The Red Eric, Robert Michael Ballantyne [free ebook novel txt] 📗

end thereof. The cutting was commenced at the neck, and the hook attached; then the men hove on the windlass, and while the cutting was continued in a spiral direction round the whale's body, the tackle raised the mass of flesh until it reached the fixed blocks above. This mass, when it could be hauled up no higher, was then cut off, and stowed away under the name of a "blanket-piece." It weighed upwards of a ton. The hook being lowered and again attached, the process was continued until the whole was cut off. Afterwards, the head was severed from the body and hoisted on board, in order that the oil contained in the hollow of it might be baled out.

From the head of the first whale ten barrels of oil were obtained. The blubber yielded about eighty barrels.

When the "cutting out" was completed, and the remnants of bone and flesh were left to the sharks which swarmed round the vessel, revelling in their unusually rich banquet, the process of "trying in" commenced. "Trying in" is the term applied to the melting of the fat and the stowing of it away in barrels in the form of oil; and an uncommonly dirty process it is. The large "blanket-pieces" were cut into smaller portions, and put into the try-pots, which were kept in constant operation. At night the ship had all the appearance of a vessel on fire, and the scene on deck was particularly striking and unearthly.

One night several of the men were grouped on and around the windlass, chatting, singing, and "spinning yarns." Ailie Dunning stood near them, lost in wonder and admiration; for the ears and eyes of the child were assailed in a manner never before experienced or dreamed of even in the most romantic mood of cloud-wandering.

It was a very dark night, darker than usual, and not a breath of wind ruffled the sea, which was like a sheet of undulating glass--for, be it remembered, there is no such thing at any time as absolute stillness in the ocean. At all times, even in the profoundest calm, the long, slow, gentle swell rises and sinks with unceasing regularity, like the bosom of a man in deep slumber.

Dense clouds of black smoke and occasional lurid sheets of flame rose from the try-works, which were situated between the foremast and the main-hatch. The tops of the masts were lost in the curling smoke, and the black waves of the sea gleamed and flashed in the red light all round the ship. One man stood in front of the melting-pot, pitching in pieces of blubber with a two-pronged pitchfork. Two comrades stood by the pots, stirring up their contents, and throwing their figures into wild uncouth attitudes, while the fire glared in their greasy faces, and converted the front of their entire persons into deep vermilion.

The oil was hissing in the try-pots; the rough weather-beaten faces of the men on the windlass were smeared, and their dirty-white ducks saturated, with oil. The decks were blood-stained; huge masses of flesh and blubber lay scattered about; sparks flew upwards in splendid showers as the men raked up the fires; the decks, bulwarks, railings, try-works, and windlass were covered with oil and slime, and glistening in the red glare. It was a terrible, murderous-looking scene, and filled Ailie's mind with mingled feelings of wonder, disgust, and awe, as she leaned on a comparatively clean spot near the foremast, listening to the men and gazing at the rolling smoke and flames.

"Ain't it beautiful?" said a short, fat little seaman named Gurney, who sat swinging his legs on the end of the windlass, and pointed, as he spoke, with the head of his pipe to a more than usually brilliant burst of sparks and flame that issued that moment from the works.

"Beautiful!" exclaimed a long-limbed, shambling fellow named Jim Scroggles, "why, that ain't the word at all. Now, I calls it splendiferous."

Scroggles looked round at his comrades, as if to appeal to their judgment as to the fitness of the word, but not receiving any encouragement, he thrust down the glowing tobacco in his pipe with the end of his little finger, and reiterated the word "splendiferous" with marked emphasis.

"Did ye ever see that word in Johnson?" inquired Gurney.

"Who's Johnson?" said Scroggles, contemptuously.

"Wot, don't ye know who Johnson is?" cried Gurney, in surprise.

"In course I don't; how should I?" retorted Scroggles. "There's ever so many Johnsons in the world; which on 'em all do you mean?"

"Why, I mean Johnson wot wrote the diksh'nary--the great lexikragofer."

"Oh, it's _him_ you mean, is it? In course I've knowed him ever since I wos at school."

A general laugh interrupted the speaker.

"At school!" cried Nickel Sling, who approached the group at that moment with a carving knife in his hand--he seldom went anywhere without an instrument of office in his hand--"At school! Wal now, that beats creation. If ye wos, I'm sartin ye only larned to forgit all ye orter to have remembered. I'd take a bet now, ye wosn't at school as long as I've been settin' on this here windlass."

"Yer about right, Sling, it 'ud be unpossible for me to be as _long_ as you anywhere, 'cause everybody knows I'm only five fut two, whereas you're six fut four!"

"Hear, hear!" shouted Dick Barnes--a man with a huge black beard, who the reader may perhaps remember was the first to "raise the oil." "It'll be long before you make another joke like that, Gurney. Come, now, give us a song, Gurney, do; there's the cap'n's darter standin' by the foremast, a-waitin' to hear ye. Give us `Long, long ago.'"

