Frances Waldeaux, Rebecca Harding Davis [phonics reading books TXT] 📗

need her; he never was well in foggy weather.
Then she remembered that Lisa was with him. She would nurse him.
She called a cab, and, as she drove home, looked out at the crowd with a hard, smiling face.
Henry Irving that night played "Shylock," and Mr. Perry secured a box for Miss Vance. Frances went with the others. Before the curtain rose there was a startled movement among them, a whisper, and then Clara turned to Mrs. Waldeaux.
"Frances, Lisa is coming into the opposite box," she said. "She is really a beautiful woman in that decollete gown, and her cheeks flushed, and her eyes---- I had no idea! She is superb!"
Two men in the dress of French officers entered the box with Lisa. They seated her, bending over her with an empressement which, to Mrs. Waldeaux's heated fancy, was insulting. George came last, carrying his wife's cloak, which he placed upon a chair. One of the men tossed his cape to him, with a familiar nod, and George laid it aside and sat down at the back of the box.
His mother leaned forward, watching. That woman had put her son in the place of an inferior--an attendant.
The great orchestra shook the house with a final crash, and the curtain rose upon the Venetian plaza. Every face in the audience was turned attentive toward it. But Mrs. Waldeaux saw only Lisa.
A strange change came upon her as she watched her son's wife. For months she had struggled feebly against her hate of Lisa. Now she welcomed it; she let herself go.
Is the old story true after all? Is there some brutal passion hiding in every human soul, waiting its chance, even in old age? It is certain that this woman, after her long harmless life, recognized the fury in her soul and freed it.
"Frances," whispered Clara, "when this act is over, go and speak to them. I will go with you. It is your chance to put an end to this horrible separation. They are your children."
"No. That woman is my enemy, Clara," said Mrs. Waldeaux quietly. "I will make no terms with her."
Miss Vance sighed and turned to the stage, but Frances still watched the opposite box. It seemed as if the passion within her had cleared her eyes. They never had seen George as they now saw him.
Was that her son? Was it that little priggish, insignificant fellow that she had made a god of? He was dull, commonplace! Satisfied to sit dumb in the background and take orders from those bourgeois French Jews!
The play went on, but she saw nothing but George and his wife.
There was the result of all her drudgery! The hot summers of work in the filthy poultry yards; the grinding out of poor jokes; the coarse, cheap underclothes (she used to cry when she put them on, she hated them so). Years and years of it all; and for that cold, selfish fop!
His mother saw him leave the box, and knew that he was coming.
"Oh, good-evening, George!" she said gayly, as he opened the door. "A wonderful scene, wasn't it? I have always wished to see Irving in 'Hamlet.'"
"This is 'Shylock,'" he said gravely, and turned to speak to the others. They welcomed him eagerly, and made room for him. He had lost something of the cold, blase air which had ennobled him in the eyes of the young women. He looked around presently, and said with a comfortable shrug:
"It is so pleasant to talk English again! My wife detests it. We speak only French. I feel like an alien and outcast among you!" He laughed; his mother glanced at him curiously. But Lucy turned her face away, afraid that he should see it. As he talked, George noted the clear-cut American features of the girls, and their dainty gowns, with a keen pleasure; then he glanced quickly at the opposite box.
"Ah!" said Jean to Mr. Perry. "The soiled lace and musk are beginning to tell! He is tired of Lisa already!" "I never liked the fellow," said Mr. Perry coldly. "But he is hardly the cad that you suppose."
He fell into a gloomy silence. He had wasted two years' salary in following Lucy Dunbar about, in showering flowers on her, in posing before her in the last fashions of Conduit Street, and yet when this conceited fellow came into the box she was blind and deaf to all besides! Her eyes filled with tears just now when he talked of his loneliness. Lonely--with his wife! A married man!
George, when the curtain fell again, sat down by Frances.
"Mother," he said.
"Yes, George." Her eyes were bright and attentive, but her countenance had fallen into hard lines new to him.
"I went to Morgan's this afternoon. You have been very liberal to us."
"I will do what I can. You may depend upon that amount, regularly."
He rose and bade them good-night, and turned to her again.
"We--we are coming to-morrow to thank you. MOTHER?" There was a hoarse sob in his throat. He laid his hand on her arm. She moved so that it dropped. "We will come to-morrow," he said. "Did you understand? Lisa wishes to be friends with you. She is ready to forgive," he groped on, blundering, like a man.
