The Ball at Sceaux, Honoré de Balzac [popular e readers .TXT] 📗

madame," he replied, "that I may regard it as an honor to have got in."

In spite of urgent pressing, he refused politely but firmly to be kept to dinner, and put an end to the persistency of the ladies by saying that he was the Hippocrates of his young sister, whose delicate health required great care.

"Monsieur is perhaps a medical man?" asked one of Emilie's sisters-in-law with ironical meaning.

"Monsieur has left the Ecole Polytechnique," Mademoiselle de Fontaine kindly put in; her face had flushed with richer color, as she learned that the young lady of the ball was Monsieur Longueville's sister.

"But, my dear, he may be a doctor and yet have been to the Ecole Polytechnique--is it not so, monsieur?"

"There is nothing to prevent it, madame," replied the young man.

Every eye was on Emilie, who was gazing with uneasy curiosity at the fascinating stranger. She breathed more freely when he added, not without a smile, "I have not the honor of belonging to the medical profession; and I even gave up going into the Engineers in order to preserve my independence."

"And you did well," said the Count. "But how can you regard it as an honor to be a doctor?" added the Breton nobleman. "Ah, my young friend, such a man as you----"

"Monsieur le Comte, I respect every profession that has a useful purpose."

"Well, in that we agree. You respect those professions, I imagine, as a young man respects a dowager."

Monsieur Longueville made his visit neither too long nor too short. He left at the moment when he saw that he had pleased everybody, and that each one's curiosity about him had been roused.

"He is a cunning rascal!" said the Count, coming into the drawing-room after seeing him to the door.

Mademoiselle de Fontaine, who had been in the secret of this call, had dressed with some care to attract the young man's eye; but she had the little disappointment of finding that he did not bestow on her so much attention as she thought she deserved. The family were a good deal surprised at the silence into which she had retired. Emilie generally displayed all her arts for the benefit of newcomers, her witty prattle, and the inexhaustible eloquence of her eyes and attitudes. Whether it was that the young man's pleasing voice and attractive manners had charmed her, that she was seriously in love, and that this feeling had worked a change in her, her demeanor had lost all its affectations. Being simple and natural, she must, no doubt, have seemed more beautiful. Some of her sisters, and an old lady, a friend of the family, saw in this behavior a refinement of art. They supposed that Emilie, judging the man worthy of her, intended to delay revealing her merits, so as to dazzle him suddenly when she found that she pleased him. Every member of the family was curious to know what this capricious creature thought of the stranger; but when, during dinner, every one chose to endow Monsieur Longueville with some fresh quality which no one else had discovered, Mademoiselle de Fontaine sat for some time in silence. A sarcastic remark of her uncle's suddenly roused her from her apathy; she said, somewhat epigrammatically, that such heavenly perfection must cover some great defect, and that she would take good care how she judged so gifted a man at first sight.

"Those who please everybody, please nobody," she added; "and the worst of all faults is to have none."

Like all girls who are in love, Emilie cherished the hope of being able to hide her feelings at the bottom of her heart by putting the Argus-eyes that watched on the wrong tack; but by the end of a fortnight there was not a member of the large family party who was not in this little domestic secret. When Monsieur Longueville called for the third time, Emilie believed it was chiefly for her sake. This discovery gave her such intoxicating pleasure that she was startled as she reflected on it. There was something in it very painful to her pride. Accustomed as she was to be the centre of her world, she was obliged to recognize a force that attracted her outside herself; she tried to resist, but she could not chase from her heart the fascinating image of the young man.

Then came some anxiety. Two of Monsieur Longueville's qualities, very adverse to general curiosity, and especially to Mademoiselle de Fontaine's, were unexpected modesty and discretion. He never spoke of himself, of his pursuits, or of his family. The hints Emilie threw out in conversation, and the traps she laid to extract from the young fellow some facts concerning himself, he could evade with the adroitness of a diplomatist concealing a secret. If she talked of painting, he responded as a connoisseur; if she sat down to play, he showed without conceit that he was a very good pianist; one evening he delighted all the party by joining his delightful voice to Emilie's in one of Cimarosa's charming duets. But when they tried to find out whether he were a professional singer, he baffled them so pleasantly that he did not afford these women, practised as they were in the art of reading feelings, the least chance of discovering to what social sphere he belonged. However boldly the old uncle cast the boarding-hooks over the vessel, Longueville slipped away cleverly, so as to preserve the charm of mystery; and it was easy to him to remain the "handsome Stranger" at the Villa, because curiosity never overstepped the bounds of good breeding.

