The Beautiful and the Damned, F. Scott Fitzgerald [great novels TXT] 📗

>“Kansas City, Missouri.”

“They put her out the same time they barred cigarettes.”

“Did they bar cigarettes? I see the hand of my holy grandfather.”

“He’s a reformer or something, isn’t he?”

“I blush for him.”

“So do I,” she confessed. “I detest reformers, especially the sort who try to reform me.”

“Are there many of those?”

“Dozens. It’s ‘Oh, Gloria, if you smoke so many cigarettes you’ll lose your pretty complexion!’ and ‘Oh, Gloria, why don’t you marry and settle down?’”

Anthony agreed emphatically while he wondered who had had the temerity to speak thus to such a personage.

“And then,” she continued, “there are all the subtle reformers who tell you the wild stories they’ve heard about you and how they’ve been sticking up for you.”

He saw, at length, that her eyes were gray, very level and cool, and when they rested on him he understood what Maury had meant by saying she was very young and very old. She talked always about herself as a very charming child might talk, and her comments on her tastes and distastes were unaffected and spontaneous.

“I must confess,” said Anthony gravely, “that even I‘ve heard one thing about you.”

Alert at once, she sat up straight. Those eyes, with the grayness and eternity of a cliff of soft granite, caught his.

“Tell me. I’ll believe it. I always believe anything any one tells me about myself—don’t you?”

“Invariably!” agreed the two men in unison.

“Well, tell me.”

“I’m not sure that I ought to,” teased Anthony, smiling unwillingly. She was so obviously interested, in a state of almost laughable self-absorption.

“He means your nickname,” said her cousin.

“What name?” inquired Anthony, politely puzzled.

Instantly she was shy—then she laughed, rolled back against the cushions, and turned her eyes up as she spoke:

“Coast-to-Coast Gloria.” Her voice was full of laughter, laughter undefined as the varying shadows playing between fire and lamp upon her hair. “O Lord!”

Still Anthony was puzzled.

“What do you mean?”

“Me, I mean. That’s what some silly boys coined for me.”

“Don’t you see, Anthony,” explained Dick, “traveller of a nation-wide notoriety and all that. Isn’t that what you’ve heard? She’s been called that for years—since she was seventeen.”

Anthony’s eyes became sad and humorous.

“Who’s this female Methuselah you’ve brought in here, Caramel?”

She disregarded this, possibly rather resented it, for she switched back to the main topic.

“What have you heard of me?”

“Something about your physique.”

“Oh,” she said, coolly disappointed, “that all?”

“Your tan.”

“My tan?” She was puzzled. Her hand rose to her throat, rested there an instant as though the fingers were feeling variants of color.

“Do you remember Maury Noble? Man you met about a month ago. You made a great impression.”

She thought a moment.

“I remember—but he didn’t call me up.”

“He was afraid to, I don’t doubt.”

It was black dark without now and Anthony wondered that his apartment had ever seemed gray—so warm and friendly were the books and pictures on the walls and the good Bounds offering tea from a respectful shadow and the three nice people giving out waves of interest and laughter back and forth across the happy fire.

DISSATISFACTION

On Thursday afternoon Gloria and Anthony had tea together in the grill room at the Plaza. Her fur-trimmed suit was gray—“because with gray you have to wear a lot of paint,” she explained—and a small toque sat rakishly on her head, allowing yellow ripples of hair to wave out in jaunty glory. In the higher light it seemed to Anthony that her personality was infinitely softer—she seemed so young, scarcely eighteen; her form under the tight sheath, known then as a hobble-skirt, was amazingly supple and slender, and her hands, neither “artistic” nor stubby, were small as a child’s hands should be.

As they entered, the orchestra were sounding the preliminary whimpers to a maxixe, a tune full of castanets and facile faintly languorous violin harmonies, appropriate to the crowded winter grill teeming with an excited college crowd, high-spirited at the approach of the holidays. Carefully, Gloria considered several locations, and rather to Anthony’s annoyance paraded him circuitously to a table for two at the far side of the room. Reaching it she again considered. Would she sit on the right or on the left? Her beautiful eyes and lips were very grave as she made her choice, and Anthony thought again how na�ve was her every gesture; she took all the things of life for hers to choose from and apportion, as though she were continually picking out presents for herself from an inexhaustible counter.

Abstractedly she watched the dancers for a few moments, commenting murmurously as a couple eddied near.

“There’s a pretty girl in blue”—and as Anthony looked obediently—” there! No. behind you—there!”

“Yes,” he agreed helplessly.

“You didn’t see her.”

“I’d rather look at you.”

“I know, but she was pretty. Except that she had big ankles.”

“Was she?—I mean, did she?” he said indifferently.

A girl’s salutation came from a couple dancing close to them.

“Hello, Gloria! O Gloria!”

“Hello there.”

“Who’s that?” he demanded.

“I don’t know. Somebody.” She caught sight of another face. “Hello, Muriel!” Then to Anthony: “There’s Muriel Kane. Now I think she’s attractive, ‘cept not very.”

Anthony chuckled appreciatively.

“Attractive, ‘cept not very,” he repeated.

She smiled—was interested immediately.

“Why is that funny?” Her tone was pathetically intent.

“It just was.”

“Do you want to dance?”

“Do you?”

“Sort of. But let’s sit,” she decided.

“And talk about you? You love to talk about you, don’t you?”

