Old Saint Paul's, William Harrison Ainsworth [ebooks online reader .txt] 📗

verger often paused to throw a light upon the ground, and warn his companion of a hole.

On arriving at the head of the nave, Leonard cast his eyes down it, and was surprised at the magical effect of the moonlight upon its magnificent avenue of pillars; the massive shafts on the left being completely illuminated by the silvery beams, while those on the right lay in deep shadow.

"Ay, it is a noble structure," replied the old verger, noticing his look of wonder and admiration, "and, like many a proud human being, has known better days. It has seen sad changes in my time, for I recollect it when good Queen Bess ruled the land. But come along, young man,--you have something else to think of now."

Bestowing a momentary glance upon the matchless choir, with its groined roof, its clerestory windows, its arched openings, its carved stalls, and its gorgeous rose-window, Leonard followed his conductor through a small doorway on the left of the southern transept, and descending a flight of stone steps, entered a dark and extensive vault, for such it seemed. The feeble light of the lantern fell upon ranks of short heavy pillars, supporting a ponderous arched roof.

"You are now in Saint Faith's," observed the verger, "and above you is the choir of Saint Paul's."

Leonard took no notice of the remark, but silently crossing the nave of this beautiful subterranean church (part of which still exists), traversed its northern aisle. At length the verger stopped before the entrance of a small chapel, once dedicated to Saint John the Baptist, but now devoted to a less sacred purpose. As they advanced, Leonard observed a pile of dried skulls and bones in one corner, a stone coffin, strips of woollen shrouds, fragments of coffins, mattocks, and spades. It was evidently half a charnel, half a receptacle for the sexton's tools.

"If you choose to open that door," said the verger, pointing to one at the lower end of the chamber, "you will find him you seek. I shall go no further."

Summoning up all his resolution, Leonard pushed open the door. A frightful scene met his gaze. At one side of a deep, low-roofed vault, the architecture of which was of great antiquity, and showed that it had been a place of burial, was stretched a miserable pallet, and upon it, covered by a single blanket, lay a wretch, whose groans and struggles proclaimed the anguish he endured. A lamp was burning on the floor, and threw a sickly light upon the agonized countenance of the sufferer. He was a middle-aged man, with features naturally harsh, but which now, contracted by pain, had assumed a revolting expression. An old crone, who proved to be his mother, and a young man, who held him down in bed by main force, tended him. He was rambling in a frightful manner; and as his ravings turned upon the most loathly matters, it required some firmness to listen to them.

At a little distance from him, upon a bench, sat a stout, shrewd-looking, but benevolent little personage, somewhat between forty and fifty. This was Doctor Hodges. He had a lancet in his hand, with which he had just operated upon the sufferer, and he was in the act of wiping it on a cloth. As Leonard entered the vault, the doctor observed to the attendants of the sick man, "He will recover. The tumour has discharged its venom. Keep him as warm as you can, and do not let him leave his bed for two days. All depends upon that. I will send him proper medicines and some blankets shortly. If he takes cold, it will be fatal."

The young man promised to attend to the doctor's injunctions, and the old woman mumbled her thanks.

"Where is Judith Malmayns?" asked Doctor Hodges: "I am surprised not to see her. Is she afraid of the distemper?"

"Afraid of it!--not she," replied the old woman. "Since the plague has raged so dreadfully, she has gone out as a nurse to the sick, and my poor son has seen nothing of her."

Leonard then recollected that he had heard the woman, who called out of the miser's house, addressed as Mother Malmayns by the coffin-maker, and had no doubt that she was the sexton's wife. His entrance having been so noiseless that it passed unnoticed, he now stepped forward, and, addressing Doctor Hodges, acquainted him with his errand.

"What!" exclaimed the doctor, as soon as he concluded, "a son of Stephen Bloundel, the worthy grocer of Wood-street, attacked by the plague! I will go with you instantly, young man. I have a great regard for your master--a very great regard. There is not a better man living. The poor lad must be saved, if possible." And hastily repeating his instructions to the attendants of the sick man, he left the vault with the apprentice.

They found the verger in the charnel, and before quitting it, the doctor drew a small flask of canary from his pocket, and applied it to his lips.

"This is my anti-pestilential drink," he remarked with a smile, "and it has preserved me from contagion hitherto. You must let us out of the south door, friend," he added to the verger, "for I shall be obliged to step home for a moment, and it will save time. Come with me, young man, and tell me what has been done for the grocer's son."

As they traversed the gloomy aisle of Saint Faith, and mounted to the upper structure, Leonard related all that had taken place since poor Stephen's seizure. The doctor strongly expressed his approval of what had been done, and observed, "It could not be better. With Heaven's help, I have no doubt we shall save him, and I am truly glad of it for his father's sake."

