Marriage a la mode, Mrs. Humphry Ward [great novels of all time .txt] 📗

that made her so domineering and masterful? Very likely. On the journey he had put it down just to a natural and very surprising impudence. That was when he believed that she was a teacher, earning her bread. But the impudence had not prevented him from finding it much more amusing to talk to her than to anybody else.

And, on the whole, he thought she had not disliked him, though she had said the rudest things to him, and he had retaliated. She had asked him, indeed, to join them in an excursion the following day, and to tea at the Country Club. He had meant, if possible, to go back to New York on the morrow. But perhaps a day or two longer----

So she had a million--the little sprite? She was and would be a handful!--with a fortune or without it. And possessed also of the most extraordinary opinions. But he thought he would go on the excursion, and to the Country Club. He began to fold his mother's letter, and put it back into its envelope, while a slight flush mounted in his cheeks, and the young mouth that was still so boyish and candid took a stiffer line.


CHAPTER III

"Is Miss Floyd at home?"

The questioner was Mrs. Verrier, who had just alighted from her carriage at the door of the house in Columbia Avenue inhabited by Miss Floyd and her chaperon.

The maid replied that Miss Floyd had not yet returned, but had left a message begging Mrs. Verrier to wait for her. The visitor was accordingly ushered to the drawing-room on the first floor.

This room, the staircase, the maid, all bore witness to Miss Floyd's simplicity--like the Romney dress of Mount Vernon. The colour of the walls and the hangings, the lines of the furniture, were all subdued, even a little austere. Quiet greens and blues, mingled with white, showed the artistic mind; the chairs and sofas were a trifle stiff and straight legged; the electric fittings were of a Georgian plainness to match the Colonial architecture of the house; the beautiful self-coloured carpet was indeed Persian and costly, but it betrayed its costliness only to the expert. Altogether, the room, one would have said, of any _bourse moyenne_, with an eye for beauty. Fine photographs also, of Italian and Dutch pictures, suggested travel, and struck the cultivated cosmopolitan note.

Mrs. Verrier looked round it with a smile. It was all as unpretending as the maid who ushered her upstairs. Daphne would have no men-servants in her employ. What did two ladies want with them, in a democratic country? But Mrs. Verrier happened to know that Daphne's maid-servants were just as costly in their degree as the drawing-room carpet. Chosen for her in London with great care, attracted to Washington by enormous wages, these numerous damsels played their part in the general "simplicity" effect; but on the whole Mrs. Verrier believed that Daphne's household was rather more expensive than that of other rich people who employed men.

She walked through the room, looking absently at the various photographs and engravings, till her attention was excited by an easel and a picture upon it in the back drawing-room. She went up to it with a muttered exclamation.

"So _she_ bought it! Daphne's amazing!"

For what she saw before her was a masterpiece--an excessively costly masterpiece--of the Florentine school, smuggled out of Italy, to the wrath of the Italian Government, some six months before this date, and since then lost to general knowledge. Rumour had given it first to a well-known collection at Boston; then to another at Philadelphia; yet here it was in the possession of a girl of two-and-twenty of whom the great world was just--but only just--beginning to talk.

"How like Daphne!" thought her friend with malice. The "simple" room, and the priceless picture carelessly placed in a corner of it, lest any one should really suppose that Daphne Floyd was an ordinary mortal.

Mrs. Verrier sat down at last in a chair fronting the picture and let herself fall into a reverie. On this occasion she was dressed in black. The lace strings of a hat crowned with black ostrich feathers were fastened under her chin by a diamond that sparkled in the dim greenish light of the drawing-room; the feathers of the hat were unusually large and drooping; they curled heavily round the thin neck and long, hollow-eyed face, so that its ivory whiteness, its fatigue, its fretful beauty were framed in and emphasized by them; her bloodless hands lay upon her lap, and the folds of the sweeping dress drawn round her showed her slenderness, or rather her emaciation. Two years before this date Madeleine Verrier had been a great beauty, and she had never yet reconciled herself to physical losses which were but the outward and visible sign of losses "far more deeply interfused." As she sat apparently absorbed in thought before the picture, she moved, half consciously, so that she could no longer see herself in a mirror opposite.

Yet her thoughts were in truth much engaged with Daphne and Daphne's proceedings. It was now nearly three weeks since Roger Barnes had appeared on the horizon. General Hobson had twice postponed his departure for England, and was still "enduring hardness" in a Washington hotel. Why his nephew should not be allowed to manage his courtship, if it was a courtship, for himself, Mrs. Verrier did not understand. There was no love lost between herself and the General, and she made much mock of him in her talks with Daphne. However, there he was; and she could only suppose that he took the situation seriously and felt bound to watch it in the interests of the young man's absent mother.

