Toilers of the Sea, Victor Hugo [the kiss of deception read online .txt] 📗

oar, then the mainsail, and pushed out to sea. Then, without either making fast the boom, which would have been imprudent, or letting it go, which kept the sail under his direction, and leaving the boom to move with the wind without drifting, he held the tiller with his left hand. In three quarters of an hour he was at Herm. Three hours later, although a strong breeze had sprung up and was blowing across the roads, the sloop, guided by Gilliatt, returned to St. Sampson with its load of stones. He had, with an extravagant display of his resources, even added to the cargo the little bronze cannon at Herm, which the people were in the habit of firing off on the 5th of November, by way of rejoicing over the death of Guy Fawkes.

Guy Fawkes, by the way, has been dead two hundred and sixty years; a remarkably long period of rejoicing.

Gilliatt, thus burdened and encumbered, although he had the Guy Fawkes'-day cannon in the boat and the south wind in his sails, steered, or rather brought back, the heavy craft to St. Sampson.

Seeing which, Mess Lethierry exclaimed, "There's a bold sailor for you!"

And he held out his hand to Gilliatt.

We shall have occasion to speak again of Mess Lethierry.

The sloop was awarded to Gilliatt.

This adventure detracted nothing from his evil reputation.

Several persons declared that the feat was not at all astonishing, for that Gilliatt had concealed in the boat a branch of wild medlar. But this could not be proved.

From that day forward, Gilliatt navigated no boat except the old sloop. In this heavy craft he went on his fishing avocation. He kept it at anchor in the excellent little shelter which he had all to himself, under the very wall of his house of the Bû de la Rue. At nightfall, he cast his nets over his shoulder, traversed his little garden, climbed over the parapet of dry stones, stepped lightly from rock to rock, and jumping into the sloop, pushed out to sea.

He brought home heavy takes of fish; but people said that his medlar branch was always hanging up in the boat. No one had ever seen this branch, but every one believed in its existence.

When he had more fish than he wanted, he did not sell it, but gave it away.

The poor people took his gift, but were little grateful, for they knew the secret of his medlar branch. Such devices cannot be permitted. It is unlawful to trick the sea out of its treasures.

He was a fisherman; but he was something more. He had, by instinct, or for amusement, acquired a knowledge of three or four trades. He was a carpenter, worker in iron, wheelwright, boat-caulker, and, to some extent, an engineer. No one could mend a broken wheel better than he could. He manufactured, in a fashion of his own, all the things which fishermen use. In a corner of the Bû de la Rue he had a small forge and an anvil; and the sloop having but one anchor, he had succeeded, without help, in making another. The anchor was excellent. The ring had the necessary strength; and Gilliatt, though entirely uninstructed in this branch of the smith's art, had found the exact dimensions of the stock for preventing the over-balancing of the fluke ends.

He had patiently replaced all the nails in the planks by rivets; which rendered rust in the holes impossible.

In this way he had much improved the sea-going qualities of the sloop. He employed it sometimes when he took a fancy to spend a month or two in some solitary islet, like Chousey or the Casquets. People said, "Ay! ay! Gilliatt is away;" but this was a circumstance which nobody regretted.

VII A FIT TENANT FOR A HAUNTED HOUSE

Gilliatt was a man of dreams, hence his daring, hence also his timidity. He had ideas on many things which were peculiarly his own.

There was in his character, perhaps, something of the visionary and the transcendentalist. Hallucinations may haunt the poor peasant like Martin, no less than the king like Henry IV. There are times when the unknown reveals itself in a mysterious way to the spirit of man. A sudden rent in the veil of darkness will make manifest things hitherto unseen, and then close again upon the mysteries within. Such visions have occasionally the power to effect a transfiguration in those whom they visit. They convert a poor camel-driver into a Mahomet; a peasant girl tending her goats into a Joan of Arc. Solitude generates a certain amount of sublime exaltation. It is like the smoke arising from the burning bush. A mysterious lucidity of mind results, which converts the student into a seer, and the poet into a prophet: herein we find a key to the mysteries of Horeb, Kedron, Ombos; to the intoxication of Castilian laurels, the revelations of the month Busion. Hence, too, we have Peleia at Dodona, Phemonoe at Delphos, Trophonius in Lebadea, Ezekiel on the Chebar, and Jerome in the Thetais.

More frequently this visionary state overwhelms and stupefies its victim. There is such a thing as a divine besottedness. The Hindoo fakir bears about with him the burden of his vision, as the Cretin his goître. Luther holding converse with devils in his garret at Wittenburg; Pascal shutting out the view of the infernal regions with the screen of his cabinet; the African Obi conversing with the white-faced god Bossum; are each and all the same phenomenon, diversely interpreted by the minds in which they manifest themselves, according to their capacity and power. Luther and Pascal were grand, and are grand still; the Obi is simply a poor half-witted creature.

Gilliatt was neither so exalted nor so low. He was a dreamer: nothing more.

