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town in the Thousand Islands, near Ottawa. Four or five years later, he got a job planting trees for a summer up north, and he drowned swimming in a lake during a party. By the time I found out about him, his folks were dead, too."

"Did you tell your friends about him, once you found out?"

"Oh, by then I'd lost touch with most of them. After elementary school, we moved across town, to a condo my grandmother retired into on the lakeshore, out in the suburbs. In high school, I didn't really chum around much, so there wasn't anyone to talk to. I did tell my Gran though, asked her why it was such a big secret, and she said it wasn't, she said she'd told me years before, but she hadn't. I think that she and Mom just decided to wait until I was older before telling me, and then after my mom died, she just forgot that she hadn't told me. We got into a big fight over that."

"That's a weird story, dude. So, do you think of yourself as an orphan?"

Art rolls over on his side, face inches from hers, and snorts a laugh. "God, that's so — *Dickensian*. No one ever asked me that before. I don't think so. You can't really be an adult and be an orphan — you're just someone with dead parents. And I didn't find out about my dad until I was older, so I always figured that he was alive and well somewhere. What about your folks?"

Linda rolls over on her side, too, her robe slipping off her lower breast. Art is aroused by it, but not crazily so — somewhere in telling his story, he's figured out that sex is a foregone conclusion, and now they're just getting through some nice foreplay. He smiles down at her nipple, which is brown as a bar of Belgian chocolate, aureole the size of a round of individual cheese and nipple itself a surprisingly chunky square of crinkled flesh. She follows his eyes and smiles at him, then puts his hand over her breast, covers it with hers.

"I told you about my mom, right? Wanted to act — who doesn't? But she was too conscious of the cliche to mope about it. She got some little parts — nothing fab, then went on to work at a Sony dealership. Ten years later, she bought a franchise. Dad and second-wife run a retreat in West Hollywood for sexually dysfunctional couples. No sibs. Happy childhood. Happy adolescence. Largely unsatisfying adulthood, to date."

"Wow, you sound like you've practiced that."

She tweaks his nose, then drapes her arm across his chest. "Got me. Always writing my autobiography in my head — gotta have a snappy opener when I'm cornered by the stalkerazzi."

He laces his fingers in hers, moves close enough to smell her toothpaste-sweet breath. "Tell me something unrehearsed about growing up."

"That's a stupid request." Her tone is snappish, and her fingers stiffen in his.

"Why?"

"It just is! Don't try to get under my skin, OK? My childhood was fine."

"Look, I don't want to piss you off. I'm just trying to get to know you. Because… you know… I like you. A lot. And I try to get to know the people I like."

She smiles her lopsided dimple. "Sorry, I just don't like people who try to mess with my head. My problem, not yours. OK, something unrehearsed." She closes her eyes and treats him to the smooth pinkness of her eyelids, and keeps them closed as she speaks. "I once stole a Veddic Series 7 off my mom's lot, when I was fifteen. It had all the girly safety features, including a tracker and a panic button, but I didn't think my mom would miss it. I just wanted to take it out for a drive. It's LA, right? No wheels, no life. So I get as far as Venice Beach, and I'm cruising the Boardwalk — this was just after it went topless, so I was swinging in the breeze — and suddenly the engine dies, right in the middle of this clump of out-of-towners, frat kids from Kansas or something. Mom had called in a dealer override and Sony shut down the engine by radio."

"Wow, what did you do?"

"Well, I put my shirt back on. Then I popped the hood and poked randomly at the engine, pulling out the user-servicables and reseating them. The thing was newer than new, right? How could it be broken already? The fratboys all gathered around and gave me advice, and I played up all bitchy, you know, 'I've been fixing these things since I was ten, get lost,' whatever. They loved it. I was all spunky. A couple of them were pretty cute even, and the attention was great. I felt safe — lots of people hanging around, they weren't going to try anything funny. Only I was starting to freak out about the car — it was really dead. I'd reseated everything, self-tested every component, double-checked the fuel. Nothing nothing nothing! I was going to have to call a tow and my mom was going to kill me.

"So I'm trying not to let it get to me, trying to keep it all cool, but I'm not doing a great job. The frat guys are all standing too close and they smell like beer, and I'm not trying to be perky anymore, just want them to stay! away! but they won't back off. I'm trying not to cry.

"And then the cops showed up. Not real cops, but Sony's Vehicle Recovery Squad. All dressed up in Vaio gear, stylish as a Pepsi ad, packing lots of semilethals and silvery aeorosol shut-up-and-be-still juice, ready to nab the bad, bad perp who boosted this lovely Veddic Series 7 from Mom's lot. Part of the franchise package, that kind of response. It took me a second to figure it out — Mom didn't know it was *me* who had the car, so she'd called in a theft and bam, I was about to get arrested. The frat rats tried to run away, which is a bad idea, you just don't ever run from cops — stupid, stupid, stupid. They ended up rolling around on the ground, screaming and trying to pull their faces off. It took, like a second. I threw my hands in the air. 'Don't shoot!' They gassed me anyway.

