Antonina; Or, The Fall of Rome, Wilkie Collins [inspirational novels .txt] 📗

'Thou acceptest of repentance; grant repentance to him! If at any time I have served Thee without blame, let the service be counted to him; let the vials of Thy wrath be poured out on me!'

'Hark! the trumpet blows for the sacrifice!' interrupted the raving voice of the Pagan, as he turned from the altar, and extended his arms in frenzied inspiration. 'The roar of music and the voice of exultation soar upward from the highest mountain-tops! The incense smokes, and in and out, and round and round, the dancers whirl about the pillars of the temple! The ox for the sacrifice is without spot; his horns are gilt; the crown and fillet adorn his head. The priest stands before him naked from the waist upwards; he heaves the libation out of the cup; the blood flows over the altar! Up! up! tear forth with reeking hands the heart while it is yet warm, futurity is before you in the quivering entrails, look on them and read! read!'

While he spoke, Goisvintha had entered the temple. The street was still desolate; no help was at hand.

Not advancing at once, she concealed herself near the door behind a projection in the pile of idols, watching from it until Ulpius, in the progress of his frenzy, should turn away from Antonina, whom he stood fronting at this instant. But she had not entered unperceived; Antonina had seen her again. And now the bitterness of death, when the young die unprotected in their youth, came over the girl, and she cried in a low wailing voice, as she knelt by Numerian's side: 'I must die, father, I must die, as Hermanric died! Look up at me, and speak to me before I die!'

Her father was still praying; he heard nothing, for his heart was bleeding in atonement at the shrine of his boyish home, and his soul still communed with its Maker. The voice that followed hers was the voice of Ulpius.

'Oh, beautiful are the gardens round the sacred altars, and lofty the trees that embower the glittering shrines!' he exclaimed, rapt and ecstatic in his new visions. 'Lo, the morning breaks, and the spirits of light are welcomed by a sacrifice! The sun goes down behind the mountain, and the beams of evening tremble on the victim beneath the knife of the adoring priest! The moon and stars shine high in the firmament, and the Genii of Nights are saluted in the still hours with blood!'

As he paused, the lament of Antonina was continued in lower and lower tones: 'I must die, father, I must die!' And with it murmured the supplicating accents of Numerian: 'God of Mercy! deliver the helpless and forgive the afflicted! Lord of Judgment! deal gently with Thy servants who have sinned!' While, mingling with both in discordant combination, the strange music of the temple still poured on its lulling sound—the rippling of the running waters and the airy chiming of the bells!

'Worship!—emperors, armies, nations, glorify and worship me!' shouted the madman, in thunder-tones of triumph and command, as his eye for the first time encountered the figure of Numerian prostrate at his feet. 'Worship the demi-god who moves with the deities through spheres unknown to man! I have heard the moans of the unburied who wander on the shores of the Lake of the Dead—worship! I have looked on the river whose black current roars and howls in its course through the caves of everlasting night—worship! I have seen the furies lashed by serpents on their wrinkled necks, and followed them as they hurled their torches over the pining ghosts! I have stood unmoved in the hurricane-tumult of hell—worship! worship! worship!'

He turned round again towards the altar of idols, calling upon his gods to proclaim his deification, and at the moment when he moved, Goisvintha sprang forward. Antonina was kneeling with her face turned from the door, as the assassin seized her by her long hair and drove the knife into her neck. The moaning accents of the girl, bewailing her approaching fate, closed in one faint groan; she stretched out her arms, and fell forward over her father's body.

In the ferocious triumph of the moment, Goisvintha raised her arm to repeat the stroke; but at that instant the madman looked round. 'The sacrifice—the sacrifice!' he shouted, leaping at one spring like a wild beast at her throat. She struck ineffectually at him with the knife, as he fastened his long nails in her flesh and hurled her backwards to the floor. Then he yelled and gibbered in frantic exultation, set his foot on her breast, and spat on her as she lay beneath him.

The contact of the girl's body when she fell—the short but terrible tumult of the attack that passed almost over him—the shrill, deafening cries of the madman, awoke Numerian from his trance of despairing remembrance, aroused him in his agony of supplicating prayer. He looked up.

The scene that met his eyes was one of those scenes which crush every faculty but the faculty of mechanical action—before which, thought vanishes from men's minds, utterance is suspended on their lips, expression is paralysed on their faces. The coldness of the tomb seemed breathed over Numerian's aspect by the contemplation of the terrible catastrophe: his eyes were glassy and vacant, his lips parted and rigid; even the remembrance of the discovery of his brother seemed lost to him as he stooped over his daughter and bound a fragment of her robe round her neck. The mute, soulless, ghastly stillness of death looked settled on his features, as, unconscious now of weakness or age, he rose with her in his arms, stood motionless for one moment before the doorway, and looked slowly round on Ulpius; then he moved forward with heavy regular steps. The Pagan's foot was still on Goisvintha's breast as the father passed him; his gaze was still fixed on her; but his cries of triumph were calmed; he laughed and muttered incoherently to himself.

