The Rayner-Slade Amalgamation, J. S. Fletcher [best fiction books of all time TXT] 📗

must hear this singing lady at all cost and in any case. Then I slapped down the brass and got the tickets—naught like brass in ready form, my lad! Now, then, when does the desired party appear?"

Fullaway unfolded his program and glanced over the items. The Concert-Direction of Ernest Weiss was famous for the fare which it put before its patrons, and here was certainly enough variety of talent to please the most critical—a famous tenor, a popular violinist, a contralto much in favour for her singing of tender and sentimental songs, a notable performer on the violincello, a local vocalist whose speciality was the singing of ancient Scottish melodies, and—item of vast interest to a certain section of the audience—a youthful prodigy who was fondly believed to have it in her power to become a female Paderewski. These performers were duly announced on the program in terms of varying importance; outstanding from all of them, of course, was the great star of the evening, the one and only Zélie de Longarde, acknowledged Queen of Song in Milan and Moscow, Paris and London, New York and Melbourne.

"Comes on fifth, I see," observed Allerdyke, glancing over his program unconcernedly. "Well, I suppose we've got to stick out the other four. I'm not great on music, Fullaway—don't know one tune from another. However, I reckon I can stand a bit of noise until my lady shows herself."

He listened with good-natured interest, which was not far removed from indifference, to the contralto, the 'cellist, the violinist, only waking up to something like enthusiasm when the infant prodigy, a quaint, painfully shy little creature, who bobbed a side curtsey at the audience, and looked much too small to tackle the grand piano, appeared and proceeded to execute wonderful things with her small fingers.

"That's a bit of all right!" murmured Allerdyke, when the child had finished her first contribution. "That's a clever little party! But she's too big in the eye, and too small in the bone—wants plenty of new milk, and new-laid eggs, and fresh air, and not so much piano-thumping, does that. Clever—clever—but unnatural, Fullaway!—they mustn't let her do too much at that. Well, now I suppose we shall see the shoe-buckle lady."

The packed audience evidently supposed the same thing. Over it—the infant prodigy having received her meed of applause and bobbed herself awkwardly out of sight—had come that atmosphere of expectancy which invariably heralds the appearance of the great figure on any similar occasion. It needed no special intuition on Allerdyke's part to know that all these people were itching to show their fondness for Zélie de Longarde by clapping their hands, waving their program, and otherwise manifesting their delight at once more seeing a prime favourite. All eyes were fixed on the wing of the platform, all hands were ready to give welcome. But a minute passed—two minutes—three minutes—and Zélie de Longarde did not appear. Another minute—and then, endeavouring to smile bravely and reassuringly, and not succeeding particularly well in the attempt, a tall, elaborately attired, carefully polished-up man, unmistakably German, blonde, heavy, suave, suddenly walked on to the platform and did obeisance to the audience.

"Weiss!" whispered Fullaway. "Something's wrong! Look at his face—he's in big trouble."

The concert-director straightened himself from that semi-military bow, and looked at the faces in front of him with a mute appeal.

"Ladies and gentlemen," he said, "I have to entreat the high favour of your kind indulgence. Mademoiselle de Longarde is not yet arrived from her hotel. I hope—I think—she is now on her way. In the meantime I propose, with your gracious consent, to continue, our program with the next item, at the conclusion of which, I hope, Mademoiselle will appear."

The audience was sympathetic—the audience was ready to be placated. It gave cordial hearing and warm favour to the singer of Scottish melodies—it even played into Mr. Concert-Director Weiss's hands by according the local singer an encore. But when he had finally retired there was another wait, a longer one which lengthened unduly, a note of impatience sounded from the gallery; it was taken up elsewhere. And suddenly Weiss came again upon the platform—this time with no affectation of suave entreaty. He was plainly much upset; his elegant waistcoat seemed to have assumed careworn creases, his mop of blonde hair was palpably rumpled as if he had been endeavouring to tear some of its wavy locks out by force. And when he spoke his fat voice shook with a mixture of chagrin and anger.

"Ladies and gentlemen," he said, "I crave ten thousand—a million—pardons for this so-unheard-of state of affairs! The—the truth is, Mademoiselle de Longarde is not yet here. What is more—I have to tell you the truth—Mademoiselle refuses to come—refuses to fulfil her honourable engagement. We are—have been for some time—on the telephone with her. Mademoiselle is at her hotel. She declares she has been robbed—her jewels have all been stolen from their case in her apartments. She is—how shall I say?—turning the hotel upside down! She refuses to budge one inch until her jewels are restored to her. How then?—I cannot restore her jewels. I say to her—my colleagues say to her—it is not your jewels we desire—it is your so beautiful, so incomparable voice. She reply—I cannot tell you what she reply! In effect—no jewels, no song! Ladies and gentlemen, once more!—your most kind, most considerate indulgence! I go there just now—I fly; swift, to the hotel, to entreat Mademoiselle on my knees to return with me! In the meantime—"

As Weiss retired from the platform, and the longhaired 'cellist came upon it, Fullaway sprang up, dragging Allerdyke after him. He led the way to a sidedoor, whispered something to an attendant, and was quickly ushered through another door to an ante-room behind the wings, where Weiss, livid with anger, was struggling into an opera-cloak. The concert-director gasped as he caught sight of the American.

"Ah, my dear Mr. Fullaway!" he exclaimed. "You here! You have heard?—you have been in front. You hear, then—she will not come to sing because her jewels are missing, eh? She—"

"What hotel is Mademoiselle de Longarde stopping at, Weiss?" asked
Fullaway quietly.