Emilie, distracted by this reserve, hoped to get more out of the sister than the brother, in the form of confidences. Aided by her uncle, who was as skilful in such manoeuvres as in handling a ship, she endeavored to bring upon the scene the hitherto unseen figure of Mademoiselle Clara Longueville. The family party at the Villa Planat soon expressed the greatest desire to make the acquaintance of so amiable a young lady, and to give her some amusement. An informal dance was proposed and accepted. The ladies did not despair of making a young girl of sixteen talk.

Notwithstanding the little clouds piled up by suspicion and created by curiosity, a light of joy shone in Emilie's soul, for she found life delicious when thus intimately connected with another than herself. She began to understand the relations of life. Whether it is that happiness makes us better, or that she was too fully occupied to torment other people, she became less caustic, more gentle, and indulgent. This change in her temper enchanted and amazed her family. Perhaps, at last, her selfishness was being transformed to love. It was a deep delight to her to look for the arrival of her bashful and unconfessed adorer. Though they had not uttered a word of passion, she knew that she was loved, and with what art did she not lead the stranger to unlock the stores of his information, which proved to be varied! She perceived that she, too, was being studied, and that made her endeavor to remedy the defects her education had encouraged. Was not this her first homage to love, and a bitter reproach to herself? She desired to please, and she was enchanting; she loved, and she was idolized. Her family, knowing that her pride would sufficiently protect her, gave her enough freedom to enjoy the little childish delights which give to first love its charm and its violence. More than once the young man and Mademoiselle de Fontaine walked, tete-a-tete, in the avenues of the garden, where nature was dressed like a woman going to a ball. More than once they had those conversations, aimless and meaningless, in which the emptiest phrases are those which cover the deepest feelings. They often admired together the setting sun and its gorgeous coloring. They gathered daisies to pull the petals off, and sang the most impassioned duets, using the notes set down by Pergolesi or Rossini as faithful interpreters to express their secrets.

The day of the dance came. Clara Longueville and her brother, whom the servants persisted in honoring with the noble DE, were the principle guests. For the first time in her life Mademoiselle de Fontaine felt pleasure in a young girl's triumph. She lavished on Clara in all sincerity the gracious petting and little attentions which women generally give each other only to excite the jealousy of men. Emilie, had, indeed, an object in view; she wanted to discover some secrets. But, being a girl, Mademoiselle Longueville showed even more mother-wit than her brother, for she did not even look as if she were hiding a secret, and kept the conversation to subjects unconnected with personal interests, while, at the same time, she gave it so much charm that Mademoiselle de Fontaine was almost envious, and called her "the Siren." Though Emilie had intended to make Clara talk, it was Clara, in fact, who questioned Emilie; she had meant to judge her, and she was judged by her; she was constantly provoked to find that she had betrayed her own character in some reply which Clara had extracted from her, while her modest and candid manner prohibited any suspicion of perfidy. There was a moment when Mademoiselle de Fontaine seemed sorry for an ill-judged sally against the commonalty to which Clara had led her.

"Mademoiselle," said the sweet child, "I have heard so much of you from Maximilien that I had the keenest desire to know you, out of affection for him; but is not a wish to know you a wish to love you?"

"My dear Clara, I feared I might have displeased you by speaking thus of people who are not of noble birth."

"Oh, be quite easy. That sort of discussion is pointless in these days. As for me, it does not affect me. I am beside the question."

Ambitious as the answer might seem, it filled Mademoiselle de Fontaine with the deepest joy; for, like all infatuated people, she explained it, as oracles are explained, in the sense that harmonized with her wishes; she began dancing again in higher spirits than ever, as she watched Longueville, whose figure and grace almost surpassed those of her imaginary ideal. She felt added satisfaction in believing him to be well born, her black eyes sparkled, and she danced with all the pleasure that comes of dancing in the presence of the being we love. The couple had never understood each other as well as at this moment; more than once they felt their finger tips thrill and tremble as they were married in the figures of the dance.

The early autumn had come to the handsome pair, in the midst of country festivities and pleasures; they had abandoned themselves softly to the tide of the sweetest sentiment in life, strengthening it by a thousand little incidents which any one can imagine; for love is in some respects always the same. They studied each other through it all, as much as lovers can.

"Well, well; a flirtation never turned so quickly into a love match," said the old uncle, who kept an eye on the two young people as a naturalist watches an insect in the microscope.

The speech alarmed Monsieur and Madame Fontaine. The old Vendeen had ceased to be so indifferent to his daughter's prospects as he had promised to be. He went to Paris to seek information, and found none. Uneasy at this mystery, and not yet knowing what might be the outcome of the inquiry which he had begged a Paris friend to institute with reference to the family of Longueville, he thought it his duty to warn his daughter to