"So then *I* was rolling around on the ground, feeling like my sinuses were trying to explode out of my face. Feeling like my eyeballs were melting. Feeling like my lungs were all shriveled up into raisins. I couldn't scream, I couldn't even breathe. By the time I could even roll over and open my eyes, they had me cuffed: ankles and wrists in zapstraps that were so tight, they felt like piano wire. I was a cool fifteen year old, but not that cool. I started up the waterworks, boohoohoo, couldn't shut it down, couldn't even get angry. I just wanted to die. The Sony cops had seen it all before, so they put a tarp down on the Veddic's backseat upholstery, threw me in it, then rolled it into their recovery truck and drove me to the police station.

"I puked on the tarp twice before they got me there, and almost did it a third time on the way to booking. It got up my sinuses and down my throat, too. I couldn't stop gagging, couldn't stop crying, but by now I was getting pissed. I'd been raised on the whole Sony message: 'A Car for the Rest of Us,' gone with Mom to their Empowerment Seminars, wore the little tee shirts and the temporary tats and chatted up the tire-kickers about the Sony Family while Mom was busy. This wasn't the Sony Family I knew.

"I was tied up on the floor beside the desk sergeant's counter, and a Sony cop was filling in my paperwork, and so I spat out the crud from my mouth, stopped sniveling, hawked back my spit and put on my best voice. 'This isn't necessary, sir,' I said. 'I'm not a thief. My mother owns the dealership. It was wrong to take the car, but I'm sure she didn't intend for this to happen. Certainly, I don't need to be tied up in here. Please, take off the restraints — they're cutting off my circulation.' The Sony cop flipped up his goofy little facemask and squinted at me, then shook his head and went back to his paperwork.

"'Look,' I said. 'Look! I'm not a criminal. This is a misunderstanding. If you check my ID and call my mother, we can work this all out. Look!' I read his name off his epaulettes. 'Look! Officer Langtree! Just let me up and we'll sort this out like adults. Come on, I don't blame you — I'm glad! — you were right to take me in. This is my mom's merchandise; it's good that you went after the thief and recovered the car. But now you know the truth, it's my mother's car, and if you just let me up, I'm sure we can work this out. Please, Officer Langtree. My wallet's in my back pocket. Just get it out and check my ID before you do this.'

"But he just went on filling in the paperwork. 'Why? Why won't you just take a second to check? Why not?'

"He turned around again, looked at me for a long time, and I was sure he was going to check, that it was all going to be fine, but then he said, 'Look, I've had about as much of your bullshit as I'm going to take, little girl. Shut your hole or I'll gag you. I just want to get out of here and back to my job, all right?'

"'What?' I said, and it sounded like a shriek to me. 'What did you say to me? What the hell did you say to me? Didn't you hear what I said? That's my *mother's car* — she owns the lot I took it off of. Do you honestly think she wants you to do this? This is the stupidest goddamned thing —'

"'That's it,' he said, and took a little silver micropore hood off his belt, the kind that you cinch up under the chin so the person inside can't talk? I started squirming away then, pleading with him, and I finally caught the desk sergeant's eye. 'He can't do this! Please! Don't let him do this! I'm in a *police station* — why are you letting him do this?'

"And the cop smiled and said, 'You're absolutely right, little girl. That's enough of that.' The Sony cop didn't pay any attention. He grabbed my head and stuffed it into the hood and tried to get the chin strap in place. I shook my head as best as I could, and then the hood was being taken off my head again, and the Sony cop looked like he wanted to nail the other cop, but he didn't. The desk sergeant bent down and cut my straps, then helped me to my feet.

"'You're not going to give me any trouble, are you?' he said, as he led me around to a nice, ergo office chair.

"'No sir!'

"'You just sit there, then, and I'll be with you in a moment.'

"I sat down and rubbed my wrists and ankles. My left ankle was oozing blood from where it had been rubbed raw. I couldn't believe that the Sony Family could inflict such indignities on my cute little person. I was so goddamn self-righteous, and I know I was smirking as the desk sergeant chewed out the Sony cop, taking down his badge number and so on so that I'd have it.

"I thanked the cop profusely, and I kept on thanking him as he booked me and printed me and took my mug shots. I was joking and maybe even flirting a little. I was a cute fifteen-year-old and I knew it. After the nastiness with the Sony cops, being processed into the criminal justice system seemed mild and inoffensive. It didn't really occur to me that I was being *arrested* until my good pal the cop asked me to turn out my pockets before he put me in the cell.

"'Wait!' I said. 'Sergeant Lorenzi, wait! You don't have to put me in a *cell*, do you, Sergeant Lorenzi? Sergeant Lorenzi! I don't need to go into a cell! Let me call my mom, she'll come down

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