"The North British and Caledonian—I go there just now!" answered Weiss.
"I am ruined if she will not appear—ruined, disgraced! Jewels! Ah—!"

"Come on—we're going with you," said Fullaway. "Quick now!"

Allerdyke got some vivid impressions during the next few minutes, impressions various, startling. They began with a swift whirl through the lighted streets of the smoky old city, of a dash upstairs at a big hotel; they ended with a picture of a beautiful, highly enraged woman, who was freely speaking her mind to a dismayed hotel manager and a couple of men who were obviously members of the detective force.

CHAPTER VIII THE JEWEL BOX

Mademoiselle Zélie de Longarde, utterly careless of the fact that her toilette was but half complete, that she wore no gown, and that the kimono which she had hastily assumed on discovering her loss had slipped away from her graceful figure to fall in folds about her feet, interrupted the torrent of her eloquence to stare at the three men whom a startled waiter ushered into her sitting-room. Her first glance fell on the concert-director, and she shook her fist at him.

"Go away, Weiss!" she commanded, accompanying the vigorous action of her hand with an equally emphatic stamp of a shapely foot. "Go away at once—go and play on the French horn; go and do anything you like to satisfy your audience! Not one note do I sing until somebody finds me my jewels! Edinburgh's stole them, and Edinburgh'll have to give them back. It's no use your waiting here—I won't budge an inch. I—"

She paused abruptly, suddenly catching sight of Fullaway, who at once moved towards her with a confidential and reassuring smile.

"You!" she exclaimed. "What brings you here? And who's that with you—surely the gentleman of whom I asked my way in some wild place the other night! What—"

"Mademoiselle," said Fullaway, with a deep bow, "let me suggest to you that the finest thing in this mundane state of ours is—reason. Suppose, now, that you complete your toilet, tell us what it is you have lost; leave us—your devoted servants—to begin the task of finding it, and while we are so engaged, hasten with Mr. Weiss to the hall to fulfil your engagement? A packed audience awaits you—palpitating with sympathy and—"

"And curiosity," interjected the aggrieved prima donna, as she threw a hasty glance at her deshabille and snatched up the kimono. "Pretty talk, Fullaway—very, and all intended to benefit Weiss there. Lost, indeed!—I've lost all my jewels, and up to now nobody"—here she flashed a wrathful glance at the hotel manager and the two detectives—"nobody has made a single suggestion about finding them!"

Fullaway exchanged looks with the other men. Once more he assumed the office of spokesman.

"Perhaps you have not told them precisely what it is they're to find," he suggested. "What is it now, Mademoiselle? The Pinkie Pell necklace for instance!"

The prima donna, who was already retreating through the door of the bedroom on whose threshold she had been standing, flashed a scornful look at her questioner over the point of her white shoulder.

"Pinkie Pell necklace!" she exclaimed. "Everything's gone! The whole lot!
Look at that—not so much as a ring left in it!"

She pointed a slender, quivering finger to a box which stood, lid thrown open, on a table in the sitting-room, by which the detectives were standing, open-mouthed, and obviously puzzled. Allerdyke, following the pointing finger, noted that the box was a very ordinary-looking affair—a tiny square chest of polished wood, fitted with a brass swing handle. It might have held a small type-writing machine; it might have been a medicine chest; it certainly did not look the sort of thing in which one would carry priceless jewels. But Mademoiselle de Longarde was speaking again.

"That's what I always carried my jewels in—in their cases," she said. "And they were all in there when I left Christiania a few days ago, and that box has never been out of my sight—so to speak—since. And when I opened it here to-night, wanting the things, it was as empty as it is now. And if I behave handsomely, and go with Weiss there, to fulfil this engagement, it'll only be on condition that you stop here, Fullaway, and do your level best to get me my jewels back. I've done all I can—I've told the manager there, and I've told those two policemen, and not a man of them seems able to suggest anything! Perhaps you can."

With that she disappeared and slammed the door of the bedroom, and the six men, left in a bunch, looked at each other. Then one of the detectives spoke, shaking his head and smiling grimly.

"It's all very well to say we suggest nothing," he said. "We want some facts to go on first. Up to now, all the lady's done is to storm at us and at everybody—she seems to think all Edinburgh's in a conspiracy to rob her! We don't know any circumstances yet, except that she says she's been robbed. Perhaps—"

"Wait a bit," interrupted Fullaway. "Let us get her off to her engagement. Then we can talk. I suppose," he continued, turning to the manager, "she first announced her loss to you?"

"She announced her loss to the whole world, in a way of speaking," answered the manager, with a dry laugh.

"She screamed it out over the main staircase into the hall! Everybody in the place knows it by this time—she took good care they should. I don't know how she can have been robbed—so far as I can learn she's scarcely been out of these rooms since she came into them yesterday afternoon. The grand piano had been put in for her before she arrived, and she's spent all her time singing and playing—I don't believe she's ever left the hotel. And as I pointed out to her when she fetched me up, she found this box locked when she went to it—why didn't the thieves carry it bodily away? Why—"

"Just so—just so!" broke in Fullaway. "I quite appreciate your points. But there is more in this than meets the first glance. Let us get Mademoiselle off to her engagement, I say—that's the first thing. Then we can do business. Weiss," he continued, drawing the concert-director aside, "you must arrange to let her appear as soon as possible after you get back to the hall, and to put forward her appearance in the second half of your program, so that she can return here as soon as possible—she'll only be in irrepressible fidgets until she knows what's been done. And—you know what she is!—you ought to be