The moon was rising, soft, faint, and tranquil, over the quiet street as Numerian descended the temple steps with his daughter in his arms, and, after an instant's pause of bewilderment and doubt, instinctively pursued his slow, funereal course along the deserted roadway in the direction of home. Soon, as he advanced, he beheld in the moonlight, down the long vista of the street at its termination, a little assemblage of people walking towards him with calm and regular progress. As they came nearer, he saw that one of them held an open book, that another carried a crucifix, and that others followed these two with clasped hands and drooping heads. And then, after an interval, the fresh breezes that blew towards him bore onward these words, slowly and reverently pronounced:—

'Know, therefore, that God exacteth of thee less than thine iniquity deserveth.

'Canst thou, by searching, find out God? Canst thou find out the Almighty to perfection?'

Then the breeze fell, the words grew indistinct, but the procession still moved forward. As it came nearer and nearer, the voice of the reader was again plainly heard:—

'If iniquity be in thy hand, put it far away, and let not wickedness dwell in thy tabernacles.

'For then shalt thou lift up thy face without spot; yea, thou shalt be steadfast, and shalt not fear;

'Because thou shalt forget thy misery, and remember it as waters that pass away:

And thine age shall be clearer than the noonday; thou shalt shine forth, thou shalt be as the morning.'

The reader stopped and closed the book; for now Numerian had met the members of the little procession, and they looked on him standing voiceless before them in the clear moonlight, with his daughter's head drooping over his shoulder as he carried her in his arms.

There were some among those who gathered round him whose features he would have recognised at another time as the features of the surviving adherents of his former congregation. The assembly he had met was composed of the few sincere Christians in Rome, who had collected, on the promulgation of the news that Alaric had ratified terms of peace, to make a pilgrimage through the city, in the hopeless endeavour, by reading from the Bible and passing exhortation, to awaken the reckless populace to a feeling of contrition for their sins, and of devout gratitude for their approaching deliverance from the horrors of the siege.

But now, when Numerian confronted them, neither by word nor look did he express the slightest recognition of any who surrounded him. To all the questions addressed to him, he replied by hurried gestures that none could comprehend. To all the promises of help and protection heaped upon him in the first outbreak of the grief and pity of his adherents of other days, he answered but by the same dull, vacant glance. It was only when they relieved him of his burden, and gently prepared to carry the senseless girl among them back to her father's house, that he spoke; and then, in faint entreating tones, he besought them to let him hold her hand as they went, so that he might be the first to feel her pulse beat—if it yet moved.

They turned back by the way they had come—a sorrowful and slow-moving procession! As they passed on, the reader again opened the Sacred Book; and then these words rose through the soothing and heavenly tranquillity of the first hours of night:—

'Behold, happy is the man whom God correcteth: therefore despise not thou the chastening of the Almighty:

'For he maketh sore, and bindeth up: he woundeth, and his hands make whole.'

CHAPTER 26. RETRIBUTION.

As, in the progress of Life, each man pursues his course with the passions, good and evil, set, as it were, on either side of him; and viewing their results in the actions of his fellow-men, finds his attention, while still attracted by the spectacle of what is noble and virtuous, suddenly challenged by the opposite display of what is mean and criminal—so, in the progress of this narrative, which aims to be the reflection of Life, the reader who has journeyed with us thus far, and who may now be inclined to follow the little procession of Christian devotees, to walk by the side of the afflicted father, and to hold with him the hand of his ill-fated child, is yet, in obedience to the conditions of the story, required to turn back for awhile to the contemplation of its darker passages of guilt and terror—he must enter the temple again; but he will enter it for the last time.

The scene before the altar of idols was fast proceeding to its fatal climax.

The Pagan's frenzy had exhausted itself in its own fury—his insanity was assuming a quieter and a more dangerous form; his eye grew cunning and suspicious; a stealthy deliberation and watchfulness appeared in all his actions. He now slowly lifted his foot from Goisvintha's breast, and raised his hands at the same time to strike her back if she should attempt to escape. Seeing that she lay senseless from her fall, he left her; retired to one of the corners of the temple, took from it a rope that lay there, and returning, bound her arms behind her at the hands and wrists. The rope cut deep through the skin—the pain restored her to her senses; she suffered the sharp agony in her own body, in the same place where she had inflicted it on the young chieftain at the farm-house beyond the suburbs.

The minute after, she felt herself dragged along the ground, farther into the interior of the building. The madman drew her up to the iron gates of the passage through the partition, and fastening the end of the rope to them, left her there. This part of the temple was enveloped in total darkness—her assailant addressed not a word to her—she could not obtain even a glimpse of his form, but she could hear him still laughing to himself in hoarse, monotonous tones, that sounded now near, and now distant again.

She abandoned herself as lost—prematurely devoted to the torment and death that she had anticipated; but, as yet, her masculine resolution and energy did not decline. The very intensity of the anguish she suffered from the bindings at her wrists, producing a fierce bodily effort to resist it, strengthened her iron-strung nerves. She neither cried for help nor appealed to the Pagan for pity. The gloomy fatalism which she had inherited from her savage ancestors sustained her in a suicide-pride.

Ere long the laughter of Ulpius, while he moved slowly hither and thither in the darkness of the temple, was overpowered by the sound of her voice—deep, groaning, but yet steady—as she uttered