were numberless small animals, white mice, and squirrels, here, there, and everywhere. Again there were, besides, all sorts of oddities, mountebanks who hung by their heels, clowns and goblins on the tops of the fences, dwarfs with big sacks on their backs; an old hat or a nightcap: an animal without a head, another with a neck of preposterous length, an enormous mitten, an overturned water-can. In some places the blackened foliage remained uncovered, and formed arabesques against the drifts; in others, masses of snow lay on the branches of the fir-trees with green above and beneath, forming wonderful contrasts of colour. Aaroe drew up and they both got out of the sledge.

Now they gained a whole series of fresh impressions. Right in front of them stood an old pine-tree, half prostrated in the struggle of life; but was he not dreaming, here in the winter, the loveliest of all dreams, that he was young again? In the joyous growth of this snow-white glory he had forgotten all pain and decay, forgotten the moss on his bark, the rottenness of his roots was concealed. A rickety gate had been taken from its place and was propped against the fence, broken and useless. The artist hand of winter had sought it out too, and glorified it, and it was now an architectural masterpiece. The slanting black gate-posts were a couple of young dandies, with hats on one side and jaunty air. The old, grey, mossy rails--one could not imagine Paradise within a more beautiful enclosure. Their blemishes had in this resurrection become their greatest beauty. Their knots and crannies were the chief building ground for the snow, each hole filled up by a donation of heavenly crystals from the clouds. Their disfiguring splinters were now covered and kissed, shrouded and decorated; all blemishes were obliterated in the universal whiteness. A tumbledown moss-grown hut by the roadside--now more extravagantly adorned than the richest bride in the world, covered over from heaven's own lap in such abundance that the white snow wreaths hung half a yard beyond the roof; in some places folded back with consummate art. The grey-black wall under the snow wreaths looked like an old Persian fabric. It seemed ready to appear in a Shakespearean drama. The background of mountains and hills gleamed in the sunlight.

In the midst of all this Ella seemed to hear two little cries of "Mamma, mamma!" When she looked round for her companion he was sitting on the sledge, quite overcome, while tears flowed down his cheeks.

They drove on again, but slowly. "I remember this muddy road," said he; his voice sounded very sad. "The trees shaded it so that it was hardly ever dry, but now it is beautiful."

She turned and raised her head towards him. "Ah! sing a little," she said.

He did not answer at once, and she regretted that she had asked him; at length he said:

"I was thinking of it, but I became so agitated; do not speak for a moment and then perhaps I can--the old winter song, that is to say."

She understood that he could not do so until he completely realised it. These silent enthusiasts were indeed fastidious about what was genuine. Most things were not genuine enough for them. That is why they are so prone to intoxicate themselves; they wish to get away, to form a world for themselves. Yes, now he sang:


In winter's arms doth summer sleep
By winter covered calm she lay,
"Still!" he cried to the river's play,
To farm, and field and mountain steep.
Silence reigns o'er hill and dale,
No sound at home save ringing flail.

All that summer loved to see
Till she returns sleeps safely on.
In needed rest, the summer gone,
Sleep water, meadow-grass and tree,
Hid like the kernel in the nut
The earth lies crumbling round each root.

All the ills which summer knew,
Pest and blight for life and fruit
Winter's hosts have put to rout.
In peace she shall awake again
Purified by winds and snows,
Peace shall greet her as she goes.

A lovely dream has winter strown
On the sleeping mountain height;
Star high, pale in northern light,
From sight to sight it bears her on
Through the long, long hours of night,
Till she wakes shall be her flight.

He who we say brings naught but pain
Lives but for that he ne'er shall see.