The Flaming Forest, James Oliver Curwood [read novel full TXT] 📗

had he seen such a crew. There were no Indians among them. Lithe, quick-moving, bare-headed, their naked arms and shoulders gleaming in the ghostly illumination, they were racing against time with the boiling tar and pitch in the cauldron. They did not see the approach of the canoe, and Bateese did not draw their attention to it. Quietly he drove the birchbark under the shadow of the big bateau. Hands were waiting to seize and steady it. Carrigan caught but a glimpse of the faces. In another instant the girl was aboard the scow, and Bateese was bending over him. A second time he was picked up like a child in the chimpanzee-like arms of the half-breed. The moonlight showed him a scow bigger than he had ever seen on the upper river, and two-thirds of it seemed to be cabin. Into this cabin Bateese carried him, and in darkness laid him upon what Carrigan thought must be a cot built against the wall. He made no sound, but let himself fall limply upon it. He listened to Bateese as he moved about, and closed his eyes when Bateese struck a match. A moment later he heard the door of the cabin close behind the half-breed. Not until then did he open his eyes and sit up.
He was alone. And what he saw in the next few moments drew an exclamation of amazement from him. Never had he seen a cabin like this on the Three Rivers. It was thirty feet long if an inch, and at least eight feet wide. The walls and ceiling were of polished cedar; the floor was of cedar closely matched. It was the exquisite finish and craftsmanship of the woodwork that caught his eyes first. Then his astonished senses seized upon the other things. Under his feet was a soft rug of dark green velvet. Two magnificent white bearskins lay between him and the end of the room. The walls were hung with pictures, and at the four windows were curtains of ivory lace draped with damask. The lamp which Bateese had lighted was fastened to the wall close to him. It was of polished silver and threw a brilliant light softened by a shade of old gold. There were three other lamps like this, unlighted. The far end of the room was in deep shadow, but Carrigan made out the thing he was staring at--a piano. He rose to his feet, disbelieving his eyes, and made his way toward it. He passed between chairs. Near the piano was another door, and a wide divan of the same soft, green upholstery. Looking back, he saw that what he had been lying upon was another divan. And dose to this were book-shelves, and a table on which were magazines and papers and a woman's workbasket, and in the workbasket--sound asleep--a cat!
And then, over the table and the sleeping cat, his eyes rested upon a triangular banner fastened to the wall. In white against a background of black was a mighty polar bear holding at bay a horde of Arctic wolves. And suddenly the thing he had been fighting to recall came to Carrigan--the great bear--the fighting wolves--the crest of St. Pierre Boulain!
He took a quick step toward the table--then caught at the back of a chair. Confound his head! Or was it the big bateau rocking under his feet? The cat seemed to be turning round in its basket. There were half a dozen banners instead of one; the lamp was shaking in its bracket; the floor was tilting, everything was becoming hideously contorted and out of place. A shroud of darkness gathered about him, and through that darkness Carrigan staggered blindly toward the divan. He reached it just in time to fall upon it like a dead man.


VI
For what seemed to be an interminable time after the final breakdown of his physical strength David Carrigan lived in a black world where a horde of unseen little devils were shooting red-hot arrows into his brain. He did not sense the fact of human presence; nor that the divan had been changed into a bed and the four lamps lighted, and that wrinkled, brown hands with talon-like fingers were performing a miracle of wilderness surgery upon him. He did not see the age-old face of Nepapinas--"The Wandering Bolt of Lightning"--as the bent and tottering Cree called upon all his eighty years of experience to bring him back to life. And he did not see Bateese, stolid-faced, silent, nor the dead-white face and wide-open, staring eyes of Jeanne Marie-Anne Boulain as her slim, white fingers worked with the old medicine man's. He was in a gulf of blackness that writhed with the spirits of torment. He fought them and cried out against them, and his fighting and his cries brought the look of death itself into the eyes of the girl who was over him. He did not hear her voice nor feel the soothing of her hands, nor the powerful grip of Bateese as he held him when the critical moments came. And Nepapinas, like a machine that had looked upon death a thousand times, gave no rest to his claw-like fingers until the work was done--and it was then that something came to drive the arrow-shooting devils out of the darkness that was smothering Carrigan.