"Oh, yes, I understand. You and Lisa are coming to forgive me to-morrow," she said, smiling.
He looked at her, perplexed and waiting. But she said no more.
"Well, I must go now. Good-night."
"Good-night, George!" Her bright, smiling eyes followed him steadily, as he went out.
Mrs. Waldeaux tapped at Clara's door that evening after they reached home.
"I came to tell you that I shall leave London early in the morning," she said.
"You will not wait to see George and his wife?"
"I hope I never shall see them again. No! Not a word! I will hear no arguments!" She came into the room and closed the door. There was a certain novel air of decision and youth in her figure and movements. "I am going to make a change, Clara," she said. "I have worked for others long enough. I am going away now, alone. I will be free. I will live my own life--at last." Her eyes shone with exultation.
"And---- Where are you going?" stammered Miss Vance, dismayed.
"I don't know. There is so much--it has all been waiting so long for me. There are the cathedrals--and the mountains. Or the Holy Land. Perhaps I may try to write again. There seems to be a dumb word or two in me. Don't be angry with me, Clara," throwing her arms about her cousin, the tears rushing to her eyes. "I may come back to you and little Lucy some time. But just now I want to be alone and fancy myself young. I never was young."
When Lucy stole into her old friend's chamber the next morning as usual to drink her cup of coffee with her, she found the door open and the room in disorder, and she was told that Mrs. Waldeaux had left London at daybreak.


CHAPTER VII
During the year which followed, Mr. Perry was forced to return to the States, but he made two flying trips across "the pond," as he called it, in the interests of his magazine, always running down his prey of notorieties in that quarter of Europe in which Miss Vance and her charges chanced to be.
When he came in July he found them in a humble little inn in Bozen. He looked with contempt at the stone floors, the clean cell-like chambers, each with its narrow bed, and blue stone ewer perched on a wooden stool; and he sniffed with disgust when breakfast was served on a table set out in the Platz.
"Don't know," he said, "whether I can digest food, eating out of doors. Myself, I never give in to these foreign ways. It's time they learned manners from us."
"I have no doubt," said Miss Vance placidly, "that you can find one of the usual hotels built for rich Americans in the town. We avoid them. We search out the inns du pays to see as far behind the scenes as we can. I don't care to go to those huge houses with mobs of Chicagoans and New Yorkers; and have the couriers and portiers turn the flashlights on Europe for me, as if it were a burlesque show."
"Now, that's just what I like!" said Perry. "I always go to the houses where the royalties put up. I like to order better dishes and give bigger tips than they do. They don't know Jem Perry from Adam, but it's my way of waving the American flag."
"I am afraid we have no such patriotic motive," said Clara. "My girls seem to care for nothing now but art. We have made this little inn our headquarters in the Tyrol chiefly out of love for the old church yonder."
Mr. Perry glanced contemptuously across the Platz at the frowning gray building, and sat down with his back to it.
"Art, eh? Well, I've no doubt I could soon catch on to Art, if I turned my mind that way. It pays, too,--Art. Not the fellows who paint, but the connoisseurs. There's Miller from our town. He was a drummer for a candy firm. Had an eye for color. Well, he buys pictures now for Americans who want galleries in their houses. He bought his whole collection for Stout--the great dealer in hams. Why, Miller can tell the money value within five dollars, at sight, of any picture in Europe. He's safe, too. Never invests in pictures that aren't sure to go up in price. Getting rich! And began as a candy drummer! No, ma'am! Art's no mystery. I've never taken it up myself. Europe is sheer pleasure to me. I get the best out of it. I know where to lodge well, and I can tell you where the famous plats are cooked, and I have my coats built by Toole. The house pays me a salary which justifies me in humoring my little follies," stroking his red beard complacently.
Lucy's chubby face and steady blue eyes were turned on him thoughtfully, and presently, when they sauntered down the windy street together, he talked and she still silently watched him.
"Miss Precision is weighing him in the balance," said Jean, laughing, as she poured out more black coffee. "With all of her soft ways Lucy is shrewd. She knows quite well why he races across the Atlantic, and why Prince Wolfburgh has backed away from us and charged on us again all summer. She is cool. She is measuring poor Perry's qualifications for a husband now just as she would materials for a cake. A neat little inventory. So much energy, so much honest kindness--so much vulgarity. I couldn't do that. If ever a man wants to marry me, I'll fly to him or away from him, as quick as the steel needle does when the magnet touches it." Miss Vance listened to her attentively. "Jean," she said, after a pause, "are you