The Black Tulip, Alexandre Dumas [most recommended books .TXT] 📗

proceedings for us is centred neither in the learned discourse of our friend Van Systens, however eloquent it might be, nor in the young dandies, resplendent in their Sunday clothes, and munching their heavy cakes; nor in the poor young peasants, gnawing smoked eels as if they were sticks of vanilla sweetmeat; neither is our interest in the lovely Dutch girls, with red cheeks and ivory bosoms; nor in the fat, round mynheers, who had never left their homes before; nor in the sallow, thin travellers from Ceylon or Java; nor in the thirsty crowds, who quenched their thirst with pickled cucumbers;—no, so far as we are concerned, the real interest of the situation, the fascinating, dramatic interest, is not to be found here.

Our interest is in a smiling, sparkling face to be seen amid the members of the Horticultural Committee; in the person with a flower in his belt, combed and brushed, and all clad in scarlet,—a colour which makes his black hair and yellow skin stand out in violent contrast.

This hero, radiant with rapturous joy, who had the distinguished honour of making the people forget the speech of Van Systens, and even the presence of the Stadtholder, was Isaac Boxtel, who saw, carried on his right before him, the black tulip, his pretended daughter; and on his left, in a large purse, the hundred thousand guilders in glittering gold pieces, towards which he was constantly squinting, fearful of losing sight of them for one moment.

Now and then Boxtel quickened his step to rub elbows for a moment with Van Systens. He borrowed a little importance from everybody to make a kind of false importance for himself, as he had stolen Rosa’s tulip to effect his own glory, and thereby make his fortune.

Another quarter of an hour and the Prince will arrive and the procession will halt for the last time; after the tulip is placed on its throne, the Prince, yielding precedence to this rival for the popular adoration, will take a magnificently emblazoned parchment, on which is written the name of the grower; and his Highness, in a loud and audible tone, will proclaim him to be the discoverer of a wonder; that Holland, by the instrumentality of him, Boxtel, has forced Nature to produce a black flower, which shall henceforth be called Tulipa nigra Boxtellea.

From time to time, however, Boxtel withdrew his eyes for a moment from the tulip and the purse, timidly looking among the crowd, for more than anything he dreaded to descry there the pale face of the pretty Frisian girl.

She would have been a spectre spoiling the joy of the festival for him, just as Banquo’s ghost did that of Macbeth.

And yet, if the truth must be told, this wretch, who had stolen what was the boast of man, and the dowry of a woman, did not consider himself as a thief. He had so intently watched this tulip, followed it so eagerly from the drawer in Cornelius’s dry-room to the scaffold of the Buytenhof, and from the scaffold to the fortress of Loewestein; he had seen it bud and grow in Rosa’s window, and so often warmed the air round it with his breath, that he felt as if no one had a better right to call himself its producer than he had; and any one who would now take the black tulip from him would have appeared to him as a thief.

Yet he did not perceive Rosa; his joy therefore was not spoiled.

In the centre of a circle of magnificent trees, which were decorated with garlands and inscriptions, the procession halted, amidst the sounds of lively music, and the young damsels of Haarlem made their appearance to escort the tulip to the raised seat which it was to occupy on the platform, by the side of the gilded chair of his Highness the Stadtholder.

And the proud tulip, raised on its pedestal, soon overlooked the assembled crowd of people, who clapped their hands, and made the old town of Haarlem re-echo with their tremendous cheers.