The ''Genius'', Theodore Dreiser [classic reads txt] 📗

New York and could not get off (or at least did not want to take the time off) to go and sell any. He found that he could leave without question if he wanted no pay, but if he wanted pay and had a good reason he could sometimes be excused. His appearance about the house and yard after six-thirty in the evening and on Sundays was attractive enough. He looked delicate, refined, conservative, and, when not talking to someone, rather wistful. He was lonely and restless, for he felt terribly out of it. This house was lonely. As at Alexandria, before he met Frieda, he was wishing there were some girls about. He wondered where Frieda was, what she was doing, whether she had married. He hoped not. If life had only given him a girl like Frieda—so young, so beautiful! He would sit and gaze at the water after dark in the moonlight, for this was his one consolation—the beauty of nature—thinking. How lovely it all was! How lovely life was,—this village, the summer trees, the shop where he worked, the water, Joseph, little Jimmy, Big John, the stars. If he could paint again, if he could be in love again. In love! In love! Was there any other sensation in the world like that of being in love?

A spring evening, say, some soft sweet odours blowing as they were tonight, the dark trees bending down, or the twilight angelically silver, hyacinth, orange, some soothing murmurs of the wind; some faint chirping of the tree-toads or frogs and then your girl. Dear God! Could anything be finer than that? Was anything else in life worth while? Your girl, her soft young arms about your neck, her lips to yours in pure love, her eyes speaking like twin pools of color here in the night.

So had it been only a little while ago with Frieda. So had it been once with Angela. So long ago with Stella! Dear, sweet Stella, how nice she was. And now here he was sick and lonely and married and Angela would be coming back soon—and—He would get up frequently to shut out these thoughts, and either read or walk or go to bed. But he was lonely, almost irritably so. There was only one true place of comfort for Eugene anywhere and that was in the spring time in love.

CHAPTER XXII

It was while he was mooning along in this mood, working, dreaming, wishing, that there came, one day to her mother's house at Riverwood, Carlotta Wilson—Mrs. Norman Wilson, in the world in which she moved—a tall brunette of thirty-two, handsome after the English fashion, shapely, graceful, with a knowledge of the world which was not only compounded of natural intelligence and a sense of humor, but experiences fortunate and unfortunate which had shown her both the showy and the seamy sides of life. To begin with she was the wife of a gambler—a professional gambler—of that peculiar order which essays the rôle of a gentleman, looks the part, and fleeces unmercifully the unwary partakers of their companionship. Carlotta Hibberdell, living with her mother at that time in Springfield, Massachusetts, had met him at a local series of races, which she was attending with her father and mother, where Wilson happened to be accidentally upon another mission. Her father, a real estate dealer, and fairly successful at one time, was very much interested in racing horses, and owned several of worthy records though of no great fame. Norman Wilson had posed as a real estate speculator himself, and had handled several fairly successful deals in land, but his principal skill and reliance was in gambling. He was familiar with all the gambling opportunities of the city, knew a large circle of those who liked to gamble, men and women in New York and elsewhere, and his luck or skill at times was phenomenal. At other times it was very bad. There were periods when he could afford to live in the most expensive apartment houses, dine at the best restaurants, visit the most expensive country pleasure resorts and otherwise disport himself in the companionship of friends. At other times, because of bad luck, he could not afford any of these things and though he held to his estate grimly had to borrow money to do it. He was somewhat of a fatalist in his interpretation of affairs and would hang on with the faith that his luck would turn. It did turn invariably, of course, for when difficulties began to swarm thick and fast he would think vigorously and would usually evolve some idea which served to help him out. His plan was always to spin a web like a spider and await the blundering flight of some unwary fly.

At the time she married him Carlotta Hibberdell did not know of the peculiar tendencies and subtle obsession of her ardent lover. Like all men of his type he was suave, persuasive, passionate, eager. There was a certain cat-like magnetism about him also which fascinated her. She could not understand him at that time and she never did afterwards. The license which he subsequently manifested not only with her but with others astonished and disgusted her. She found him selfish, domineering, outside his own particular field shallow, not at all artistic, emotional, or poetic. He was inclined to insist on the last touch of material refinement in surroundings (so far as he understood them) when he had money, but she found to her regret that he did not understand them. In his manner with her and everyone else he was top-lofty, superior, condescending. His stilted language at times enraged and at other times amused her, and when her original passion passed and she began to see through his pretence to his motives and actions she became indifferent and then weary. She was too big a woman mentally to quarrel with him much. She was too indifferent to life in its totality to really care. Her one passion was for an ideal lover of some type, and having been thoroughly mistaken in him she looked abroad wondering whether there were any ideal men.

