The Secret of the Night, Gaston Leroux [best book recommendations .TXT] 📗
- Author: Gaston Leroux
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And he, ordinarily so detailed, so particular in his affairs, threw things every which way, linen, garments, with kicks and shoves. It was a relief after the emotions he had gone through. “What a country!” he never ceased to ejaculate. “What a country!”
Then the carriage was ready, with two little Finnish horses, whose gait he knew well, an evil-looking driver, who none the less would get him there; the trunk; roubles to the domestics. “Spacibo, barine. Spacibo.” (Thank you, monsieur. Thank you.)
The interpreter asked what address he should give the driver.
“The home of the Tsar.”
The interpreter hesitated, believing it to be an unbecoming pleasantry, then waved vaguely to the driver, and the horses started.
“What a curious trot! We have no idea of that in France,” thought Rouletabille. “France! France! Paris! Is it possible that soon I shall be back! And that dear Lady in Black! Ah, at the first opportunity I must send her a dispatch of my return—before she receives those ikons, and the letters announcing my death. Scan! Scan! Scan! (Hurry!)”
The isvotchick pounded his horses, crowding past the dvornicks who watched at the corners of the houses during the St. Petersburg night. “Dirigi! dirigi! dirigi! (Look out!)”
The country, somber in the somber night. The vast open country. What monotonous desolation! Rapidly, through the vast silent spaces, the little car glided over the lonely route into the black arms of the pines.
Rouletabille, holding on to his seat, looked about him.
“God! this is as sad as a funeral display.”
Little frozen huts, no larger than tombs, occasionally indicated the road, but there was no mark of life in that country except the noise of the journey and the two beasts with steaming coats.
Crack! One of the shafts broken. “What a country!” To hear Rouletabille one would suppose that only in Russia could the shaft of a carriage break.
The repair was difficult and crude, with bits of rope. And from then on the journey was slow and cautious after the frenzied speed. In vain Rouletabille reasoned with himself. “You will arrive anyway before morning. You cannot wake the Emperor in the dead of night.” His impatience knew no reason. “What a country! What a country!”
After some other petty adventures (they ran into a ravine and had tremendous difficulty rescuing the trunk) they arrived at Tsarskoie-Coelo at a quarter of seven.
Even here the country was not pleasant. Rouletabille recalled the bright awakening of French country. Here it seemed there was something more dead than death: it was this little city with its streets where no one passed, not a soul, not a phantom, with its houses so impenetrable, the windows even of glazed glass and further blinded by the morning hoar-frost shutting out light more thoroughly than closed eyelids. Behind them he pictured to himself a world unknown, a world which neither spoke nor wept, nor laughed, a world in which no living chord resounded. “What a country! ‘Where is the chateau? I do not know; I have been here only once, in the marshal’s carriage. I do not know the way. Not the great palace! The idiot of a driver has brought me to this great palace in order to see it, I haven’t a doubt. Does Rouletabille look like a tourist? Dourak! The home of the Tsar, I tell you. The Tsar’s residence. The place where the Little Father lives. Chez Batouchka!”
The driver lashed his ponies. He drove past all the streets. “Stoi! (Stop!)” cried Rouletabille. A gate, a soldier, musket at shoulder, bayonet in play; another gate, another soldier, another bayonet; a park with walls around it, and around the walls more soldiers.
“No mistake; here is the place,” thought Rouletabille. There was only one prisoner for whom such pains would be taken. He advanced towards the gate. Ah! They crossed bayonets under his nose. Halt! No fooling, Joseph Rouletabille, of “L’Epoque.” A subaltern came from a guard-house and advanced toward him. Explanation evidently was going to be difficult. The young man saw that if he demanded to see the Tsar, they would think him crazed and that would further complicate matters. He asked for the Grand-Marshal of the Court. They replied that he could get the Marshal’s address in Tsarskoie. But the subaltern turned his head. He saw someone advancing. It was the Grand-Marshal himself. Some exceptional service called him, without doubt, very early to the Court.
“Why, what are you doing here? You are not yet gone then, Monsieur Rouletabille?”
“Politeness before everything, Monsieur le Grand-Marechal! I would not go before saying ‘Au revoir’ to the Emperor. Be so good, since you are going to him and he has risen (you yourself have told me he rises at seven), be so good as to say to him that I wish to pay my respects before leaving.”
“Your scheme, doubtless, is to speak to him once more regarding Natacha Feodorovna?”
“Not at all. Tell him, Excellency, that I am come to explain the mystery of the eider downs.”
“Ah, ah, the eider downs! You know something?”
“I know all.”
The Grand Marshal saw that the young man did not pretend. He asked him to wait a few minutes, and vanished into the park.
A quarter of an hour later, Joseph Rouletabille, of the journal “L’Epoque,” was admitted into the cabinet that he knew well from the first interview he had had there with His Majesty. The simple work-room of a country-house: a few pictures on the walls, portraits of the Tsarina and the imperial children on the table; Oriental cigarettes in the tiny gold cups. Rouletabille was far from feeling any assurance, for the Grand-Marshal had said to him:
“Be cautious. The Emperor is in a terrible humor about you.”
A door opened and closed. The Tsar made a sign to the Marshal, who disappeared. Rouletabille bowed low, then watched the Emperor closely.
Quite apparently His Majesty was displeased. The face of the Tsar, ordinarily so calm, so pleasant, and smiling, was severe, and his eyes had an angry light. He seated himself and lighted a cigarette.
“Monsieur,” he commenced, “I am not otherwise sorry to see you before your departure in order to say to you myself that I am not at all pleased with you. If you were one of my subjects I would have already started you on the road to the Ural Mountains.”
“I remove myself farther, Sire.”
“Monsieur, I pray you not to interrupt me and not to speak unless I ask
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