Tales of the Five Towns, Arnold Bennett [ereader manga TXT] 📗

apprehension and alarm. His nature had lost all its adaptability; he trembled like a young girl at the prospect of new experiences. On the return voyage the vessel was quarantined at Liverpool for a fortnight, and Beechinor had an attack of low fever. Eight months afterwards he was ill again. Beechinor went to bed for the last time, cursing Providence, Wilbraham _v._ Wilbraham, and Rio.

Mark Beechinor was thirty, just nineteen years younger than his brother. Tall, uncouth, big-boned, he had a rather ferocious and forbidding aspect; yet all women seemed to like him, despite the fact that he seldom could open his mouth to them. There must have been something in his wild and liquid dark eyes which mutely appealed for their protective sympathy, something about him of shy and wistful romance that atoned for the huge awkwardness of this taciturn elephant. Mark was at present the manager of a small china manufactory at Longshaw, the farthest of the Five Towns in Staffordshire, and five miles from Bursley. He was an exceptionally clever potter, but he never made money. He had the dreamy temperament of the inventor. He was a man of ideas, the kind of man who is capable of forgetting that he has not had his dinner, and who can live apparently content amid the grossest domestic neglect. He had once spoilt a hundred and fifty pounds' worth of ware by firing it in a new kiln of his own contrivance; it cost him three years of atrocious parsimony to pay for the ware and the building of the kiln. He was impulsively and recklessly charitable, and his Saturday afternoons and Sundays were chiefly devoted to the passionate propagandism of the theories of liberty, equality, and fraternity.

'Is it true as thou'rt for marrying Sammy Mellor's daughter over at Hanbridge?' Edward Beechinor asked, in the feeble, tremulous voice of one agonized by continual pain.

Among relatives and acquaintances he commonly spoke the Five Towns dialect, reserving the other English for official use.

Mark stood at the foot of the bed, leaning with his elbows on the brass rail. Like most men, he always felt extremely nervous and foolish in a sick-room, and the delicacy of this question, so bluntly put, added to his embarrassment. He looked round timidly in the direction of the girl at the window; her back was towards him.

'It's possible,' he replied. 'I haven't asked her yet.'

'Her'll have no money?'

'No.'

'Thou'lt want some brass to set up with. Look thee here, Mark: I made my will seven years ago i' thy favour.'

'Thank ye,' said Mark gratefully.

'But that,' the dying man continued with a frown--'that was afore thou'dst taken up with these socialistic doctrines o' thine. I've heard as thou'rt going to be th' secretary o' the Hanbridge Labour Church, as they call it.'

Hanbridge is the metropolis of the Five Towns, and its Labour Church is the most audacious and influential of all the local activities, half secret, but relentlessly determined, whose aim is to establish the new democratic heaven and the new democratic earth by means of a gradual and bloodless revolution. Edward Beechinor uttered its abhorred name with a bitter and scornful hatred characteristic of the Toryism of a man who, having climbed high up out of the crowd, fiercely resents any widening or smoothing of the difficult path which he himself has conquered.

'They've asked me to take the post,' Mark answered.

'What's the wages?' the older man asked, with exasperated sarcasm.

'Nothing.'

'Mark, lad,' the other said, softening, 'I'm worth seven hundred pounds and this freehold house. What dost think o' that?'

Even in that moment, with the world and its riches slipping away from his dying grasp, the contemplation of this great achievement of thrift filled Edward Beechinor with a sublime satisfaction. That sum of seven hundred pounds, which many men would dissipate in a single night, and forget the next morning that they had done so, seemed vast and almost incredible to him.

'I know you've always been very careful,' said Mark politely.

'Give up this old Labour Church'--again old Beechinor laid a withering emphasis on the phrase--'give up this Labour Church, and its all thine--house and all.'

Mark shook his head.

'Think twice,' the sick man ordered angrily. 'I tell thee thou'rt standing to lose every shilling.'

'I must manage without it, then.'

A silence fell.

Each brother was absolutely immovable in his decision, and the other knew it. Edward might have said: 'I am a dying man: give up this thing to oblige me.' And Mark could have pleaded: 'At such a moment I would do anything to oblige you--except this, and this I really can't do. Forgive me.' Such amenities would possibly have eased the cord which was about to snap; but the idea of regarding Edward's condition as a factor in the case did not suggest itself favourably to the grim Beechinor stock, so stern, harsh, and rude. The sick man wiped from his sunken features the sweat which continually gathered there. Then he turned upon his side with a grunt.

'Thou must fetch th' lawyer,' he said at length, 'for I'll cut thee off.'

It was a strange request--like ordering a condemned man to go out and search for his executioner; but Mark answered with perfect naturalness:

'Yes. Mr. Ford, I suppose?'

'Ford? No! Dost think I want _him_ meddling i' my affairs? Go to young Baines up th' road. Tell him to come at once. He's sure to be at home, as it's Saturday night.'

