The Parisians — Volume 04, Baron Edward Bulwer Lytton Lytton [the reading strategies book txt] 📗

particulars. M. de Mauleon bears the same name as he did at Lyons,—that name is Jean Lebeau; he exercises the ostensible profession of a 'letter-writer,' and a sort of adviser on business among the workmen and petty bourgeoisie, and he nightly frequents the cafe Jean Jacques, Rue Faubourg Montmartre. It is not yet quite half-past eight, and, no doubt, you could see him at the cafe this very night, if you thought proper to go."

"Excellent! I will go! Describe him!"

"Alas! that is exactly what I cannot do at present; for after hearing what I now tell you, I put the same request you do to my colleague, when, before he could answer me, he was summoned to the bureau of his chief, promising to return and give me the requisite description. He did not return; and I find that he was compelled, on quitting his chief, to seize the first train starting for Lille upon an important political investigation which brooked no delay. He will be back in a few days, and then Monsieur shall have the description."

"Nay; I think I will seize time by the forelock, and try my chance tonight. If the man be really a conspirator, and it looks likely enough, who knows but what he may see quick reason to take alarm and vanish from Paris at any hour?—Cafe Jean Jacques, Rue ———; I will go. Stay; you have seen Victor de Mauleon in his youth: what was he like then?"

"Tall, slender, but broad-shouldered, very erect, carrying his head high, a profusion of dark curls, a small black mustache, fair clear complexion, light-coloured eyes with dark lashes, fort bel homme. But he will not look like that now."

"His present age?"

"Forty-seven or forty-eight. But before you go, I must beg you to consider well what you are about. It is evident that M. de Mauleon has some strong reason, whatever it be, for merging his identity in that of Jean Lebeau. I presume, therefore, that you could scarcely go up to M. Lebeau, when you have discovered him, and say, 'Pray, Monsieur le Vicomte, can you give me some tidings of your niece, Louise Duval?' If you thus accosted him, you might possibly bring some danger on yourself, but you would certainly gain no information from him."

"True."

On the other hand, if you make his acquaintance as M. Lebeau, how can you assume him to know anything about Louise Duval?"

"Parbleu! Monsieur Renard, you try to toss me aside on both horns of the dilemma; but it seems to me that, if I once make his acquaintance as M. Lebeau, I might gradually and cautiously feel my way as to the best mode of putting the question to which I seek reply. I suppose, too, that the man must be in very poor circumstances to adopt so humble a calling, and that a small sum of money may smooth all difficulties."

"I am not so sure of that," said M. Renard, thoughtfully; "but grant that money may do so, and grant also that the Vicomte, being a needy man, has become a very unscrupulous one,—is there anything in your motives for discovering Louise Duval which might occasion you trouble and annoyance, if it were divined by a needy and unscrupulous man; anything which might give him a power of threat or exaction? Mind, I am not asking you to tell me any secret you have reasons for concealing, but I suggest that it might be prudent if you did not let M. Lebeau know your real name and rank; if, in short, you could follow his example, and adopt a disguise. But no; when I think of it, you would doubtless be so unpractised in the art of disguise that he would detect you at once to be other than you seem; and if suspecting you of spying into his secrets, and if those secrets be really of a political nature, your very life might not be safe."

"Thank you for your hint; the disguise is an excellent idea, and combines amusement with precaution. That this Victor de Mauleon must be a very unprincipled and dangerous man is, I think, abundantly clear. Granting that he was innocent of all design of robbery in the affair of the jewels, still, the offence which he did own—that of admitting himself at night by a false key into the rooms of a wife, whom he sought to surprise or terrify into dishonour—was a villanous action; and his present course of life is sufficiently mysterious to warrant the most unfavourable supposition. Besides, there is another motive for concealing my name from him: you say that he once had a duel with a Vane, who was very probably my father, and I have no wish to expose myself to the chance of his turning up in London some day, and seeking to renew there the acquaintance that I had courted at Paris. As for my skill in playing any part I may assume, do not fear; I am no novice in that. In my younger days I was thought clever in private theatricals, especially in the transformations of appearance which belong to light comedy and farce. Wait a few minutes, and you shall see."

Graham then retreated into his bedroom, and in a few minutes reappeared so changed, that Renard at first glance took him for a stranger. He had doffed his dress—which habitually, when in Capitals, was characterized by the quiet, indefinable elegance that to a man of the great world, high-bred and young, seems "to the manner born"—for one of those coarse suits which Englishmen are wont to wear in their travels, and by which they are represented in French or German caricatures,—loose jacket of tweed with redundant pockets, waistcoat to match, short dust-coloured trousers. He had combed his hair straight over his forehead, which, as I have said somewhere before, appeared in itself to alter the character of his countenance, and, without any resort to paints or cosmetics, had somehow or other given to the expression of his face an impudent, low- bred expression, with a glass screwed on to his right eye,—such a look as a cockney journeyman, wishing to pass for a "swell" about town, may cast on a servant-maid in the pit of a suburban theatre.

