The Lesser Bourgeoisie, Honoré de Balzac [pdf e book reader TXT] 📗
- Author: Honoré de Balzac
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his bureaucratic life, he respected all social superiority. He was therefore silent before Minard. During the critical period of retirement from office, he had held his own admirably, for the following reason. Never until now had that worthy and excellent man been able to indulge his own tastes. He loved the city of Paris; he was interested in its embellishment, in the laying out of its streets; he was capable of standing for hours to watch the demolition of houses. He might now have been observed, stolidly planted on his legs, his nose in the air, watching for the fall of a stone which some mason was loosening at the top of a wall, and never moving till the stone fell; when it had fallen he went away as happy as an academician at the fall of a romantic drama. Veritable supernumeraries of the social comedy, Phellion, Laudigeois, and their kind, fulfilled the functions of the antique chorus. They wept when weeping was in order, laughed when they should laugh, and sang in parts the public joys and sorrows; they triumphed in their corner with the triumphs of Algiers, of Constantine, of Lisbon, of Sainte-Jean d'Ulloa; they deplored the death of Napoleon and the fatal catastrophes of the Saint-Merri and the rue Transnonnain, grieving over celebrated men who were utterly unknown to them. Phellion alone presents a double side: he divides himself conscientiously between the reasons of the opposition and those of the government. When fighting went on in the streets, Phellion had the courage to declare himself before his neighbors; he went to the Place Saint-Michel, the place where his battalion assembled; he felt for the government and did his duty. Before and during the riot, he supported the dynasty, the product of July; but, as soon as the political trials began, he stood by the accused. This innocent "weather-cockism" prevails in his political opinions; he produces, in reply to all arguments, the "colossus of the North." England is, to his thinking, as to that of the old "Constitutionnel," a crone with two faces,--Machiavellian Albion, and the model nation: Machiavellian, when the interests of France and of Napoleon are concerned; the model nation when the faults of the government are in question. He admits, with his chosen paper, the democratic element, but refuses in conversation all compact with the republican spirit. The republican spirit to him means 1793, rioting, the Terror, and agrarian law. The democratic element is the development of the lesser bourgeoisie, the reign of Phellions.
The worthy old man is always dignified; dignity serves to explain his life. He has brought up his children with dignity; he has kept himself a father in their eyes; he insists on being honored in his home, just as he himself honors power and his superiors. He has never made debts. As a juryman his conscience obliges him to sweat blood and water in the effort to follow the debates of a trial; he never laughs, not even if the judge, and audience, and all the officials laugh. Eminently useful, he gives his services, his time, everything--except his money. Felix Phellion, his son, the professor, is his idol; he thinks him capable of attaining to the Academy of Sciences. Thuillier, between the audacious nullity of Minard, and the solid silliness of Phellion, was a neutral substance, but connected with both through his dismal experience. He managed to conceal the emptiness of his brain by commonplace talk, just as he covered the yellow skin of his bald pate with thready locks of his gray hair, brought from the back of his head with infinite art by the comb of his hairdresser.
"In any other career," he was wont to say, speaking of the government employ, "I should have made a very different fortune."
He had seen the _right_, which is possible in theory and impossible in practice,--results proving contrary to premises,--and he related the intrigues and the injustices of the Rabourdin affair.
"After that, one can believe all, and believe nothing," he would say. "Ah! it is a queer thing, government! I'm very glad not to have a son, and never to see him in the career of a place-hunter."
Colleville, ever gay, rotund, and good-humored, a sayer of "quodlibets," a maker of anagrams, always busy, represented the capable and bantering bourgeois, with faculty without success, obstinate toil without result; he was also the embodiment of jovial resignation, mind without object, art with usefulness, for, excellent musician that he was, he never played now except for his daughter.