"Ah! that's it, give us a song," cried the men. "Come, there's a good fellow."

"Well, it's so long ago since I sung that song, shipmates," replied Gurney, "that I've bin and forgot it; but Tim Rokens knows it; where's Rokens?"

"He's in the watch below."

In sea parlance, the men whose turn it is to take rest after their long watch on deck are somewhat facetiously said to belong to the "watch below."

"Ah! that's a pity; so we can't have that 'ere partickler song. But I'll give ye another, if ye don't object."

"No, no. All right; go ahead, Gurney! Is there a chorus to it?"

"Ay, in course there is. Wot's a song without a chorus? Wot's plum-duff without the plums? Wot's a ship without a 'elm? It's my opinion, shipmates, that a song without a chorus is no better than it should be. It's wus nor nothin'. It puts them wot listens in the blues an' the man wot sings into the stews--an' sarve him right. I wouldn't, no, I wouldn't give the fag-end o' nothin' mixed in bucket o' salt water for a song without a chorus--that's flat; so here goes."

Having delivered himself of these opinions in an extremely vigorous manner, and announced the fact that he was about to begin, Gurney cleared his throat and drew a number of violent puffs from his pipe in quick succession, in order to kindle that instrument into a glow which would last through the first verse and the commencement of the chorus. This he knew was sufficient, for the men, when once fairly started on the chorus, would infallibly go on to the end with or without his assistance, and would therefore afford him time for a few restorative whiffs.

"It hain't got no name, lads."

"Never mind, Gurney--all right--fire away."


"Oh, I once know'd a man as hadn't got a nose,
An' this is how he come to hadn't--
One cold winter night he went and got it froze--
By the pain he was well-nigh madden'd.
(_Chorus_.) Well-nigh madden'd,
By the pain he was well-nigh madden'd.

"Next day it swoll up as big as my head,
An' it turn'd like a piece of putty;
It kivered up his mouth, oh, yes, so it did,
So he could not smoke his cutty.
(_Chorus_.) Smoke his cutty,
So he could not smoke his cutty.

"Next day it grew black, and the next day blue,
An' tough as a junk of leather;
(Oh! he yelled, so he did, fit to pierce ye through)--
An' then it fell off altogether!
(_Chorus_.) Fell off altogether,
An' then it fell off altogether!

"But the morial is wot you've now got to hear,
An' it's good--as sure as a gun;
An' you'll never forget it, my messmates dear,
For this song it hain't got none!
(_Chorus_.) Hain't got none,
For this song it hain't got none!"


The applause that followed this song was most enthusiastic, and evidently gratifying to Gurney, who assumed a modest deprecatory air as he proceeded to light his pipe, which had been allowed to go out at the third verse, the performer having become so engrossed in his subject as to have forgotten the interlude of puffs at that point.

"Well sung, Gurney. Who made it?" inquired Phil Briant, an Irishman, who, besides being a jack-of-all-trades and an able-bodied seaman, was at that time acting-assistant to the cook and steward, the latter--a half Spaniard and half negro, of Californian extraction--being unwell.

"I'm bound not to tell," replied Gurney, with a conscious air.

"Ah, then, yer right, my boy, for it's below the average entirely."

"Come, Phil, none o' yer chaff," cried Dick Barnes, "that song desarves somethin' arter it. Suppose now, Phil, that you wos to go below and fetch the bread-kid."

"Couldn't do it," replied Phil, looking solemn, "on no account wotiver."

"Oh, nonsense, why not?"

"'Cause its unpossible. Why, if I did, sure that surly compound o' all sorts o' human blood would pitch into me with the carvin'-knife."

"Who? Tarquin?" cried Dick Barnes, naming the steward.

"Ay, sure enough that same--Tarquin's his name, an it's kuriously befittin' the haythen, for of all the cross-grained mixtures o' buffalo, bear, bandicoot, and crackadile I iver seed, he's out o' sight--"

"Did I hear any one mention my name?" inquired the steward himself who came aft at that moment. He was a wild Spanish-like fellow, with a handsome-enough figure, and a swart countenance that might have been good-looking but for the thickish lips and nose and the bad temper that marked it. Since getting into the tropics, the sailors had modified their costumes considerably, and as each man had in some particular allowed himself a slight play of fancy, their appearance, when grouped together, was varied and picturesque. Most of them wore no shoes, and the caps of some were, to say the least, peculiar. Tarquin wore a broad-brimmed straw hat, with a conical crown, and a red silk sash tied round his waist.

"Yes, Tarquin," replied Barnes, "we _wos_ engaged in makin' free-an'-easy remarks on you; and Phil Briant there gave us to understand that you wouldn't let us have the bread--kid up. Now, it's my opinion you ain't goin' to be so hard on us as that; you will let us have it up to comfort our hearts on this fine night, won't you?"

The steward, whose