“Yes.” Caught in a vanity, she laughed.

“I imagine your autobiography would be a classic.”

“Dick says I haven’t got one.”

“Dick!” he exclaimed. “What does he know about you?”

“Nothing. But he says the biography of every woman begins with the first kiss that counts, and ends when her last child is laid in her arms.”

“He’s talking from his book.”

“He says unloved women have no biographies—they have histories.”

Anthony laughed again.

“Surely you don’t claim to be unloved!”

“Well, I suppose not.”

“Then why haven’t you a biography? Haven’t you ever had a kiss that counted?” As the words left his lips he drew in his breath sharply as though to suck them back. This baby!

“I don’t know what you mean ‘counts,’” she objected.

“I wish you’d tell me how old you are.”

“Twenty-two,” she said, meeting his eyes gravely. “How old did you think?”

“About eighteen.”

“I’m going to start being that. I don’t like being twenty-two. I hate it more than anything in the world.”

“Being twenty-two?”

“No. Getting old and everything. Getting married.”

“Don’t you ever want to marry?”

“I don’t want to have responsibility and a lot of children to take care of.”

Evidently she did not doubt that on her lips all things were good. He waited rather breathlessly for her next remark, expecting it to follow up her last. She was smiling, without amusement but pleasantly, and after an interval half a dozen words fell into the space between them:

“I wish I had some gum-drops.”

“You shall!” He beckoned to a waiter and sent him to the cigar counter.

“D’you mind? I love gum-drops. Everybody kids me about it because I’m always whacking away at one—whenever my daddy’s not around.”

“Not at all.—Who are all these children?” he asked suddenly. “Do you know them all?”

“Why—no, but they’re from—oh, from everywhere, I suppose. Don’t you ever come here?”

“Very seldom. I don’t care particularly for ‘nice girls.’”

Immediately he had her attention. She turned a definite shoulder to the dancers, relaxed in her chair, and demanded:

“What do you do with yourself?”

Thanks to a cocktail Anthony welcomed the question. In a mood to talk, he wanted, moreover, to impress this girl whose interest seemed so tantalizingly elusive—she stopped to browse in unexpected pastures, hurried quickly over the inobviously obvious. He wanted to pose. He wanted to appear suddenly to her in novel and heroic colors. He wanted to stir her from that casualness she showed toward everything except herself.

“I do nothing,” he began, realizing simultaneously that his words were to lack the debonair grace he craved for them. “I do nothing, for there’s nothing I can do that’s worth doing.”

“Well?” He had neither surprised her nor even held her, yet she had certainly understood him, if indeed he had said aught worth understanding.

“Don’t you approve of lazy men?”

She nodded.

“I suppose so, if they’re gracefully lazy. Is that possible for an American?”

“Why not?” he demanded, discomfited.

But her mind had left the subject and wandered up ten floors.

“My daddy’s mad at me,” she observed dispassionately.

“Why? But I want to know just why it’s impossible for an American to be gracefully idle”—his words gathered conviction—“it astonishes me. It—it—I don’t understand why people think that every young man ought to go down-town and work ten hours a day for the best twenty years of his life at dull, unimaginative work, certainly not altruistic work.”

He broke off. She watched him inscrutably. He waited for her to agree or disagree, but she did neither.

“Don’t you ever form judgments on things?” he asked with some exasperation.

She shook her head and her eyes wandered back to the dancers as she answered:

“I don’t know. I don’t know anything about—what you should do, or what anybody should do.”

She confused him and hindered the flow of his ideas. Self-expression had never seemed at once so desirable and so impossible.

“Well,” he admitted apologetically, “neither do I, of course, but—”

“I just think of people,” she continued, “whether they seem right where they are and fit into the picture. I don’t mind if they don’t do anything. I don’t see why they should; in fact it always astonishes me when anybody does anything.”

“You don’t want to do anything?”

“I want to sleep.”

For a second he was startled, almost as though she had meant this literally.

“Sleep?”

“Sort of. I want to just be lazy and I want some of the people around me to be doing things, because that makes me feel comfortable and safe—and I want some of them to be doing nothing at all, because they can be graceful and companionable for me. But I never want to change people or get excited over them.”

“You’re a quaint little determinist,” laughed Anthony. “It’s your world, isn’t it?”

“Well—” she said with a quick upward glance, “isn’t it? As long as I’m—young.”

She had paused slightly before the last word and Anthony suspected that she had started to say “beautiful.” It was undeniably what she had intended.

Her eyes brightened and he waited for her to enlarge on the theme. He had drawn her out, at any rate—he bent forward slightly to catch the words.

But “Let’s dance!” was all she said.

That winter afternoon at the Plaza was the first of a succession of “dates” Anthony made with her in the blurred and stimulating days before Christmas. Invariably she was busy. What particular strata of the city’s social life claimed her he was a long time finding out. It seemed to matter very little. She attended the semi-public charity dances at the big hotels; he saw her several times at dinner parties in Sherry’s, and once as he waited for her to dress, Mrs. Gilbert, apropos of her daughter’s habit of “going,” rattled off an amazing holiday programme that included half a dozen dances to which Anthony had received cards.

He made engagements with her several times for lunch and tea—the former were hurried and, to him at least, rather unsatisfactory occasions, for she was sleepy-eyed and casual, incapable of concentrating upon anything or of giving consecutive attention to his remarks. When after two of these sallow meals he accused her of tendering him the skin and bones