The Last of the Barons — Volume 04, Baron Edward Bulwer Lytton Lytton [best autobiographies to read TXT] 📗

id="id00283">"Our Lord forefend," said Richard, "that I should say that Warwick thought of this when he deemed George worthy of the hand of Isabel. Nay, it could not be so; for, however clear the claim, strong and powerful would be those who would resist it, and Clarence is not, as you will see, the man who can wrestle boldly,—even for a throne. Moreover, he is too addicted to wine and pleasure to bid fair to outlive the king."

Montagu fixed his penetrating eyes on Richard, but dropped them, abashed, before that steady, deep, unrevealing gaze, which seemed to pierce into other hearts, and show nothing of the heart within.

"Happy Clarence!" resumed the prince, with a heavy sigh, and after a brief pause,—"a Nevile's husband and a Warwick's son—what can the saints do more for men? You must excuse his errors—all our errors— to your brother. You may not know, peradventure, sweet Montagu, how deep an interest I have in maintaining all amity between Lord Warwick and the king. For methinks there is one face fairer than fair Isabel's, and one man more to be envied than even Clarence. Fairest face to me in the wide world is the Lady Anne's! happiest man between the cradle and the grave is he whom the Lady Anne shall call her lord! and if I—oh, look you, Montagu, let there be no breach between Warwick and the king! Fare you well, dear lord and cousin,—I go to Baynard's Castle till these feasts are over."

"Does not your Grace," said Montagu, recovering from the surprise into which one part of Gloucester's address had thrown him—"does not your Grace—so skilled in lance and horsemanship—preside at the lists?"

"Montagu, I love your brother well enough to displease my king. The great earl shall not say, at least, that Richard Plantagenet in his absence forgot the reverence due to loyalty and merit. Tell him that; and if I seem (unlike Clarence) to forbear to confront the queen and her kindred, it is because you should make no enemies,—not the less for that should princes forget no friends."

Richard said this with a tone of deep feeling, and, folding his arms within his furred surcoat, walked slowly on to a small postern admitting to the river; but there, pausing by a buttress which concealed him till Montagu had left the yard, instead of descending to his barge, he turned back into the royal garden. Here several of the court of both sexes were assembled, conferring on the event of the day. Richard halted at a distance, and contemplated their gay dresses and animated countenances with something between melancholy and scorn upon his young brow. One of the most remarkable social characteristics of the middle ages is the prematurity at which the great arrived at manhood, shared in its passions, and indulged its ambitions. Among the numerous instances in our own and other countries that might be selected from history, few are more striking than that of this Duke of Gloucester, great in camp and in council at an age when nowadays a youth is scarcely trusted to the discipline of a college. The whole of his portentous career was closed, indeed, before the public life of modern ambition usually commences. Little could those accustomed to see on our stage "the elderly ruffian" [Sharon Turner] our actors represent, imagine that at the opening of Shakspeare's play of "Richard the Third" the hero was but in his nineteenth year; but at the still more juvenile age in which he appears in this our record, Richard of Gloucester was older in intellect, and almost in experience, than many a wise man at the date of thirty-three,—the fatal age when his sun set forever on the field of Bosworth!

The young prince, then, eyed the gaudy, fluttering, babbling assemblage before him with mingled melancholy and scorn. Not that he felt, with the acuteness which belongs to modern sentiment, his bodily defects amidst that circle of the stately and the fair, for they were not of a nature to weaken his arm in war or lessen his persuasive influences in peace. But it was rather that sadness which so often comes over an active and ambitious intellect in early youth, when it pauses to ask, in sorrow and disdain, what its plots and counterplots, its restlessness and strife, are really worth. The scene before him was of pleasure,—but in pleasure neither the youth nor the manhood of Richard III. was ever pleased; though not absolutely of the rigid austerity of Amadis or our Saxon Edward, he was comparatively free from the licentiousness of his times. His passions were too large for frivolous excitements. Already the Italian, or, as it is falsely called, the Machiavelian policy, was pervading the intellect of Europe, and the effects of its ruthless, grand, and deliberate statecraft are visible from the accession of Edward IV. till the close of Elizabeth's reign. With this policy, which reconciled itself to crime as a necessity of wisdom, was often blended a refinement of character which disdained vulgar vices. Not skilled alone in those knightly accomplishments which induced Caxton, with propriety, to dedicate to Richard "The Book of the Order of Chivalry," the Duke of Gloucester's more peaceful amusements were borrowed from severer Graces than those which presided over the tastes of his royal brothers. He loved, even to passion, the Arts, Music,—especially of the more Doric and warlike kind,—Painting and Architecture; he was a reader of books, as of men,—the books that become princes,—and hence that superior knowledge of the principles of law and of commerce which his brief reign evinced. More like an Italian in all things than the careless Norman or the simple Saxon, Machiavel might have made of his character a companion, though a contrast to that of Castruccio Castrucani.

The crowd murmured and rustled at the distance, and still with folded arms Richard gazed aloof, when a lady, entering the garden from the palace, passed by him so hastily that she brushed his surcoat, and, turning round in surprise, made a low reverence, as she exclaimed, "Prince Richard! and alone amidst so many!"

"Lady," said the duke, "it was a sudden hope that brought me into this garden,—and that was the hope to see your fair face shining above the rest."

