An Old Maid, Honoré de Balzac [an ebook reader TXT] 📗
- Author: Honoré de Balzac
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in the provinces, and some had taken part in the chouannerie. The latter were beginning to speak fearlessly of that war, now that rewards were being showered on the defenders of the good cause. Monsieur de Valois, one of the movers in the last uprising (during which the Marquis de Montauran, betrayed by his mistress, perished in spite of the devotion of Marche-a-Terre, now tranquilly raising cattle for the market near Mayenne),--Monsieur de Valois had, during the last six months, given the key to several choice stratagems practised upon an old republican named Hulot, the commander of a demi-brigade stationed at Alencon from 1798 to 1800, who had left many memories in the place. [See "The Chouans."]
The women of this society took little pains with their dress, except on Wednesdays, when Mademoiselle Cormon gave a dinner, on which occasion the guests invited on the previous Wednesday paid their "visit of digestion." Wednesdays were gala days: the assembly was numerous; guests and visitors appeared in fiocchi; some women brought their sewing, knitting, or worsted work; the young girls were not ashamed to make patterns for the Alencon point lace, with the proceeds of which they paid for their personal expenses. Certain husbands brought their wives out of policy, for young men were few in that house; not a word could be whispered in any ear without attracting the attention of all; there was therefore no danger, either for young girls or wives, of love-making.
Every evening, at six o'clock, the long antechamber received its furniture. Each habitue brought his cane, his cloak, his lantern. All these persons knew each other so well, and their habits and ways were so familiarly patriarchal, that if by chance the old Abbe de Sponde was lying down, or Mademoiselle Cormon was in her chamber, neither Josette, the maid, nor Jacquelin, the man-servant, nor Mariette, the cook, informed them. The first comer received the second; then, when the company were sufficiently numerous for whist, piquet, or boston, they began the game without awaiting either the Abbe de Sponde or mademoiselle. If it was dark, Josette or Jacquelin would hasten to light the candles as soon as the first bell rang. Seeing the salon lighted up, the abbe would slowly hurry to come down. Every evening the backgammon and the piquet tables, the three boston tables, and the whist table were filled,--which gave occupation to twenty-five or thirty persons; but as many as forty were usually present. Jacquelin would then light the candles in the other rooms.
Between eight and nine o'clock the servants began to arrive in the antechamber to accompany their masters home; and, short of a revolution, no one remained in the salon at ten o'clock. At that hour the guests were departing in groups along the street, discoursing on the game, or continuing conversations on the land they were covetous of buying, on the terms of some one's will, on quarrels among heirs, on the haughty assumption of the aristocratic portion of the community. It was like Paris when the audience of a theatre disperses.
Certain persons who talk much of poesy and know nothing about it, declaim against the habits of life in the provinces. But put your forehead in your left hand, rest one foot on the fender, and your elbow on your knee; then, if you compass the idea of this quiet and uniform scene, this house and its interior, this company and its interests, heightened by the pettiness of its intellect like goldleaf beaten between sheets of parchment, ask yourself, What is human life? Try to decide between him who scribbles jokes on Egyptian obelisks, and him who has "bostoned" for twenty years with Du Bousquier, Monsieur de Valois, Mademoiselle Cormon, the judge of the court, the king's attorney, the Abbe de Sponde, Madame Granson, and tutti quanti. If the daily and punctual return of the same steps to the same path is not happiness, it imitates happiness so well that men driven by the storms of an agitated life to reflect upon the blessings of tranquillity would say that here was happiness _enough_.
To reckon the importance of Mademoiselle Cormon's salon at its true value, it will suffice to say that the born statistician of the society, du Bousquier, had estimated that the persons who frequented it controlled one hundred and thirty-one votes in the electoral college, and mustered among themselves eighteen hundred thousand francs a year from landed estate in the neighborhood.
The town of Alencon, however, was not entirely represented by this salon. The higher aristocracy had a salon of their own; moreover, that of the receiver-general was like an administration inn kept by the government, where society danced, plotted, fluttered, loved, and supped. These two salons communicated by means of certain mixed individuals with the house of Cormon, and vice-versa; but the Cormon establishment sat severely in judgment on the two other camps. The luxury of their dinners was criticised; the ices at their balls were pondered; the behavior of the women, the dresses, and "novelties" there produced were discussed and disapproved.
Mademoiselle Cormon, a species of firm, as one might say, under whose name was comprised an imposing coterie, was naturally the aim and object of two ambitious men as deep and wily as the Chevalier de Valois and du Bousquier. To the one as well as to the other, she meant election as deputy, resulting, for the noble, in the peerage, for the purveyor, in a receiver-generalship. A leading salon is a difficult thing to create, whether in Paris or the provinces, and here was one already created. To marry Mademoiselle Cormon was to reign in Alencon. Athanase Granson, the only one of the three suitors for the hand of the old maid who no longer calculated profits, now loved her person as well as her fortune.