The Thuillier salon was in some sort a provincial salon, lighted, however, by continual flashes from the Parisian conflagration; its mediocrity and its platitudes followed the current of the times. The popular saying and thing (for in Paris the thing and its saying are like the horse and its rider) ricochetted, so to speak, to this company. Monsieur Minard was always impatiently expected, for he was certain to know the truth of important circumstances. The women of the Thuillier salon held by the Jesuits; the men defended the University; and, as a general thing, the women listened. A man of intelligence (could he have borne the dulness of these evenings) would have laughed, as he would at a comedy of Moliere, on hearing, amid endless discussion, such remarks as the following:--
"How could the Revolution of 1789 have been avoided? The loans of Louis XIV. prepared the way for it. Louis XV., an egotist, a man of narrow mind (didn't he say, 'If I were lieutenant of police I would suppress cabriolets'?), that dissolute king--you remember his Parc aux Cerfs?--did much to open the abyss of revolution. Monsieur de Necker, an evil-minded Genovese, set the thing a-going. Foreigners have always tried to injure France. The maximum did great harm to the Revolution. Legally Louis XVI. should never have been condemned; a jury would have acquitted him. Why did Charles X. fall? Napoleon was a great man, and the facts that prove his genius are anecdotal: he took five pinches of snuff a minute out of a pocket lined with leather made in his waistcoat. He looked into all his tradesmen's accounts; he went to Saint-Denis to judge for himself the prices of things. Talma was his friend; Talma taught him his gestures; nevertheless, he always refused to give Talma the Legion of honor! The emperor mounted guard for a sentinel who went to sleep, to save him from being shot. Those were the things that made his soldiers adore him. Louis XVIII., who certainly had some sense, was very unjust in calling him Monsieur de Buonaparte. The defect of the present government is in letting itself be led instead of leading. It holds itself too low. It is afraid of men of energy. It ought to have torn up all the treaties of 1815 and demanded the Rhine. They keep the same men too long in the ministry"; etc., etc.
"Come, you've exerted your minds long enough," said Mademoiselle Thuillier, interrupting one of these luminous talks; "the altar is dressed; begin your little game."
If these anterior facts and all these generalities were not placed here as the frame of the present Scene, to give an idea of the spirit of this society, the following drama would certainly have suffered greatly. Moreover, this sketch is historically faithful; it shows a social stratum of importance in any portrayal of manners and morals, especially when we reflect that the political system of the Younger branch rests almost wholly upon it.
The winter of the year 1839 was, it may be said, the period when the Thuillier salon was in its greatest glory. The Minards came nearly every Sunday, and began their evening by spending an hour there, if they had other engagements elsewhere. Often Minard would leave his wife at the Thuilliers and take his son and daughter to other houses. This assiduity on the part of the Minards was brought about by a somewhat tardy meeting between Messieurs Metivier, Barbet, and Minard on an evening when the two former, being tenants of Mademoiselle Thuillier, remained rather longer than usual in discussing business with her. From Barbet, Minard learned that the old maid had money transactions with himself and Metivier to the amount of sixty thousand francs, besides having a large deposit in the Bank.
"Has she an account at the Bank?" asked Minard.
"I believe so," replied Barbet. "I give her at least eighty thousand francs there."
Being on intimate terms with a governor of the Bank, Minard ascertained that Mademoiselle Thuillier had, in point of fact, an account of over two hundred thousand francs, the result of her quarterly deposits for many years. Besides this, she owned the house they lived in, which was not mortgaged, and was worth at least one hundred thousand francs, if not more.
"Why should Mademoiselle Thuillier work in this way?" said Minard to Metivier. "She'd be a good match for you," he added.
"I? oh, no," replied Metivier. "I shall do better by marrying a cousin; my uncle Metivier has given me the succession to his business; he has a hundred thousand francs a year and only two daughters."
However secretive Mademoiselle Thuillier might be,--and she said nothing of her investments to any one, not even to her brother, although a large amount of Madame Thuillier's fortune went to swell the amount of her own savings,--it was difficult to prevent some ray of light from gliding under the bushel which covered her treasure.
Dutocq, who frequented Barbet, with whom he had some resemblance in character and countenance, had appraised, even more correctly than Minard, the Thuillier finances. He knew that their savings amounted, in 1838, to one hundred and fifty thousand francs, and he followed their progress secretly, calculating profits by the help of that all-wise money-lender, Barbet.
"Celeste will have from my brother and myself two hundred thousand francs in ready money," the old maid had said to Barbet in confidence, "and Madame Thuillier wishes to secure to her by the marriage contract the ultimate possession of her own fortune. As for me, my will is made. My brother will have everything during his lifetime, and Celeste will be my heiress with that reservation. Monsieur Cardot, the notary, is my executor."
Mademoiselle Thuillier now instigated her brother to renew his former relations with the Saillards, Baudoyers, and others, who held a position similar to that of the Thuilliers in the quartier Saint-Antoine, of which Monsieur Saillard was mayor. Cardot, the notary, had produced his aspirant for Celeste's hand in the person of Monsieur Godeschal, attorney and successor to Derville; an able man, thirty-six years of age, who had paid one hundred thousand francs for his practice, which the two hundred thousand of the "dot" would doubly clear off. Minard, however, got rid of Godeschal by informing Mademoiselle Thuillier that Celeste's sister-in-law would be the famous Mariette of the Opera.