"Your Highness jests," returned the lady, though her superb countenance and haughty carriage evinced no opinion of herself so humble as her words would imply.

"My Lady of Bonville," said the young duke, laying his hand on her arm, "mirth is not in my thoughts at this hour."

"I believe your Highness; for the Lord Richard Plantagenet is not one of the Woodvilles. The mirth is theirs to-day."

"Let who will have mirth,—it is the breath of a moment. Mirth cannot tarnish glory,—the mirror in which the gods are glassed."

"I understand you, my lord," said the proud lady; and her face, before stern and high, brightened into so lovely a change, so soft and winning a smile, that Gloucester no longer marvelled that that smile had rained so large an influence on the fate and heart of his favourite Hastings. The beauty of this noble woman was indeed remarkable in its degree, and peculiar in its character. She bore a stronger likeness in feature to the archbishop than to either of her other brothers; for the prelate had the straight and smooth outline of the Greeks,—not like Montagu and Warwick, the lordlier and manlier aquiline of the Norman race,—and his complexion was feminine in its pale clearness. But though in this resembling the subtlest of the brethren, the fair sister shared with Warwick an expression, if haughty, singularly frank and candid in its imperious majesty; she had the same splendid and steady brilliancy of eye, the same quick quiver of the lip, speaking of nervous susceptibility and haste of mood. The hateful fashion of that day which pervaded all ranks, from the highest to the lowest, was the prodigal use of paints and cosmetics, and all imaginable artificial adjuncts of a spurious beauty. This extended often even to the men, and the sturdiest warrior deemed it no shame to recur to such arts of the toilet as the vainest wanton in our day would never venture to acknowledge. But the Lady Bonville, proudly confident of her beauty, and possessing a purity of mind that revolted from the littleness of courting admiration, contrasted forcibly in this the ladies of the court. Her cheek was of a marble whiteness, though occasionally a rising flush through the clear, rich, transparent skin showed that in earlier youth the virgin bloom had not been absent from the surface. There was in her features, when they reposed, somewhat of the trace of suffering,—of a struggle, past it may be, but still remembered. But when she spoke, those features lighted up and undulated in such various and kindling life as to dazzle, to bewitch, or to awe the beholder, according as the impulse moulded the expression. Her dress suited her lofty and spotless character. Henry VI. might have contemplated with holy pleasure its matronly decorum; the jewelled gorget ascended to the rounded and dimpled chin; the arms were bare only at the wrists, where the blue veins were seen through a skin of snow; the dark glossy locks, which her tirewoman boasted, when released, swept the ground, were gathered into a modest and simple braid, surmounted by the beseeming coronet that proclaimed her rank. The Lady Bonville might have stood by the side of Cornelia, the model of a young and high-born matron, in whose virtue the honour of man might securely dwell.

"I understand you, my lord," she said, with her bright, thankful smile; "and as Lord Warwick's sister, I am grateful."

"Your love for the great earl proves you are noble enough to forgive," said Richard, meaningly. "Nay, chide me not with that lofty look; you know that there are no secrets between Hastings and Gloucester."

"My lord duke, the head of a noble House hath the right to dispose of the hands of the daughters; I know nothing in Lord Warwick to forgive."

But she turned her head as she spoke, and a tear for a moment trembled in that haughty eye.

"Lady," said Richard, moved to admiration, "to you let me confide my secret. I would be your nephew. Boy though I be in years, my heart beats as loudly as a man's; and that heart beats for Anne."

"The love of Richard Plantagenet honours even Warwick's daughter!"

"Think you so? Then stand my friend; and, being thus my friend, intercede with Warwick, if he angers at the silly holiday of this Woodville pageant."

"Alas, sir! you know that Warwick listens to no interceders between himself and his passions. But what then? Grant him wronged, aggrieved, trifled with,—what then? Can he injure the House of York?"

Richard looked in some surprise at the fair speaker.

"Can he injure the House of York?—Marry, yes," he replied bluntly.

"But for what end? Whom else should he put upon the throne?"

"What if he forgive the Lancastrians? What if—"

"Utter not the thought, prince, breathe it not," exclaimed the Lady Bonville, almost fiercely. "I love and honour my brave brother, despite—despite—" She paused a moment, blushed, and proceeded rapidly, without concluding the sentence. "I love him as a woman of his House must love the hero who forms its proudest boast. But if, for any personal grudge, any low ambition, any rash humour, the son of my father Salisbury could forget that Margaret of Anjou placed the gory head of that old man upon the gates of York, could by word or deed abet the cause of usurping and bloody Lancaster,—I would—I would— Out upon my sex! I could do nought but weep the glory of Nevile and Monthermer gone forever."

Before Richard could reply, the sound of musical instruments, and a procession of heralds and pages proceeding from the palace, announced the approach of Edward. He caught the hand of the dame of Bonville, lifted it to his lips, and saying, "May fortune one day permit me to face as the earl's son the earl's foes," made his graceful reverence, glided from the garden, gained his barge, and was rowed to the huge pile of Baynard's Castle, lately reconstructed, but in a gloomy and barbaric taste, and in which, at that time, he principally resided with his mother, the once peerless Rose of Raby.

The Lady of Bonville paused a moment, and in that pause her countenance recovered its composure. She then passed on, with a stately step, towards a group of the ladies of