By this time they had reached the southern door, and the verger having unlocked it, they issued forth. It was still bright moonlight, and Leonard, whose mind was greatly relieved by the assurances of the physician, felt in some degree reconciled to the delay, and kept up his part in the conversation promoted by his companion. The doctor, who was an extremely kind-hearted man, and appeared to have a great regard for the grocer, made many inquiries as to his family, and spoke in terms of the highest admiration of the beauty of his eldest daughter. The mention of Amabel's name, while it made Leonard's cheek burn, rekindled all his jealousy of Wyvil, and he tried to make some excuse to get away, but his companion would not hear of it.

"I tell you there is no hurry," said the doctor; "all is going on as well as possible. I will make your excuses to your master."

"On reaching the doctor's house they were ushered into a large room, surrounded with bookshelves and cases of anatomical preparations. Hodges seated himself at a table, on which a shaded lamp was placed, and writing out a prescription, desired his servant to get it made up at a neighbouring apothecary's, and to take it, with a couple of blankets, to the sexton of Saint Paul's. He then produced a bottle of medicated canary, and pouring out a large glass for the apprentice, drained another himself.

"I will answer for its virtue," he said: "it is a sure preservative against the plague."

Having furnished himself with several small packets of simples, a few pots of ointment, one or two phials, and a case of surgical instruments, he told Leonard he was ready to attend him.

"We will go round by Warwick-lane," he added. "I must call upon Chowles, the coffin-maker. It will not detain us a moment; and I have an order to give him."

The mention of this name brought to Leonard's mind the hideous attendant on the dead-cart, and he had no doubt he was the person in question. It did not become him, however, to make a remark, and they set out.

Mounting Addle-hill, and threading Ave-Maria-lane, they entered Warwick-lane, and about half-way up the latter thoroughfare, the doctor stopped before a shop, bearing on its immense projecting sign the representation of a coffin lying in state, and covered with scutcheons, underneath which was written, "ANSELM CHOWLES, COFFIN-MAKER."

"I do not think you will find Mr. Chowles at home," observed Leonard: "for I saw him with the dead-cart not half an hour ago."

"Very likely," returned the doctor; "but I shall see one of his men. The coffin-maker's business is now carried on in the night time," he added, with a sigh; "and he drives a flourishing trade. These sad times will make his fortune."

As he spoke, he rapped with his cane at the door, which, after a little delay, was opened by a young man in a carpenter's dress, with a hammer in his hand. On seeing who it was, this person exhibited great confusion, and would have retired; but the doctor, pushing him aside, asked for his master.

"You cannot see him just now, sir," replied the other, evidently considerably embarrassed. "He is just come home greatly fatigued, and is about to retire to rest."

"No matter," returned the doctor, entering a room, in which three or four other men were at work, hastily finishing coffins; "I _must_ see him."

No further opposition being offered, Hodges, followed by the apprentice, marched towards an inner room. Just as he reached the door, a burst of loud laughter, evidently proceeding from a numerous party, arose from within, and a harsh voice was heard chanting the following strains:

SONG OF THE PLAGUE.
To others the Plague a foe may be,
To me 'tis a friend--not an enemy;
My coffins and coffers alike it fills,
And the richer I grow the more it kills.
_Drink the Plague! Drink the Plague!_

For months, for years, may it spend its rage
On lusty manhood and trembling age;
Though half mankind of the scourge should die,
My coffins will sell--so what care I?
_Drink the Plague! Drink the Plague!_

Loud acclamations followed the song, and the doctor, who was filled with disgust and astonishment, opened the door. He absolutely recoiled at the scene presented to his gaze. In the midst of a large room, the sides of which were crowded with coffins, piled to the very ceiling, sat about a dozen personages, with pipes in their mouths, and flasks and glasses before them. Their seats were coffins, and their table was a coffin set upon a bier. Perched on a pyramid of coffins, gradually diminishing in size as the pile approached its apex, Chowles was waving a glass in one hand, and a bottle in the other, when the doctor made his appearance.

A more hideous personage cannot be imagined than the coffin-maker. He was clothed in a suit of rusty black, which made his skeleton limbs look yet more lean and cadaverous. His head was perfectly bald, and its yellow skin, divested of any artificial covering, glistened like polished ivory. His throat was long and scraggy, and supported a head unrivalled for ugliness. His nose had been broken in his youth, and was almost compressed flat with his face. His few remaining teeth were yellow and discoloured with large gaps between them. His eyes were bright, and set in deep cavernous recesses, and, now that he was more than half-intoxicated, gleamed with unnatural lustre. The friends by whom he was surrounded were congenial spirits,--searchers, watchmen, buriers, apothecaries, and other wretches, who, like himself, rejoiced in the pestilence, because it was a source of profit to them.