When William Came, Hector Hugh Munro (Saki) [easy readers .TXT] 📗

way of hers that brooks of no refusal. On the other hand, as a mitigating circumstance, there will be a point d'asperge omelette such as few kitchens could turn out, so don't be late."

Yeovil set out for his morning walk with the curious sensation of one who starts on a voyage of discovery in a land that is well known to him. He turned into the Park at Hyde Park corner and made his way along the familiar paths and alleys that bordered the Row. The familiarity vanished when he left the region of fenced-in lawns and rhododendron bushes and came to the open space that stretched away beyond the bandstand. The bandstand was still there, and a military band, in sky- blue Saxon uniform, was executing the first item in the forenoon programme of music. Around it, instead of the serried rows of green chairs that Yeovil remembered, was spread out an acre or so of small round tables, most of which had their quota of customers, engaged in a steady consumption of lager beer, coffee, lemonade and syrups. Further in the background, but well within earshot of the band, a gaily painted pagoda-restaurant sheltered a number of more commodious tables under its awnings, and gave a hint of convenient indoor accommodation for wet or windy weather. Movable screens of trellis-trained foliage and climbing roses formed little hedges by means of which any particular table could be shut off from its neighbours if semi-privacy were desired. One or two decorative advertisements of popularised brands of champagne and Rhine wines adorned the outside walls of the building, and under the central gable of its upper story was a flamboyant portrait of a stern-faced man, whose image and superscription might also be found on the newer coinage of the land. A mass of bunting hung in folds round the flag-pole on the gable, and blew out now and then on a favouring breeze, a long three-coloured strip, black, white, and scarlet, and over the whole scene the elm trees towered with an absurd sardonic air of nothing having changed around their roots.

Yeovil stood for a minute or two, taking in every detail of the unfamiliar spectacle.

"They have certainly accomplished something that we never attempted," he muttered to himself. Then he turned on his heel and made his way back to the shady walk that ran alongside the Row. At first sight little was changed in the aspect of the well-known exercising ground. One or two riding masters cantered up and down as of yore, with their attendant broods of anxious-faced young girls and awkwardly bumping women pupils, while horsey-looking men put marketable animals through their paces or drew up to the rails for long conversations with horsey-looking friends on foot. Sportingly attired young women, sitting astride of their horses, careered by at intervals as though an extremely game fox were leading hounds a merry chase a short way ahead of them; it all seemed much as usual.

Presently, from the middle distance a bright patch of colour set in a whirl of dust drew rapidly nearer and resolved itself into a group of cavalry officers extending their chargers in a smart gallop. They were well mounted and sat their horses to perfection, and they made a brave show as they raced past Yeovil with a clink and clatter and rhythmic thud, thud, of hoofs, and became once more a patch of colour in a whirl of dust. An answering glow of colour seemed to have burned itself into the grey face of the young man, who had seen them pass without appearing to look at them, a stinging rush of blood, accompanied by a choking catch in the throat and a hot white blindness across the eyes. The weakness of fever broke down at times the rampart of outward indifference that a man of Yeovil's temperament builds coldly round his heartstrings.

The Row and its riders had become suddenly detestable to the wanderer; he would not run the risk of seeing that insolently joyous cavalcade come galloping past again. Beyond a narrow stretch of tree-shaded grass lay the placid sunlit water of the Serpentine, and Yeovil made a short cut across the turf to reach its gravelled bank.

"Can't you read either English or German?" asked a policeman who confronted him as he stepped off the turf.

Yeovil stared at the man and then turned to look at the small neatly-printed notice to which the official was imperiously pointing; in two languages it was made known that it was forbidden and verboten, punishable and straffbar, to walk on the grass.

"Three shilling fine," said the policeman, extending his hand for the money.

"Do I pay you?" asked Yeovil, feeling almost inclined to laugh; "I'm rather a stranger to the new order of things."

"You pay me," said the policeman, "and you receive a quittance for the sum paid," and he proceeded to tear a counterfoil receipt for a three shilling fine from a small pocket book.

"May I ask," said Yeovil, as he handed over the sum demanded and received his quittance, "what the red and white band on your sleeve stands for?"

"Bi-lingual," said the constable, with an air of importance. "Preference is given to members of the Force who qualify in both languages. Nearly all the police engaged on Park duty are bi-lingual. About as many foreigners as English use the parks nowadays; in fact, on a fine Sunday afternoon, you'll find three foreigners to every two English. The park habit is more Continental than British, I take it."

"And are there many Germans in the police Force?" asked Yeovil.