To employ the jargon of the day, is there not a singular drama in the situation of these four personages? Surely there is something odd and fantastic in three rivalries silently encompassing a woman who never guessed their existence, in spite of an eager and legitimate desire to be married. And yet, though all these circumstances make the spinsterhood of this old maid an extraordinary thing, it is not difficult to explain how and why, in spite of her fortune and her three lovers, she was still unmarried. In the first place, Mademoiselle Cormon, following the custom and rule of her house, had always desired to marry a nobleman; but from 1788 to 1798 public circumstances were very unfavorable to such pretensions. Though she wanted to be a woman of condition, as the saying is, she was horribly afraid of the Revolutionary tribunal. The two sentiments, equal in force, kept her stationary by a law as true in ethics as it is in statics. This state of uncertain expectation is pleasing to unmarried women as long as they feel themselves young, and in a position to choose a husband. France knows that the political system of Napoleon resulted in making many widows. Under that regime heiresses were entirely out of proportion in numbers to the bachelors who wanted to marry. When the Consulate restored internal order, external difficulties made the marriage of Mademoiselle Cormon as difficult to arrange as it had been in the past. If, on the one hand, Rose-Marie-Victoire refused to marry an old man, on the other, the fear of ridicule forbade her to marry a very young one.
In the provinces, families marry their sons early to escape the conscription. In addition to all this, she was obstinately determined not to marry a soldier: she did not intend to take a man and then give him up to the Emperor; she wanted him for herself alone. With these views, she found it therefore impossible, from 1804 to 1815, to enter the lists with young girls who were rivalling each other for suitable matches.
Besides her predilection for the nobility, Mademoiselle Cormon had another and very excusable mania: that of being loved for herself. You could hardly believe the lengths to which this desire led her. She employed her mind on setting traps for her possible lovers, in order to test their real sentiments. Her nets were so well laid that the luckless suitors were all caught, and succumbed to the test she applied to them without their knowledge. Mademoiselle Cormon did not study them; she watched them. A single word said heedlessly, a joke (that she often was unable to understand), sufficed to make her reject an aspirant as unworthy: this one had neither heart nor delicacy; that one told lies, and was not religious; a third only wanted to coin money under the cloak of marriage; another was not of a nature to make a woman happy; here she suspected hereditary gout; there certain immoral antecedents alarmed her. Like the Church, she required a noble priest at her altar; she even wanted to be married for imaginary ugliness and pretended defects, just as other women wish to be loved for the good qualities they have not, and for imaginary beauties. Mademoiselle Cormon's ambition took its rise in the most delicate and sensitive feminine feeling; she longed to reward a lover by revealing to him a thousand virtues after marriage, as other women then betray the imperfections they have hitherto concealed. But she was ill understood. The noble woman met with none but common souls in whom the reckoning of actual interests was paramount, and who knew nothing of the nobler calculations of sentiment.
The farther she advanced towards that fatal epoch so adroitly called the "second youth," the more her distrust increased. She affected to present herself in the most unfavorable light, and played her part so well that the last wooers hesitated to link their fate to that of a person whose virtuous blind-man's-buff required an amount of penetration that men who want the virtuous ready-made would not bestow upon it. The constant fear of being married for her money rendered her suspicious and uneasy beyond all reason. She turned to the rich men; but the rich are in search of great marriages; she feared the poor men, in whom she denied the disinterestedness she sought so eagerly. After each disappointment in marriage, the poor lady, led to despise mankind, began to see them all in a false light. Her character acquired, necessarily, a secret misanthropy, which threw a tinge of bitterness into her conversation, and some severity into her eyes. Celibacy gave to her manners and habits a certain increasing rigidity; for she endeavored to sanctify herself in despair of fate. Noble vengeance! she was cutting for God the rough diamond rejected by man. Before long public opinion was against her; for society accepts the verdict an independent woman renders on herself by not marrying, either through losing suitors or rejecting them. Everybody supposed that these rejections were founded on secret reasons, always ill interpreted. One said she was deformed; another suggested some hidden fault; but the poor girl was really as pure as a saint, as healthy as an infant, and full of loving kindness; Nature had intended her for all the pleasures, all the joys, and all the fatigues of motherhood.
