The Parisians — Volume 09, Baron Edward Bulwer Lytton Lytton [best detective novels of all time .txt] 📗

sensible than I of the charm of so exquisite a loveliness; no one can more sincerely join in the belief that the praise which greets the commencement of her career is but the whisper of the praise that will cheer its progress with louder and louder plaudits.

"He only would be worthy of her hand, who, if not equal to herself in genius, would feel raised into partnership with it by sympathy with its objects and joy in its triumphs. For myself, the same pain with which I should have learned she had adopted the profession which she originally contemplated, saddened and stung me when, choosing a career that confers a renown yet more lasting than the stage, she no less left behind her the peaceful immunities of private life. Were I even free to consult only my own heart in the choice of the one sole partner of my destinies (which I cannot at present honestly say that I am, though I had expected to be so ere this, when I last saw you at Paris); could I even hope—which I have no right to do—that I could chain to myself any private portion of thoughts which now flow into the large channels by which poets enrich the blood of the world,—still (I say it in self-reproach, it may be the fault of my English rearing, it may rather be the fault of an egotism peculiar to myself)—still I doubt if I could render happy any woman whose world could not be narrowed to the Home that she adorned and blessed.

"And yet not even the jealous tyranny of man's love could dare to say to natures like hers of whom we speak, 'Limit to the household glory of one the light which genius has placed in its firmament for the use and enjoyment of all.'"

"I thank you so much," said Isaura, calmly; "suspense makes a woman so weak—certainty so strong." Mechanically she smoothed and refolded the letter—mechanically, with slow, lingering hands—then she extended it to her friend, smiling.

"Nay, will you not keep it yourself?" said Mrs. Morley. "The more you examine the narrow-minded prejudices, the English arrogant man's jealous dread of superiority—nay, of equality—in the woman he 'can only value as he does his house or his horse, because she is his exclusive property, the more you will be rejoiced to find yourself free for a more worthy choice. Keep the letter; read it till you feel for the writer forgiveness and disdain."

Isaura took back the letter, and leaned her cheek on her hand, looking dreamily into space. It was some moments before she replied, and her words then had no reference to Mrs. Morley's consolatory exhortation.

"He was so pleased when he learned that I renounced the career on which I had set my ambition. I thought he would have been so pleased when I sought in another career to raise myself nearer to his level—I see now how sadly I was mistaken. All that perplexed me before in him is explained. I did not guess how foolishly I had deceived myself till three days ago,—then I did guess it; and it was that guess which tortured me so terribly that I could not keep my heart to myself when I saw you to-day; in spite of all womanly pride it would force its way—to the truth.

"Hush! I must tell you what was said to me by another friend of mine— a good friend, a wise and kind one. Yet I was so angry when she said it that I thought I could never see her more."

"My sweet darling! who was this friend, and what did she say to you?"

"The friend was Madame Savarin."

"No woman loves you more except myself—and she said?"

"That she would have suffered no daughter of hers to commit her name to the talk of the world as I have done—be exposed to the risk of insult as I have been—until she had the shelter and protection denied to me. And I have thus overleaped the bound that a prudent mother would prescribe to her child, have become one whose hand men do not seek, unless they themselves take the same roads to notoriety. Do you not think she was right?"

"Not as you so morbidly put it, silly girl,—certainly not right. But I do wish that you had the shelter and protection which Madame Savarin meant to express; I do wish that you were happily married to one very different from Mr. Vane—one who would be more proud of your genius than of your beauty—one who would say, 'My name, safer far in its enduring nobility than those that depend on titles and lands—which are held on the tenure of the popular breath—must be honoured by posterity, for She has deigned to make it hers. No democratic revolution can disennoble me."

"Ay, ay, you believe that men will be found to think with complacency that they owe to a wife a name they could not achieve for themselves. Possibly there are such men. Where?—among those that are already united by sympathies in the same callings, the same labours, the same hopes and fears with the women who have left behind them the privacies of home. Madame de Grantmesnil was wrong. Artists should wed with artists. True—true!"

Here she passed her hand over her forehead—it was a pretty way of hers when seeking to concentrate thought—and was silent a moment or so.

"Did you ever feel," she then asked dreamily, "that there are moments in life when a dark curtain seems to fall over one's past that a day before was so clear, so blended with the present? One cannot any longer look behind; the gaze is attracted onward, and a track of fire flashes upon the future,—the future which yesterday was invisible. There is a line by some English poet—Mr. Vane once quoted it, not to me, but to M. Savarin, and in illustration of his argument, that the most complicated recesses of thought are best reached by the simplest forms of expression. I said to myself, 'I will study that truth if ever I take to literature as I have taken to song;' and—yes—it was that evening that the ambition fatal to woman fixed on me its relentless fangs—at Enghien—we were on the lake—the sun was setting."

"But you do not tell me the line that so impressed you," said Mrs.
Morley, with a woman's kindly tact.