"Well, yes, a good few; there had to be," said the constable; "there were such a lot of resignations when the change came, and they had to be filled up somehow. Lots of men what used to be in the Force emigrated or found work of some other kind, but everybody couldn't take that line; wives and children had to be thought of. 'Tisn't every head of a family that can chuck up a job on the chance of finding another. Starvation's been the lot of a good many what went out. Those of us that stayed on got better pay than we did before, but then of course the duties are much more multitudinous."

"They must be," said Yeovil, fingering his three shilling State document; "by the way," he asked, "are all the grass plots in the Park out of bounds for human feet?"

"Everywhere where you see the notices," said the policeman, "and that's about three-fourths of the whole grass space; there's been a lot of new gravel walks opened up in all directions. People don't want to walk on the grass when they've got clean paths to walk on."

And with this parting reproof the bi-lingual constable strode heavily away, his loss of consideration and self-esteem as a unit of a sometime ruling race evidently compensated for to some extent by his enhanced importance as an official.

"The women and children," thought Yeovil, as he looked after the retreating figure; "yes, that is one side of the problem. The children that have to be fed and schooled, the women folk that have to be cared for, an old mother, perhaps, in the home that cannot be broken up. The old case of giving hostages."

He followed the path alongside the Serpentine, passing under the archway of the bridge and continuing his walk into Kensington Gardens. In another moment he was within view of the Peter Pan statue and at once observed that it had companions. On one side was a group representing a scene from one of the Grimm fairy stories, on the other was Alice in conversation with Gryphon and Mockturtle, the episode looking distressingly stiff and meaningless in its sculptured form. Two other spaces had been cleared in the neighbouring turf, evidently for the reception of further statue groups, which Yeovil mentally assigned to Struwelpeter and Little Lord Fauntleroy.

"German middle-class taste," he commented, "but in this matter we certainly gave them a lead. I suppose the idea is that childish fancy is dead and that it is only decent to erect some sort of memorial to it."

The day was growing hotter, and the Park had ceased to seem a desirable place to loiter in. Yeovil turned his steps homeward, passing on his way the bandstand with its surrounding acreage of tables. It was now nearly one o'clock, and luncheon parties were beginning to assemble under the awnings of the restaurant. Lighter refreshments, in the shape of sausages and potato salads, were being carried out by scurrying waiters to the drinkers of lager beer at the small tables. A park orchestra, in brilliant trappings, had taken the place of the military band. As Yeovil passed the musicians launched out into the tune which the doctor had truly predicted he would hear to repletion before he had been many days in London; the "National Anthem of the fait accompli."


CHAPTER V: L'ART D'ETRE COUSINE


Joan Mardle had reached forty in the leisurely untroubled fashion of a woman who intends to be comely and attractive at fifty. She cultivated a jovial, almost joyous manner, with a top-dressing of hearty good will and good nature which disarmed strangers and recent acquaintances; on getting to know her better they hastily re-armed themselves. Some one had once aptly described her as a hedgehog with the protective mimicry of a puffball. If there was an awkward remark to be made at an inconvenient moment before undesired listeners, Joan invariably made it, and when the occasion did not present itself she was usually capable of creating it. She was not without a certain popularity, the sort of popularity that a dashing highwayman sometimes achieved among those who were not in the habit of travelling on his particular highway. A great-aunt on her mother's side of the family had married so often that Joan imagined herself justified in claiming cousin-ship with a large circle of disconnected houses, and treating them all on a relationship footing, which theoretical kinship enabled her to exact luncheons and other accommodations under the plea of keeping the lamp of family life aglow.

"I felt I simply had to come to-day," she chuckled at Yeovil; "I was just dying to see the returned traveller. Of course, I know perfectly well that neither of you want me, when you haven't seen each other for so long and must have heaps and heaps to say to one another, but I thought I would risk the odium of being the third person on an occasion when two are company and three are a nuisance. Wasn't it brave of me?"

She spoke in full knowledge of the fact that the luncheon party would not in any case have been restricted to Yeovil and his wife, having seen Ronnie arrive in the hall as she was being shown upstairs.

"Ronnie Storre is coming, I believe," said Cicely, "so you're not breaking into a tete-a-tete."

"Ronnie, oh I don't count him," said Joan gaily; "he's just a boy who looks nice and eats asparagus. I hear he's getting to play the piano really well. Such a pity. He will grow fat; musicians always do, and it will ruin him. I speak feelingly because I'm gravitating towards plumpness myself. The Divine Architect turns us out fearfully and wonderfully built, and the result is charming to the eye, and then He adds another chin and