Mademoiselle Cormon did not possess in her person an obliging auxiliary to her desires. She had no other beauty than that very improperly called la beaute du diable, which consists of a buxom freshness of youth that the devil, theologically speaking, could never have,--though perhaps the expression may be explained by the constant desire that must surely possess him to cool and refresh himself. The feet of the heiress were broad and flat. Her leg, which she often exposed to sight by her manner (be it said without malice) of lifting her gown when it rained, could never have been taken for the leg of a woman. It was sinewy, with a thick
The women of this society took little pains with their dress, except on Wednesdays, when Mademoiselle Cormon gave a dinner, on which occasion the guests invited on the previous Wednesday paid their "visit of digestion." Wednesdays were gala days: the assembly was numerous; guests and visitors appeared in fiocchi; some women brought their sewing, knitting, or worsted work; the young girls were not ashamed to make patterns for the Alencon point lace, with the proceeds of which they paid for their personal expenses. Certain husbands brought their wives out of policy, for young men were few in that house; not a word could be whispered in any ear without attracting the attention of all; there was therefore no danger, either for young girls or wives, of love-making.
Every evening, at six o'clock, the long antechamber received its furniture. Each habitue brought his cane, his cloak, his lantern. All these persons knew each other so well, and their habits and ways were so familiarly patriarchal, that if by chance the old Abbe de Sponde was lying down, or Mademoiselle Cormon was in her chamber, neither Josette, the maid, nor Jacquelin, the man-servant, nor Mariette, the cook, informed them. The first comer received the second; then, when the company were sufficiently numerous for whist, piquet, or boston, they began the game without awaiting either the Abbe de Sponde or mademoiselle. If it was dark, Josette or Jacquelin would hasten to light the candles as soon as the first bell rang. Seeing the salon lighted up, the abbe would slowly hurry to come down. Every evening the backgammon and the piquet tables, the three boston tables, and the whist table were filled,--which gave occupation to twenty-five or thirty persons; but as many as forty were usually present. Jacquelin would then light the candles in the other rooms.
Between eight and nine o'clock the servants began to arrive in the antechamber to accompany their masters home; and, short of a revolution, no one remained in the salon at ten o'clock. At that hour the guests were departing in groups along the street, discoursing on the game, or continuing conversations on the land they were covetous of buying, on the terms of some one's will, on quarrels among heirs, on the haughty assumption of the aristocratic portion of the community. It was like Paris when the audience of a theatre disperses.
Certain persons who talk much of poesy and know nothing about it, declaim against the habits of life in the provinces. But put your forehead in your left hand, rest one foot on the fender, and your elbow on your knee; then, if you compass the idea of this quiet and uniform scene, this house and its interior, this company and its interests, heightened by the pettiness of its intellect like goldleaf beaten between sheets of parchment, ask yourself, What is human life? Try to decide between him who scribbles jokes on Egyptian obelisks, and him who has "bostoned" for twenty years with Du Bousquier, Monsieur de Valois, Mademoiselle Cormon, the judge of the court, the king's attorney, the Abbe de Sponde, Madame Granson, and tutti quanti. If the daily and punctual return of the same steps to the same path is not happiness, it imitates happiness so well that men driven by the storms of an agitated life to reflect upon the blessings of tranquillity would say that here was happiness _enough_.
To reckon the importance of Mademoiselle Cormon's salon at its true value, it will suffice to say that the born statistician of the society, du Bousquier, had estimated that the persons who frequented it controlled one hundred and thirty-one votes in the electoral college, and mustered among themselves eighteen hundred thousand francs a year from landed estate in the neighborhood.
The town of Alencon, however, was not entirely represented by this salon. The higher aristocracy had a salon of their own; moreover, that of the receiver-general was like an administration inn kept by the government, where society danced, plotted, fluttered, loved, and supped. These two salons communicated by means of certain mixed individuals with the house of Cormon, and vice-versa; but the Cormon establishment sat severely in judgment on the two other camps. The luxury of their dinners was criticised; the ices at their balls were pondered; the behavior of the women, the dresses, and "novelties" there produced were discussed and disapproved.
Mademoiselle Cormon, a species of firm, as one might say, under whose name was comprised an imposing coterie, was naturally the aim and object of two ambitious men as deep and wily as the Chevalier de Valois and du Bousquier. To the one as well as to the other, she meant election as deputy, resulting, for the noble, in the peerage, for the purveyor, in a receiver-generalship. A leading salon is a difficult thing to create, whether in Paris or the provinces, and here was one already created. To marry Mademoiselle Cormon was to reign in Alencon. Athanase Granson, the only one of the three suitors for the hand of the old maid who no longer calculated profits, now loved her person as well as her fortune.
