The Other Girls, Mrs. A. D. T. Whitney [best ereader for comics .TXT] 📗

Down in the yard I like to see The budding of that single tree.

"The little sparrows on the shed; The scrap of soft sky overhead; The cat upon the sunny wall; There's so much _meant_ among them all.

"The dandelion in the cleft A broken pavement may have left, Is like the star that, still and sweet, Shines where the house-tops almost meet.

"I like a little; all the rest Is somewhere; and our Lord knows best How the whole robe hath grace for them Who only touch the garment's hem."

At the bottom, in small capitals, was the signature,--BEL BREE.

"I don't understand," said Bel, bewildered. "What is it? Who did it?"

"It is a proof," said Mrs. Scherman. "A proof-sheet. And here is another kind of proof that came with it. Your spring song is going into the May number of 'First and Last.'"

Mrs. Scherman reached out a slip of paper, printed and filled in.

It was a publisher's check for fifteen dollars.

"You see I'm very unselfish, Bel," she said. "I'm going to work the very way to lose you."

Bel's eyes flashed up wide at her.

The way to lose her! Why, nobody had ever got such a hold upon her before! The printed verses and the money were wonderful surprises, but they were not the surprise that had gone straight into her heart, and dropped a grapple there. Mrs. Scherman had believed in her; and she had _kissed_ her. Bel Bree would never forget that, though she should live to sing songs of all the years.

"When you can earn money like this, of course I cannot expect to keep you in my kitchen," said Mrs. Scherman, answering her look.

"I might never do it again in all my life," sensible Bel replied. "And I hope you'll keep me somewhere. It wouldn't be any reason, I think, because one little green leaf has budded out, for a plant to say that it would not be kept growing in the ground any longer. I couldn't go and set up a poem-factory, without a home and a living for the poems to grow up out of. I'm pleased I can write!" she exclaimed, brimming up suddenly with the pleasure she had but half stopped to realize. "I _thought_ I could. But I know very well that the best and brightest things I've ever thought have come into my head over the ironing-board or the bread-making. Even at home. And _here_,--why, Mrs. Scherman, it's _living_ in a poem here! And if you can be in the very foundation part of such living, you're in the realest place of all, I think. I don't believe poetry can be skimmed off the top, till it has risen up from the bottom!"

"But you _ought_ to come into my parlor, among my friends! People would be glad to get you into their parlors, by and by, when you have made the name you can make. I've no business to keep you down. And you don't know yourself. You won't stay."

"Just please wait and see," said Bel. "I haven't a great deal of experience in going about in parlors; but I don't think I should much like it,--_that_ way. I'd rather keep on being the woman that made the name, than to run round airing it. I guess it would keep better."

"I see I can't advise you. I shouldn't dare to meddle with inspirations. But I'm proud, and glad, Bel; and you're my friend! The rest will all work out right, somehow."

"Thank you, dear Mrs. Scherman," said Bel, her voice full of feeling. "And--if you please--will you have the grouse broiled to-day, or roasted with bread-sauce?"

At that, the two young women laughed out, in each other's faces.

Bel stopped first.

"It isn't half so funny as it sounds," she said. "It's part of the poetry; the rhyme's inside; it is to everything. We're human people: that's the way we get it."

And Bel went away, and stuffed the grouse, and grated her bread-crumbs, and sang over her work,--not out loud with her lips, but over and over to a merry measure in her mind,--

"Everything comes to its luck some day: I've got chickens! What will folks say?"

"I'm solving more than I set out to do," Sin Scherman said to her husband. "Westover was nothing to it. I know one thing, though, that I'll do next."

"_One_ thing is reasonable," said Frank. "What is it?"

"Take her to York with us, this summer. Row out on the river with her. Sit on the rocks, and read and sew, and play with the children. Show her the ocean. She never saw it in all her life."

"How wonderful is 'one thing' in the mind of a woman! It is a germ-cell, that holds all things."

"Thank you, my dear. If I weren't helping you to soup, I'd get up and make you a courtesy. But what a grand privilege it is for a man to live with a woman, after he has found that out! And how cosmical a woman feels herself when her capacity is recognized!"