"Will it do, old fellow?" he exclaimed, in a rollicking, swaggering tone of voice, speaking French with a villanous British accent.

"Perfectly," said Renard, laughing. "I offer my compliments, and if ever you are ruined, Monsieur, I will promise you a place in our police. Only one caution,—take care not to overdo your part."

"Right. A quarter to nine; I'm off."

CHAPTER VI.

There is generally a brisk exhilaration of spirits in the return to any special amusement or light accomplishment associated with the pleasant memories of earlier youth; and remarkably so, I believe, when the amusement or accomplishment has been that of the amateur stage-player. Certainly I have known persons of very grave pursuits, of very dignified character and position, who seem to regain the vivacity of boyhood when disguising look and voice for a part in some drawing-room comedy or charade. I might name statesmen of solemn repute rejoicing to raise and to join in a laugh at their expense in such travesty of their habitual selves.

The reader must not therefore be surprised, nor, I trust, deem it inconsistent with the more serious attributes of Graham's character, if the Englishman felt the sort of joyful excitement I describe, as, in his way to the cafe Jean Jacques, he meditated the role he had undertaken; and the joyousness was heightened beyond the mere holiday sense of humouristic pleasantry by the sanguine hope that much to effect his lasting happiness might result from the success of the object for which his disguise was assumed.

It was just twenty minutes past nine when he arrived at the cafe Jean
Jacques. He dismissed the fiacre and entered.

The apartment devoted to customers comprised two large rooms. The first was the cafe properly speaking; the second, opening on it, was the billiard-room. Conjecturing that he should probably find the person of whom he was in quest employed at the billiard-table, Graham passed thither at once. A tall man, who might be seven-and-forty, with a long black beard, slightly grizzled, was at play with a young man of perhaps twenty-eight, who gave him odds,—as better players of twenty-eight ought to give odds to a player, though originally of equal force, whose eye is not so quick, whose hand is not so steady, as they were twenty years ago. Said Graham to himself, "The bearded man is my Vicomte." He called for a cup of coffee, and seated himself on a bench at the end of the room.

The bearded man was far behind in the game. It was his turn to play; the balls were placed in the most awkward position for him. Graham himself was a fair billiard-player, both in the English and the French game. He said to himself, "No man who can make a cannon there should accept odds." The bearded man made a cannon; the bearded man continued to make cannons; the bearded man did not stop till he had won the game. The gallery of spectators was enthusiastic. Taking care to speak in very bad, very English-French, Graham expressed to one of the enthusiasts seated beside him his admiration of the bearded man's playing, and ventured to ask if the bearded man were a professional or an amateur player.

"Monsieur," replied the enthusiast, taking a short cutty-pipe from his mouth, "it is an amateur, who has been a great player in his day, and is so proud that he always takes less odds than he ought of a younger man. It is not once in a month that he comes out as he has done to-night; but to-night he has steadied his hand. He has had six petits verres."

"Ah, indeed! Do you know his name?"

"I should think so: he buried my father, my two aunts, and my wife."

"Buried?" said Graham, more and more British in his accent; "I don't understand."

"Monsieur, you are English."

"I confess it."

"And a stranger to the Faubourg Montmartre."

"True."

"Or you would have heard of M. Giraud, the liveliest member of the State
Company for conducting funerals. They are going to play La Poule."

Much disconcerted, Graham retreated into the cafe, and seated himself haphazard at one of the small tables. Glancing round the room, he saw no one in whom he could conjecture the once brilliant Vicomte.

The company appeared to him sufficiently decent, and especially what may be called local. There were some blouses drinking wine, no doubt of the cheapest and thinnest; some in rough, coarse dresses, drinking beer. These were evidently English, Belgian, or German artisans. At one table, four young men, who looked like small journeymen, were playing cards. At three other tables, men older, better dressed, probably shop-keepers, were playing dominos. Graham scrutinized these last, but among them all could detect no one corresponding to his ideal of the Vicomte de Mauleon. "Probably," thought he, "I am too late, or perhaps he will not be here this evening. At all events, I will wait a quarter of an hour." Then, the garcon approaching his table, he deemed it necessary to call for something, and, still in strong English accent, asked for lemonade and an evening journal. The garcon nodded and went his way. A monsieur at the round table next his own politely handed to him the "Galignani," saying in very good English, though unmistakably the good English of a Frenchman, "The English journal, at your service."

Graham bowed his head, accepted the "Galignani," and inspected his courteous neighbour. A more respectable-looking man no Englishman could see in an English country town. He wore an unpretending flaxen wig, with limp whiskers that met at the chin, and might originally have been the same colour as the wig, but were now of a pale gray,—no beard, no mustache. He was dressed with the scrupulous cleanliness of a sober citizen,—a high white neckcloth, with a large old-fashioned pin, containing a little knot of hair covered with glass or crystal, and bordered with a black framework, in which were inscribed letters,— evidently a mourning pin, hallowed to the memory of lost spouse or child, —a man who, in England, might be the mayor of a cathedral town, at least the town-clerk. He seemed suffering from some