"The line—which line? Oh, I remember; the line was this:

"'I see as from a tower the end of all."

"And now—kiss me, dearest—never a word again to me about this conversation: never a word about Mr. Vane—the dark curtain has fallen on the past."

CHAPTER XI.

Men and women are much more like each other in certain large elements of character than is generally supposed, but it is that very resemblance which makes their differences the more incomprehensible to each other; just as in politics, theology, or that most disputatious of all things disputable, metaphysics, the nearer the reasoners approach each other in points that to an uncritical bystander seem the most important, the more sure they are to start off in opposite directions upon reaching the speck of a pin-prick.

Now there are certain grand meeting-places between man and woman—the grandest of all is on the ground of love, and yet here also is the great field of quarrel. And here the teller of a tale such as mine ought, if he is sufficiently wise to be humble, to know that it is almost profanation if, as man, he presumes to enter the penetralia of a woman's innermost heart, and repeat, as a man would repeat, all the vibrations of sound which the heart of a woman sends forth undistinguishable even to her own ear.

I know Isaura as intimately as if I had rocked her in her cradle, played with her in her childhood, educated and trained her in her youth; and yet I can no more tell you faithfully what passed in her mind during the forty-eight hours that intervened between her conversation with that American lady and her reappearance in some commonplace drawing-room, than I can tell you what the Man in the Moon might feel if the sun that his world reflected were blotted out of creation.

I can only say that when she reappeared in that commonplace drawing-room world, there was a change in her face not very perceptible to the ordinary observer. If anything, to his eye she was handsomer—the eye was brighter—the complexion (always lustrous, though somewhat pale, the limpid paleness that suits so well with dark hair) was yet more lustrous,—it was flushed into delicate rose hues—hues that still better suit with dark hair. What, then, was the change, and change not for the better? The lips, once so pensively sweet, had grown hard; on the brow that had seemed to laugh when the lips did, there was no longer sympathy between brow and lip; there was scarcely seen a fine threadlike line that in a few years would be a furrow on the space between the eyes; the voice was not so tenderly soft; the step was haughtier. What all such change denoted it is for a woman to decide-I can only guess. In the mean while, Mademoiselle Cicogna had sent her servant daily to inquire after M. Rameau. That, I think, she would have done under any circumstances. Meanwhile, too, she had called on Madame Savarin—made it up with her —sealed the reconciliation by a cold kiss. That, too, under any circumstances, I think she would have done—under some circumstances the kiss might have been less cold.

There was one thing unwonted in her habits. I mention it, though it is only a woman who can say if it means anything worth noticing.

For six days she had left a letter from Madame de Grantmesnil unanswered. With Madame de Grantmesnil was connected the whole of her innermost life —from the day when the lonely desolate child had seen, beyond the dusty thoroughfares of life, gleams of the faery land in poetry and art-onward through her restless, dreamy, aspiring youth-onward—onward—till now, through all that constitutes the glorious reality that we call romance.

Never before had she left for two days unanswered letters which were to her as Sibylline leaves to some unquiet neophyte yearning for solutions to enigmas suggested whether by the world without or by the soul within. For six days Madame de Grantmesnil's letter remained unanswered, unread, neglected, thrust out of sight; just as when some imperious necessity compels us to grapple with a world that is, we cast aside the romance which, in our holiday hours, had beguiled us to a world with which we have interests and sympathies no more.

CHAPTER XII.

Gustave recovered, but slowly. The physician pronounced him out of all immediate danger, but said frankly to him, and somewhat more guardedly to his parents, "There is ample cause to beware." "Look you, my young friend," he added to Rameau, "mere brain-work seldom kills a man once accustomed to it like you; but heart-work, and stomach-work, and nerve- work, added to brain-work, may soon consign to the coffin a frame ten times more robust than yours. Write as much as you will—that is your vocation; but it is not your vocation to drink absinthe—to preside at orgies in the Maison Doree. Regulate yourself, and not after the fashion of the fabulous Don Juan. Marry—live soberly and quietly—and you may survive the grandchildren of viveurs. Go on as you have done, and before the year is out you are in Pere la Chaise."

Rameau listened languidly, but with a profound conviction that the physician thoroughly understood his case.

Lying helpless on his bed, he had no desire for orgies at the Maison Doree; with parched lips thirsty for innocent tisane of lime-blossoms, the thought of absinthe was as odious to him as the liquid fire of Phlegethon. If ever sinner became suddenly convinced that there was a good deal to be said in favour of a moral life, that sinner at the moment I speak of was Gustave Rameau: Certainly a moral life—'Domus et placens uxor',—was essential to the poet who, aspiring to immortal glory, was condemned to the ailments of a very perishable frame.

"Ah," he murmured plaintively to himself, "that girl Isaura can have no true sympathy with genius! It is no ordinary man that she will kill in me!"

And so murmuring he fell asleep. When he woke and found his head pillowed on his mother's