"She came from the stage," said Colleville, alluding to his wife, "and there's no need she should return to it."
"Besides, Monsieur Godeschal is too old for Celeste," remarked Brigitte.
"And ought we not," added Madame Thuillier, timidly, "to let her marry according to her own taste, so as to be happy?"
The poor woman had detected in Felix Phellion a true love for Celeste; the love that a woman crushed by Brigitte and wounded by her husband's indifference (for Thuillier cared less for his wife than he did for a servant) had dreamed that love might be,--bold in heart, timid externally, sure of itself, reserved, hidden from others, but expanding toward heaven. At twenty-three years of age, Felix Phellion was a gentle, pure-minded young man, like all true scholars who cultivate knowledge for knowledge's sake. He had been sacredly brought up by his father, who, viewing all things seriously, had given him none
The worthy old man is always dignified; dignity serves to explain his life. He has brought up his children with dignity; he has kept himself a father in their eyes; he insists on being honored in his home, just as he himself honors power and his superiors. He has never made debts. As a juryman his conscience obliges him to sweat blood and water in the effort to follow the debates of a trial; he never laughs, not even if the judge, and audience, and all the officials laugh. Eminently useful, he gives his services, his time, everything--except his money. Felix Phellion, his son, the professor, is his idol; he thinks him capable of attaining to the Academy of Sciences. Thuillier, between the audacious nullity of Minard, and the solid silliness of Phellion, was a neutral substance, but connected with both through his dismal experience. He managed to conceal the emptiness of his brain by commonplace talk, just as he covered the yellow skin of his bald pate with thready locks of his gray hair, brought from the back of his head with infinite art by the comb of his hairdresser.
"In any other career," he was wont to say, speaking of the government employ, "I should have made a very different fortune."
He had seen the _right_, which is possible in theory and impossible in practice,--results proving contrary to premises,--and he related the intrigues and the injustices of the Rabourdin affair.
"After that, one can believe all, and believe nothing," he would say. "Ah! it is a queer thing, government! I'm very glad not to have a son, and never to see him in the career of a place-hunter."
Colleville, ever gay, rotund, and good-humored, a sayer of "quodlibets," a maker of anagrams, always busy, represented the capable and bantering bourgeois, with faculty without success, obstinate toil without result; he was also the embodiment of jovial resignation, mind without object, art with usefulness, for, excellent musician that he was, he never played now except for his daughter.
The Thuillier salon was in some sort a provincial salon, lighted, however, by continual flashes from the Parisian conflagration; its mediocrity and its platitudes followed the current of the times. The popular saying and thing (for in Paris the thing and its saying are like the horse and its rider) ricochetted, so to speak, to this company. Monsieur Minard was always impatiently expected, for he was certain to know the truth of important circumstances. The women of the Thuillier salon held by the Jesuits; the men defended the University; and, as a general thing, the women listened. A man of intelligence (could he have borne the dulness of these evenings) would have laughed, as he would at a comedy of Moliere, on hearing, amid endless discussion, such remarks as the following:--
"How could the Revolution of 1789 have been avoided? The loans of Louis XIV. prepared the way for it. Louis XV., an egotist, a man of narrow mind (didn't he say, 'If I were lieutenant of police I would suppress cabriolets'?), that dissolute king--you remember his Parc aux Cerfs?--did much to open the abyss of revolution. Monsieur de Necker, an evil-minded Genovese, set the thing a-going. Foreigners have always tried to injure France. The maximum did great harm to the Revolution. Legally Louis XVI. should never have been condemned; a jury would have acquitted him. Why did Charles X. fall? Napoleon was a great man, and the facts that prove his genius are anecdotal: he took five pinches of snuff a minute out of a pocket lined with leather made in his waistcoat. He looked into all his tradesmen's accounts; he went to Saint-Denis to judge for himself the prices of things. Talma was his friend; Talma taught him his gestures; nevertheless, he always refused to give Talma the Legion of honor! The emperor mounted guard for a sentinel who went to sleep, to save him from being shot. Those were the things that made his soldiers adore him. Louis XVIII., who certainly had some sense, was very unjust in calling him Monsieur de Buonaparte. The defect of the present government is in letting itself be led instead of leading. It holds itself too low. It is afraid of men of energy. It ought to have torn up all the treaties of 1815 and demanded the Rhine. They keep the same men too long in the ministry"; etc., etc.