To employ the jargon of the day, is there not a singular drama in the situation of these four personages? Surely there is something odd and fantastic in three rivalries silently encompassing a woman who never guessed their existence, in spite of an eager and legitimate desire to be married. And yet, though all these circumstances make the spinsterhood of this old maid an extraordinary thing, it is not difficult to explain how and why, in spite of her fortune and her three lovers, she was still unmarried. In the first place, Mademoiselle Cormon, following the custom and rule of her house, had always desired to marry a nobleman; but from 1788 to 1798 public circumstances were very unfavorable to such pretensions. Though she wanted to be a woman of condition, as the saying is, she was horribly afraid of the Revolutionary tribunal. The two sentiments, equal in force, kept her stationary by a law as true in ethics as it is in statics. This state of uncertain expectation is pleasing to unmarried women as long as they feel themselves young, and in a position to choose a husband. France knows that the political system of Napoleon resulted in making many widows. Under that regime heiresses were entirely out of proportion in numbers to the bachelors who wanted to marry. When the Consulate restored internal order, external difficulties made the marriage of Mademoiselle Cormon as difficult to arrange as it had been in the past. If, on the one hand, Rose-Marie-Victoire refused to marry an old man, on the other, the fear of ridicule forbade her to marry a very young one.
In the provinces, families marry their sons early to escape the conscription. In addition to all this, she was obstinately determined not to marry a soldier: she did not intend to take a man and then give him up to the Emperor; she wanted him for herself alone. With these views, she found it therefore impossible, from 1804 to 1815, to enter the lists with young girls who were rivalling each other for suitable matches.
Besides her predilection for the nobility, Mademoiselle Cormon had another and very excusable mania: that of being loved for herself. You could hardly believe the lengths to which this desire led her. She employed her mind on setting traps for her possible lovers, in order to test their real sentiments. Her nets were so well laid that the luckless suitors were all caught, and succumbed to the test she applied to them without their knowledge. Mademoiselle Cormon did not study them; she watched them. A single word said heedlessly, a joke (that she often was unable to understand), sufficed to make her reject an aspirant as unworthy: this one had neither heart nor delicacy; that one told lies, and was not religious; a third only wanted to coin money under the cloak of marriage; another was not of a nature to make a woman happy; here she suspected hereditary gout; there certain immoral antecedents alarmed her. Like the Church, she required a noble priest at her altar; she even wanted to be married for imaginary ugliness and pretended defects, just as other women wish to be loved for the good qualities they have not, and for imaginary beauties. Mademoiselle Cormon's ambition took its rise in the most delicate and sensitive feminine feeling; she longed to reward a lover by revealing to him a thousand virtues after marriage, as other women then betray the imperfections they have hitherto concealed. But she was ill understood. The noble woman met with none but common souls in whom the reckoning of actual interests was paramount, and who knew nothing of the nobler calculations of sentiment.
The farther she advanced towards that fatal epoch so adroitly called the "second youth," the more her distrust increased. She affected to present herself in the most unfavorable light, and played her part so well that the last wooers hesitated to link their fate to that of a person whose virtuous blind-man's-buff required an amount of penetration that men who want the virtuous ready-made would not bestow upon it. The constant fear of being married for her money rendered her suspicious and uneasy beyond all reason. She turned to the rich men; but the rich are in search of great marriages; she feared the poor men, in whom she denied the disinterestedness she sought so eagerly. After each disappointment in marriage, the poor lady, led to despise mankind, began to see them all in a false light. Her character acquired, necessarily, a secret misanthropy, which threw a tinge of bitterness into her conversation, and some severity into her eyes. Celibacy gave to her manners and habits a certain increasing rigidity; for she endeavored to sanctify herself in despair of fate. Noble vengeance! she was cutting for God the rough diamond rejected by man. Before long public opinion was against her; for society accepts the verdict an independent woman renders on herself by not marrying, either through losing suitors or rejecting them. Everybody supposed that these rejections were founded on secret reasons, always ill interpreted. One said she was deformed; another suggested some hidden fault; but the poor girl was really as pure as a saint, as healthy as an infant, and full of loving kindness; Nature had intended her for all the pleasures, all the joys, and all the fatigues of motherhood.
Mademoiselle Cormon did not possess in her person an obliging auxiliary to her desires. She had no other beauty than that very improperly called la beaute du diable, which consists of a buxom freshness of youth that the devil, theologically speaking, could never have,--though perhaps the expression may be explained by the constant desire that must surely possess him to cool and refresh himself. The feet of the heiress were broad and flat. Her leg, which she often exposed to sight by her manner (be it said without malice) of lifting her gown when it rained, could never have been taken for the leg of a woman. It was sinewy, with a thick
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