Was it serious? Certainly Daphne had been committing herself a good deal. The question was whether she had not been committing herself more than the young man had been doing on his side. That was the astonishing part of it. Mrs. Verrier could not sufficiently admire the skill with which Roger Barnes had so far played his part; could not sufficiently ridicule her own lack of insight, which at her first meeting with him had pronounced him stupid. Stupid he might be in the sense that it was of no use to expect from him the kind of talk on books, pictures, and first principles which prevailed in Daphne's circle. But Mrs. Verrier thought she had seldom come across a finer sense of tactics than young Barnes had so far displayed in his dealings with Daphne. If he went on as he had begun, the probability was that he would succeed.

Did she, Madeleine Verrier, wish him to succeed?

Daphne had grown tragically necessary to her, in this world of American society--in that section of it, at any rate, in which she desired to move, where the widow of Leopold Verrier was always conscious of the blowing of a cold and hostile breath. She was not excluded, but she was not welcome; she was not ostracized, but she had lost consideration. There had been something picturesque and appealing in her husband; something unbearably tragic in the manner of his death. She had braved it out by staying in America, instead of losing herself in foreign towns; and she had thereby proclaimed that she had no guilty sense of responsibility, no burden on her conscience; that she had only behaved as a thousand other women would have behaved, and without any cruel intention at all. But she knew all the same that the spectators of what had happened held her for a cruel woman, and that there were many, and those the best, who saw her come with distaste and go without regret; and it was under that knowledge, in spite of indomitable pride, that her beauty had withered in a year.

And at the moment when the smart of what had happened to her--personally and socially--was at its keenest; when, after a series of quarrels, she had separated herself from the imperious mother who had been her evil genius throughout her marriage, she had made friends, unexpectedly, owing to a chance meeting at a picture-gallery, with Daphne Floyd. Some element in Daphne's nature had attracted and disarmed her. The proud, fastidious woman had given the girl her confidence--eagerly, indiscriminately. She had poured out upon her all that wild philosophy of "rights" which is still struggling in the modern mind with a crumbling ethic and a vanishing religion. And she had found in Daphne a warm and passionate ally. Daphne was nothing if not "advanced." She shrank, as Roger Barnes had perceived, from no question; she had never been forbidden, had never forbidden herself, any book that she had a fancy to read; and she was as ready to discuss the relative divorce laws of Massachusetts and Pennsylvania, as the girls of fifty years ago were to talk of the fashions, or "Evangeline." In any disputed case, moreover, between a man and a woman, Daphne was hotly and instinctively on the side of the woman. She had thrown herself, therefore, with ardour into the defence of Mrs. Verrier; and for her it was not the wife's desertion, but the husband's suicide which had been the cruel and indefensible thing. All these various traits and liberalisms had made her very dear to Madeleine Verrier.

Now, as that lady sat in her usual drooping attitude, wondering what Washington would be like for her when even Daphne Floyd was gone from it, the afternoon sun stole through the curtains of the window on the street and touched some of the furniture and engravings in the inner drawing-room. Suddenly Mrs. Verrier started in her chair. A face had emerged thrown out upon the shadows by the sun-finger--the countenance of a handsome young Jew, as Rembrandt had once conceived it. Rare and high intelligence, melancholy, and premonition:--they were there embodied, so long as the apparition lasted.

The effect on Mrs. Verrier was apparently profound. She closed her eyes; her lips quivered; she leaned back feebly in her chair, breathing a name. The crisis lasted a few minutes, while the momentary vision faded and the sun-light crept on. The eyelids unclosed at last, slowly and painfully, as though shrinking from what might greet the eyes beneath them. But the farther wall was now in deep shade. Mrs. Verrier sat up; the emotion which had mastered her like a possession passed away; and rising hurriedly, she went back to the front drawing-room. She had hardly reached it when Miss Floyd's voice was heard upon the stairs.

Daphne entered the room in what appeared to be a fit of irritation. She was scolding the parlour-maid, whose high colour and dignified silence proclaimed her both blameless and long-suffering. At the sight of Mrs. Verrier Daphne checked herself with an effort and kissed her friend rather absently.

"Dear Madeleine!--very good of you to wait. Have they given you tea? I suppose not. My household seems to have gone mad this afternoon. Sit down. Some tea, Blount, at once."

Mrs. Verrier sank into a corner of the sofa, while Daphne, with an "ouf!" of fatigue, took off her hat, and threw herself down at the other end, her small feet curled up beneath her. Her half-frowning eyes gave the impression that she was still out of temper and on edge.

"Where have you been?" asked her companion quietly.

"Listening to a stuffy debate in the Senate," said Daphne without a smile.

"The Senate. What on earth took you there?"

"Well, why shouldn't I go?--why does one do anything? It was just a debate--horribly dull--trusts, or something of that kind. But there was a man attacking the President--and the place was crowded. Ugh! the heat was intolerable!"

"Who