The Abbot, Walter Scott [best novels to read for beginners txt] 📗

ushered by mine host, travellers and natives of the city entered and departed, met and greeted, gamed or drank together, forming the strongest contrast to the stern and monotonous order and silence with which matters were conducted in the well-ordered household of the Knight of Avenel. Altercation of every kind, from brawling to jesting, was going on amongst the groups around them, and yet the noise and mingled voices seemed to disturb no one and indeed to be noticed by no others than by those who composed the group to which the speaker belonged.

The falconer passed through the apartment to a projecting latticed window, which formed a sort of recess from the room itself; and having here ensconced himself and his companion, he called for some refreshments; and a tapster, after he had shouted for the twentieth time, accommodated him with the remains of a cold capon and a neat's tongue, together with a pewter stoup of weak French vin-de-pays. “Fetch a stoup of brandy-wine, thou knave—We will be jolly to-night, Master Roland,” said he, when he saw himself thus accommodated, “and let care come to-morrow.”

But Roland had eaten too lately to enjoy the good cheer; and feeling his curiosity much sharper than his appetite, he made it his choice to look out of the lattice, which overhung a large yard, surrounded by the stables of the hostelrie, and fed his eyes on the busy sight beneath, while Adam Woodcock, after he had compared his companion to the “Laird of Macfarlane's geese, who liked their play better than their meat,” disposed of his time with the aid of cup and trencher, occasionally humming the burden of his birth-strangled ballad, and beating time to it with his fingers on the little round table. In this exercise he was frequently interrupted by the exclamations of his companion, as he saw something new in the yard beneath, to attract and interest him.

It was a busy scene, for the number of gentlemen and nobles who were now crowded into the city, had filled all spare stables and places of public reception with their horses and military attendants. There were some score of yeomen, dressing their own or their masters' horses in the yard, whistling, singing, laughing, and upbraiding each other, in a style of wit which the good order of Avenel Castle rendered strange to Roland Graeme's ears. Others were busy repairing their own arms, or cleaning those of their masters. One fellow, having just bought a bundle of twenty spears, was sitting in a corner, employed in painting the white staves of the weapons with yellow and vermillion. Other lacqueys led large stag-hounds, or wolf-dogs, of noble race, carefully muzzled to prevent accidents to passengers. All came and went, mixed together and separated, under the delighted eye of the page, whose imagination had not even conceived a scene so gaily diversified with the objects he had most pleasure in beholding; so that he was perpetually breaking the quiet reverie of honest Woodcock, and the mental progress which he was making in his ditty, by exclaiming, “Look here, Adam—look at the bonny bay horse—Saint Anthony, what, a gallant forehand he hath got!—and see the goodly gray, which yonder fellow in the frieze-jacket is dressing as awkwardly as if he had never touched aught but a cow—I would I were nigh him to teach him his trade!—And lo you, Adam, the gay Milan armour that the yeoman is scouring, all steel and silver, like our Knight's prime suit, of which old Wingate makes such account—And see to yonder pretty wench, Adam, who comes tripping through them all with her milk-pail—I warrant me she has had a long walk from the loaning; she has a stammel waistcoat, like your favourite Cicely Sunderland, Master Adam!”

“By my hood, lad,” answered the falconer, “it is well for thee thou wert brought up where grace grew. Even in the Castle of Avenel thou wert a wild-blood enough, but hadst thou been nurtured here, within a flight-shot of the Court, thou hadst been the veriest crack-hemp of a page that ever wore feather in thy bonnet or steel by thy side: truly, I wish it may end well with thee.”

“Nay, but leave thy senseless humming and drumming, old Adam, and come to the window ere thou hast drenched thy senses in the pint-pot there. See here comes a merry minstrel with his crowd, and a wench with him, that dances with bells at her ankles; and see, the yeomen and pages leave their horses and the armour they were cleaning, and gather round, as is very natural, to hear the music. Come, old Adam, we will thither too.”

“You shall call me cutt if I do go down,” said Adam; “you are near as good minstrelsy as the stroller can make, if you had but the grace to listen to it.”

“But the wench in the stammel waistcoat is stopping too, Adam—by heaven, they are going to dance! Frieze-jacket wants to dance with stammel waistcoat, but she is coy and recusant.”

Then suddenly changing his tone of levity into one of deep interest and surprise, he exclaimed, “Queen of Heaven! what is it that I see!” and then remained silent.

The sage Adam Woodcock, who was in a sort of languid degree amused with the page's exclamations, even while he professed to despise them, became at length rather desirous to set his tongue once more a-going, that he might enjoy the superiority afforded by his own intimate familiarity with all the circumstances which excited in his young companion's mind so much wonderment.

“Well, then,” he said at last, “what is it you do see, Master Roland, that you have become mute all of a sudden?”

Roland returned no answer.

“I say, Master Roland Graeme,” said the falconer, “it is manners in my country for a man to speak when he is spoken to.”

Roland Graeme remained silent.

“The murrain is in the boy,” said Adam Woodcock, “he has stared out his eyes, and talked his tongue to pieces, I think.”

The falconer hastily drank off his can of wine, and came to Roland, who stood like a statue, with his eyes eagerly bent on the court-yard, though Adam Woodcock was unable to detect amongst the joyous scenes which it exhibited aught that could deserve such devoted attention.

“The lad is mazed!” said the falconer to himself.

But Roland Graeme had good reasons for his surprise, though they were not such as he could communicate to his companion.

The touch of the old minstrel's instrument, for he had already begun to play, had drawn in several auditors from the street when one entered the gate of the yard, whose appearance exclusively arrested the attention of Roland Graeme. He was of his own age, or a good deal younger, and from his dress and bearing might be of the same rank and calling, having all the air of coxcombry and pretension, which accorded with a handsome, though slight and low figure, and an elegant dress, in part hid by a large purple cloak. As he entered, he cast a glance up towards the windows, and, to his extreme astonishment, under the purple velvet bonnet and white feather, Roland recognized the features so deeply impressed on his memory, the bright and clustered tresses, the laughing full blue eyes, the well-formed eyebrows, the nose, with the slightest possible inclination to be aquiline, the ruby lip, of which an arch and half-suppressed smile seemed the habitual expression—in short, the form and face of Catherine Seyton; in man's attire, however, and mimicking, as it seemed, not unsuccessfully, the bearing of a youthful but forward page.

“Saint