Various individuals came to their apartments. There were gamblers, blasé society men, mining experts, speculators, sometimes with, sometimes without a wife. From these and from her husband and her own observation she learned of all sorts of scoundrels, mes-alliances, [sic] queer manifestations of incompatibility of temper, queer freaks of sex desire. Because she was good looking, graceful, easy in her manners, there were no end of proposals, overtures, hints and luring innuendos cast in her direction. She had long been accustomed to them. Because her husband deserted her openly for other women and confessed it in a blasé way she saw no valid reason for keeping herself from other men. She chose her lovers guardedly and with subtle taste, beginning after mature deliberation with one who pleased her greatly. She was seeking refinement, emotion, understanding coupled with some ability and they were not so easy to find. The long record of her liaisons is not for this story, but their impress on her character was important.

She was indifferent in her manner at most times and to most people. A good jest or story drew from her a hearty laugh. She was not interested in books except those of a very exceptional character—the realistic school—and these she thought ought not to be permitted except to private subscribers, nevertheless she cared for no others. Art was fascinating—really great art. She loved the pictures of Rembrandt, Frans Hals, Correggio, Titian. And with less discrimination, and more from a sensual point of view the nudes of Cabanel, Bouguereau and Gerome. To her there was reality in the works of these men, lightened by great imagination. Mostly people interested her, the vagaries of their minds, the idiosyncrasies of their characters, their lies, their subterfuges, their pretences, their fears. She knew that she was a dangerous woman and went softly, like a cat, wearing a half-smile not unlike that seen on the lips of Monna Lisa, but she did not worry about herself. She had too much courage. At the same time she was tolerant, generous to a fault, charitable. When someone suggested that she overdid the tolerance, she replied, "Why shouldn't I? I live in such a magnificent glass house."

The reason for her visit home on this occasion was that her husband had practically deserted her for the time being. He was in Chicago for some reason principally because the atmosphere in New York was getting too hot for him, as she suspected. Because she hated Chicago and was weary of his company she refused to go with him. He was furious for he suspected her of liaisons, but he could not help himself. She was indifferent. Besides she had other resources than those he represented, or could get them.

A certain wealthy Jew had been importuning her for years to get a divorce in order that he might marry her. His car and his resources were at her command but she condescended only the vaguest courtesies. It was within the ordinary possibilities of the day for him to call her up and ask if he could not come with his car. He had three. She waved most of this aside indifferently. "What's the use?" was her pet inquiry. Her husband was not without his car at times. She had means to drive when she pleased, dress as she liked, and was invited to many interesting outings. Her mother knew well of her peculiar attitude, her marital troubles, her quarrels and her tendency to flirt. She did her best to keep her in check, for she wanted to retain for her the privilege of obtaining a divorce and marrying again, the next time successfully. Norman Wilson, however, would not readily give her a legal separation even though the preponderance of evidence was against him and, if she compromised herself, there would be no hope. She half suspected that her daughter might already have compromised herself, but she could not be sure. Carlotta was too subtle. Norman made open charges in their family quarrels, but they were based largely on jealousy. He did not know for sure.

Carlotta Wilson had heard of Eugene. She did not know of him by reputation, but her mother's guarded remarks in regard to him and his presence, the fact that he was an artist, that he was sick and working as a laborer for his health aroused her interest. She had intended to spend the period of her husband's absence at Narragansett with some friends, but before doing so she decided to come home for a few days just to see for herself. Instinctively her mother suspected curiosity on her part in regard to Eugene. She threw out the remark that he might not stay long, in the hope that her daughter might lose interest. His wife was coming back. Carlotta discerned this opposition—this desire to keep her away. She decided that she would come.

"I don't know that I want to go to Narragansett just now," she told her mother. "I'm tired. Norman has just worn my nerves to a frazzle. I think I'll come up home for a week or so."

"All right," said her mother, "but do be careful how you act now. This Mr. Witla appears to be a very nice man and he's happily married. Don't you go casting any looks in his direction. If you do I won't let him stay here at all."

"Oh, how you talk," replied Carlotta irritably. "Do give me a little credit for something. I'm not going up there to see him. I'm tired, I tell you. If you don't want me to come I won't."

"It isn't that, I do want you. But you know how you are. How do you ever expect to get free