After that Carrigan lived through an eternity of unrest, a life in which he seemed powerless and yet was always struggling for supremacy over things that were holding him down. There were lapses in it, like the hours of oblivion that come with sleep, and there were other times when he seemed keenly alive, yet unable to move or act. The darkness gave way to flashes of light, and in these flashes he began to see things, curiously twisted, fleeting, and yet fighting themselves insistently upon his senses. He was back in the hot sand again, and this time he heard the voices of Jeanne Marie-Anne and Golden-Hair, and Golden-Hair flaunted a banner in his face, a triangular pennon of black on which a huge bear was fighting white Arctic wolves, and then she would run away from him, crying out--"St. Pierre Boulain--St. Pierre Boulain--" and the last he could see of her was her hair flaming like fire in the sun. But it was always the other--the dark hair and dark eyes --that came to him when the little devils returned to assault him with their arrows. From somewhere she would come out of darkness and frighten them away. He could hear her voice like a whisper in his ears, and the touch of her hands comforted him and quieted his pain. After a time he grew to be afraid when the darkness swallowed her up, and in that darkness he would call for her, and always he heard her voice in answer.
Then came a long oblivion. He floated through cool space away from the imps of torment; his bed was of downy clouds, and on these clouds he drifted with a great shining river under him; and at last the cloud he was in began to shape itself into walls and on these walls were pictures, and a window through which the sun was shining, and a black pennon--and he heard a soft, wonderful music that seemed to come to him faintly from another world. Other creatures were at work in his brain now. They were building up and putting together the loose ends of things. Carrigan became one of them, working so hard that frequently a pair of dark eyes came out of the dawning of things to stop him, and quieting hands and a voice soothed him to rest. The hands and the voice became very intimate. He missed them when they were not near, especially the hands, and he was always groping for them to make sure they had not gone away.
Only once after the floating cloud transformed itself into the walls of the bateau cabin did the chaotic darkness of the sands fully possess him again. In that darkness he heard a voice. It was not the voice of Golden-Hair, or of Bateese, or of Jeanne Marie- Anne. It was close to his ears. And in that darkness that smothered him there was something terrible about it as it droned slowly the words--"HAS-ANY-ONE-SEEN-BLACK-ROGER-AUDEMARD?" He tried to answer, to call back to it, and the voice came again, repeating the words, emotionless, hollow, as if echoing up out of a grave. And still harder he struggled to reply to it, to say that he was David Carrigan, and that he was out on the trail of Black Roger Audemard, and that Black Roger was far north. And suddenly it seemed to him that the voice changed into the flesh and blood of Black Roger himself, though he could not see in the darkness-- and he reached out, gripping fiercely at the warm substance of flesh, until he heard another voice, the voice of Jeanne Marie- Anne Boulain, entreating him to let his victim go. It was this time that his eyes shot open, wide and seeing, and straight over him was the face of Jeanne Marie-Anne, nearer him than it had been even in the visionings of his feverish mind. His fingers were clutching her shoulders, gripping like steel hooks.
"M'sieu--M'sieu David!" she was crying.
For a moment he stared; then his hands and fingers relaxed, and his arms dropped limply. "Pardon--I--I was dreaming," he struggled weakly. "I thought--"
He had seen the pain in her face. Now, changing swiftly, it lighted up with relief and gladness. His vision, cleared by long darkness, saw the change come in an instant like a flash of sunshine. And then--so near that he could have touched her--she was smiling down into his eyes. He smiled back. It took an effort, for his face felt stiff and unnatural.
"I was dreaming--of a man--named Roger Audemard," he continued to apologize. "Did I--hurt you?"
The smile on her lips was gone as swiftly as it had come. "A little, m'sieu. I am glad you are better. You have been very sick."
He raised a hand to his face. The bandage was there, and also a stubble of beard on his cheeks. He was puzzled. This morning he had fastened his steel mirror to the side of a tree and shaved.
"It was three days ago you were hurt," she said quietly. "This is the afternoon of the third day. You have been in a great fever. Nepapinas, my Indian doctor, saved your life. You must lie quietly now. You have been talking a great deal."
"About--Black Roger?" he said.
She nodded.
"And--Golden--Hair?"
"Yes, of Golden--Hair."
"And--some one else--with dark hair--and dark eyes--"
"It may be, m'sieu."
"And of little devils with bows and arrows, and of polar bears, and white wolves, and of a great lord of the north who calls himself St. Pierre Boulain?"
"Yes, of all those."
"Then I haven't anything more to tell you," grunted David. "I guess I've told you all I know. You shot me, back there. And here I am. What are you going to do next?"
"Call Bateese," she answered promptly, and she rose swiftly from beside him and moved toward the door.
He made no effort to call her back. His wits were working slowly, readjusting themselves after a carnival in chaos, and he scarcely sensed that she was gone until the cabin door closed behind her. Then again he raised a hand to his face and felt his beard. Three days! He turned his head so that he could take in the length of the cabin. It was filled with subdued sunlight now, a western sun that glowed softly, giving depth and richness to the colors on the floor and walls, lighting up the piano keys, suffusing the pictures with a warmth of life. David's eyes traveled slowly to his own feet. The