Nature presented itself to him under a somewhat strange aspect.

Just as he had often found in the perfectly limpid water of the sea strange creatures of considerable size and of various shapes, of the Medusa genus, which out of the water bore a resemblance to soft crystal, and which, cast again into the sea, became lost to sight in that medium by reason of their identity in transparency and colour, so he imagined that other transparencies, similar to these almost invisible denizens of the ocean, might probably inhabit the air around us. The birds are scarcely inhabitants of the air, but rather amphibious creatures passing much of their lives upon the earth. Gilliatt could not believe the air a mere desert. He used to say, "Since the water is filled with life, why not the atmosphere?" Creatures colourless and transparent like the air would escape from our observation. What proof have we that there are no such creatures? Analogy indicates that the liquid fields of air must have their swimming habitants, even as the waters of the deep. These aerial fish would, of course, be diaphanous; a provision of their wise Creator for our sakes as well as their own. Allowing the light to pass through their forms, casting no shadow, having no defined outline, they would necessarily remain unknown to us, and beyond the grasp of human sense. Gilliatt indulged the wild fancy that if it were possible to exhaust the earth of its atmosphere, or if we could fish the air as we fish the depths of the sea, we should discover the existence of a multitude of strange animals. And then, he would add in his reverie, many things would be made clear.

Reverie, which is thought in its nebulous state, borders closely upon the land of sleep, by which it is bounded as by a natural frontier. The discovery of a new world, in the form of an atmosphere filled with transparent creatures, would be the beginning of a knowledge of the vast unknown. But beyond opens up the illimitable domain of the possible, teeming with yet other beings, and characterised by other phenomena. All this would be nothing supernatural, but merely the occult continuation of the infinite variety of creation. In the midst of that laborious idleness, which was the chief feature in his existence, Gilliatt was singularly observant. He even carried his observations into the domain of sleep. Sleep has a close relation with the possible, which we call also the invraisemblable. The world of sleep has an existence of its own. Night-time, regarded as a separate sphere of creation, is a universe in itself. The material nature of man, upon which philosophers tell us that a column of air forty-five miles in height continually presses, is wearied out at night, sinks into lassitude, lies down, and finds repose. The eyes of the flesh are closed; but in that drooping head, less inactive than is supposed, other eyes are opened. The unknown reveals itself. The shadowy existences of the invisible world become more akin to man; whether it be that there is a real communication, or whether things far off in the unfathomable abyss are mysteriously brought nearer, it seems as if the impalpable creatures inhabiting space come then to contemplate our natures, curious to comprehend the denizens of the earth. Some phantom creation ascends or descends to walk beside us in the dim twilight: some existence altogether different from our own, composed partly of human consciousness, partly of something else, quits his fellows and returns again, after presenting himself for a moment to our inward sight; and the sleeper, not wholly slumbering, nor yet entirely conscious, beholds around him strange manifestations of life—pale spectres, terrible or smiling, dismal phantoms, uncouth masks, unknown faces, hydra-headed monsters, undefined shapes, reflections of moonlight where there is no moon, vague fragments of monstrous forms. All these things which come and go in the troubled atmosphere of sleep, and to which men give the name of dreams, are, in truth, only realities invisible to those who walk about the daylight world. The dream-world is the Aquarium of Night.

So, at least, thought Gilliatt.

VIII THE GILD-HOLM-'UR SEAT

The curious visitor, in these days, would seek in vain in the little bay of Houmet for the house in which Gilliatt lived, or for his garden, or the creek in which he sheltered the Dutch sloop. The Bû de la Rue no longer exists. Even the little peninsula on which his house stood has vanished, levelled by the pickaxe of the quarryman, and carried away, cart-load by cart-load, by dealers in rock and granite. It must be sought now in the churches, the palaces, and the quays of a great city. All that ridge of rocks has been long ago conveyed to London.

These long lines of broken cliffs in the sea, with their frequent gaps and crevices, are like miniature chains of mountains. They strike the eye with the impression which a giant may be supposed to have in contemplating the Cordilleras. In the language of the country they are called "Banques." These banques vary considerably in form. Some resemble a long spine, of which each rock forms one of the vertebræ; others are like the backbone of a fish; while some bear an odd resemblance to a crocodile in the act of drinking.

At the extremity of the ridge on which the Bû de la Rue was situate, was a large rock, which the fishing people of Houmet called the "Beast's Horn." This rock, a sort of pyramid, resembled, though less in height, the "Pinnacle" of Jersey. At high water the sea divided it from the ridge, and the Horn stood alone; at low water it was approached by an isthmus of rocks. The remarkable feature of this "Beast's Horn" was a sort of natural seat on the side next the sea, hollowed out by the water, and polished by the rains. The seat, however, was a treacherous one. The stranger was insensibly attracted to it by "the beauty of the prospect," as the Guernsey folks said. Something detained him there in spite