"Come, you've exerted your minds long enough," said Mademoiselle Thuillier, interrupting one of these luminous talks; "the altar is dressed; begin your little game."
If these anterior facts and all these generalities were not placed here as the frame of the present Scene, to give an idea of the spirit of this society, the following drama would certainly have suffered greatly. Moreover, this sketch is historically faithful; it shows a social stratum of importance in any portrayal of manners and morals, especially when we reflect that the political system of the Younger branch rests almost wholly upon it.
The winter of the year 1839 was, it may be said, the period when the Thuillier salon was in its greatest glory. The Minards came nearly every Sunday, and began their evening by spending an hour there, if they had other engagements elsewhere. Often Minard would leave his wife at the Thuilliers and take his son and daughter to other houses. This assiduity on the part of the Minards was brought about by a somewhat tardy meeting between Messieurs Metivier, Barbet, and Minard on an evening when the two former, being tenants of Mademoiselle Thuillier, remained rather longer than usual in discussing business with her. From Barbet, Minard learned that the old maid had money transactions with himself and Metivier to the amount of sixty thousand francs, besides having a large deposit in the Bank.
"Has she an account at the Bank?" asked Minard.
"I believe so," replied Barbet. "I give her at least eighty thousand francs there."
Being on intimate terms with a governor of the Bank, Minard ascertained that Mademoiselle Thuillier had, in point of fact, an account of over two hundred thousand francs, the result of her quarterly deposits for many years. Besides this, she owned the house they lived in, which was not mortgaged, and was worth at least one hundred thousand francs, if not more.
"Why should Mademoiselle Thuillier work in this way?" said Minard to Metivier. "She'd be a good match for you," he added.
"I? oh, no," replied Metivier. "I shall do better by marrying a cousin; my uncle Metivier has given me the succession to his business; he has a hundred thousand francs a year and only two daughters."
However secretive Mademoiselle Thuillier might be,--and she said nothing of her investments to any one, not even to her brother, although a large amount of Madame Thuillier's fortune went to swell the amount of her own savings,--it was difficult to prevent some ray of light from gliding under the bushel which covered her treasure.
Dutocq, who frequented Barbet, with whom he had some resemblance in character and countenance, had appraised, even more correctly than Minard, the Thuillier finances. He knew that their savings amounted, in 1838, to one hundred and fifty thousand francs, and he followed their progress secretly, calculating profits by the help of that all-wise money-lender, Barbet.
"Celeste will have from my brother and myself two hundred thousand francs in ready money," the old maid had said to Barbet in confidence, "and Madame Thuillier wishes to secure to her by the marriage contract the ultimate possession of her own fortune. As for me, my will is made. My brother will have everything during his lifetime, and Celeste will be my heiress with that reservation. Monsieur Cardot, the notary, is my executor."
Mademoiselle Thuillier now instigated her brother to renew his former relations with the Saillards, Baudoyers, and others, who held a position similar to that of the Thuilliers in the quartier Saint-Antoine, of which Monsieur Saillard was mayor. Cardot, the notary, had produced his aspirant for Celeste's hand in the person of Monsieur Godeschal, attorney and successor to Derville; an able man, thirty-six years of age, who had paid one hundred thousand francs for his practice, which the two hundred thousand of the "dot" would doubly clear off. Minard, however, got rid of Godeschal by informing Mademoiselle Thuillier that Celeste's sister-in-law would be the famous Mariette of the Opera.
"She came from the stage," said Colleville, alluding to his wife, "and there's no need she should return to it."
"Besides, Monsieur Godeschal is too old for Celeste," remarked Brigitte.
"And ought we not," added Madame Thuillier, timidly, "to let her marry according to her own taste, so as to be happy?"
The poor woman had detected in Felix Phellion a true love for Celeste; the love that a woman crushed by Brigitte and wounded by her husband's indifference (for Thuillier cared less for his wife than he did for a servant) had dreamed that love might be,--bold in heart, timid externally, sure of itself, reserved, hidden from others, but expanding toward heaven. At twenty-three years of age, Felix Phellion was a gentle, pure-minded young man, like all true scholars who cultivate knowledge for knowledge's sake. He had been sacredly brought up by his father, who, viewing all things seriously, had given him none
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