Mrs. Scherman has told her plan to Bel. Kate also has a plan for the two summer months in which the household must be broken up.

"I mean to see the mountains myself," she said, boldly. "I don't see why I shouldn't go to the country. There are homes there that want help, as well as here. I can get my living where the living goes. That's just where it fays in, different from other work. Bel knows places where I could get two dollars a week just for a little helping round; or I could even afford to pay board, and buy a little time for resting. I shall have clothes to make, and fix over. It always took all I could earn, before, to keep me from hand to mouth. I never saw six months' wages all together, in my life. I feel real rich."

"I will pay you half wages for the two months," said Mrs. Scherman, "if you will come back to me in September. And next year, if we all keep together, it will be your turn, if you like, to go with me."

Kate feels the spring in her heart, knowing that she is to have a piece of the summer. The horse-chestnut tree in the yard is not a mockery to her. She has a property in every promise that its great brown buds are making.

"The pleasant weather used to be like the spring-suits," she said. "Something making up for other people. Nothing to me, except more work, with a little difference. Now, somewhere, the hills are getting green for me! I'm one of the meek, that inherit the earth!"

"You are earning a _whole_ living," Bel said, reverting to her favorite and comprehensive conclusion.

"And yet,--_somebody_ has got to run machines," said Kate.

"But _all_ the bodies haven't. That is the mistake we have been making. That keeps the pay low, and makes it horrid. There's a _little_ more room now, where you and I were. Anyhow, we Yankee girls have a right to our turn at the home-wheels. If we had been as cute as we thought we were, we should have found it out before."

Bel Bree has written half a dozen little poems at odd times, since the rhyme that began her fortune. Mr. Stalworth says they are stamped with her own name, every one; breezy, and freshly delicious. For that very reason, of course, people will not believe, when they see the name in print, that it is a real name. It is so much easier to believe in little tricks of invention, than in things that simply come to pass by a wonderful, beautiful determination, because they belong so. They think the poem is a trick of invention, too. They think that of almost everything that they see in print. Their incredulity is marvelously credulous! There is no end to that which mortals may contrive; but the limit is such a measurable one to that which can really be! We slip our human leash so easily, and get outside of all creation, and the "Divinity that shapes our ends," to shape and to create, ourselves!

For my part, the more stories I write out, the more I learn how, even in fiction, things happen and take relation according to some hidden reality; that we have only to stand by, and see the shiftings and combinings, and with what care and honesty we may, to put them down.

If there is anything in this story that you cannot credit,--if you cannot believe in such a relation, and such a friendship, and such a mutual service, as Asenath Scherman's and Bel Bree's,--if you cannot believe that Bel Bree may at this moment be ironing Mrs. Scherman's damask table-cloths, and as the ivy leaf or morning-glory pattern comes out under the polish, some beautiful thought in her takes line and shade under the very rub of labor, and shows itself as it would have done no other way, and that by and by it will shine on a printed page, made substantive in words,--then, perhaps, you have only not lived quite long--or deep--enough. There is a more real and perfect architecture than any that has ever got worked out in stone, or even sketched on paper.

Neither Boston, nor the world, is "finished" yet. There may be many a burning and rebuilding, first. Meanwhile, we will tell what we can see.

And that word sends me back to Bel herself, of whom this present seeing and telling can read and recite no further.

Are you dissatisfied to leave her here? Is it a pity, you think, that the little glimmer of romance in Leicester Place meant nothing, after all? There are blind turns in the labyrinth of life. Would you have our Bel lost in a blind turn?

The _right and the wrong_ settled it, as they settle all things. The right and the wrong are the reins with which we are guided into the very best, sooner or later; yes,--sooner _and_ later. If we will go God's way, we shall have manifold more in this present world, and in the world to come life everlasting.


CHAPTER XXXIV.

WHAT NOBODY COULD HELP.

Mr. and Mrs. Kirkbright went away to New York on the afternoon of their marriage.

Miss Euphrasia went up to Brickfields. Sylvie Argenter was to follow her on Thursday. It had been settled that she should remain with Desire, who, with her husband, would reach home