'Very well.'

Mark turned to leave the room.

'And, young un, I've done with thee. Never pass my door again till thou know'st I'm i' my coffin. Understand?'

Mark hesitated a moment, and then went out, quietly closing the door. No sooner had he done so than the girl, hitherto so passive at the window, flew after him.

There are some women whose calm, enigmatic faces seem always to suggest the infinite. It is given to few to know them, so rare as they are, and their lives usually so withdrawn; but sometimes they pass in the street, or sit like sphinxes in the church or the theatre, and then the memory of their features, persistently recurring, troubles us for days. They are peculiar to no class, these women: you may find them in a print gown or in diamonds. Often they have thin, rather long lips and deep rounded chins; but it is the fine upward curve of the nostrils and the fall of the eyelids which most surely mark them. Their glances and their faint smiles are beneficent, yet with a subtle shade of half-malicious superiority. When they look at you from under those apparently fatigued eyelids, you feel that they have an inward and concealed existence far beyond the ordinary--that they are aware of many things which you can never know. It is as though their souls, during former incarnations, had trafficked with the secret forces of nature, and so acquired a mysterious and nameless quality above all the transient attributes of beauty, wit, and talent. They exist: that is enough; that is their genius. Whether they control, or are at the mercy of, those secret forces; whether they have in fact learnt, but may not speak, the true answer to the eternal Why; whether they are not perhaps a riddle even to their own simple selves: these are points which can never be decided.

Everyone who knew Mary Beechinor, in her cousin's home, or at chapel, or on Titus Price's earthenware manufactory, where she worked, said or thought that 'there was something about her ...' and left the phrase unachieved. She was twenty-five, and she had lived under the same roof with Edward Beechinor for seven years, since the sudden death of her parents. The arrangement then made was that Edward should keep her, while she conducted his household. She had insisted on permission to follow her own occupation, and in order that she might be at liberty to do so she personally paid eighteenpence a week to a little girl who came in to perform sundry necessary duties every day at noon. Mary Beechinor was a paintress by trade. As a class the paintresses of the Five Towns are somewhat similar to the more famous mill-girls of Lancashire and Yorkshire--fiercely independent by reason of good wages earned, loving finery and brilliant colours, loud-tongued and aggressive, perhaps, and for the rest neither more nor less kindly, passionate, faithful, than any other Saxon women anywhere. The paintresses, however, have some slight advantage over the mill-girls in the outward reticences of demeanour, due no doubt to the fact that their ancient craft demands a higher skill, and is pursued under more humane and tranquil conditions. Mary Beechinor worked in the 'band-and-line' department of the painting-shop at Price's. You may have observed the geometrical exactitude of the broad and thin coloured lines round the edges of a common cup and saucer, and speculated upon the means by which it was arrived at. A girl drew those lines, a girl with a hand as sure as Giotto's, and no better tools than a couple of brushes and a small revolving table called a whirler. Forty-eight hours a week Mary Beechinor sat before her whirler. Actuating the treadle, she placed a piece of ware on the flying disc, and with a single unerring flip of the finger pushed it precisely to the centre; then she held the full brush firmly against the ware, and in three seconds the band encircled it truly; another brush taken up, and the line below the band also stood complete. And this process was repeated, with miraculous swiftness, hour after hour, week after week, year after year. Mary could decorate over thirty dozen cups and saucers in a day, at three halfpence the dozen. 'Doesn't she ever do anything else?' some visitor might curiously inquire, whom Titus Price was showing over his ramshackle manufactory. 'No, always the same thing,' Titus would answer, made proud for the moment of this phenomenon of stupendous monotony. 'I wonder how she can stand it--she has a refined face,' the visitor might remark; and Mary Beechinor was left alone again. The idea that her work was monotonous probably never occurred to the girl. It was her work--as natural as sleep, or the knitting which she always did in the dinner-hour. The calm and silent regularity of it had become part of her, deepening her original quiescence, and setting its seal upon her inmost spirit. She was not in the fellowship of the other girls in the painting-shop. She seldom joined their more boisterous diversions, nor talked their talk, and she never manoeuvred for their men. But they liked her, and their attitude showed a certain respect, forced from them by they knew not what. The powers in the office spoke of Mary Beechinor as 'a very superior girl.'

She ran downstairs after Mark, and he waited in the narrow hall, where there was scarcely room for two people to pass. Mark looked at her inquiringly. Rather thin, and by no means tall, she seemed the merest morsel by his side. She was wearing her second-best crimson merino frock, partly to receive the doctor and partly because it was Saturday night; over this a plain bibless apron. Her cold gray eyes faintly sparkled in anger above the cheeks white with watching, and the dropped corners of her mouth showed a contemptuous indignation. Mary Beechinor was ominously roused from the accustomed calm of years. Yet Mark at first had no suspicion that she was disturbed. To him that pale and inviolate face, even while it cast a spell over him, gave no sign of the fires within.

She took him