The Old Man in the Corner, Baroness Emmuska Orczy Orczy [the beginning after the end novel read .TXT] 📗

Lord Arthur that he would go round to the back entrance and wished to see him there.

"Two other guests of Lord Arthur's swore positively that after Chipps had announced the visitor, their host stayed at the card-table until a quarter to eleven, when evidently he went out to join Colonel McIntosh in the garden. Sir Marmaduke's speech was clever in the extreme. Bit by bit he demolished that tower of strength, the case against the accused, basing his defence entirely upon the evidence of Lord Arthur Skelmerton's guests that night.

"Until 10.45 Lord Arthur was playing cards; a quarter of an hour later the police were on the scene, and the murder had been committed. In the meanwhile Colonel McIntosh's evidence proved conclusively that the accused had been sitting with him, smoking a cigar. It was obvious, therefore, clear as daylight, concluded the great lawyer, that his client was entitled to a full discharge; nay, more, he thought that the police should have been more careful before they harrowed up public feeling by arresting a high-born gentleman on such insufficient evidence as they had brought forward.

"The question of the knife remained certainly, but Sir Marmaduke passed over it with guarded eloquence, placing that strange question in the category of those inexplicable coincidences which tend to puzzle the ablest detectives, and cause them to commit such unpardonable blunders as the present one had been. After all, the footman may have been mistaken. The pattern of that knife was not an exclusive one, and he, on behalf of his client, flatly denied that it had ever belonged to him.

"Well," continued the man in the corner, with the chuckle peculiar to him in moments of excitement, "the noble prisoner was discharged. Perhaps it would be invidious to say that he left the court without a stain on his character, for I daresay you know from experience that the crime known as the York Mystery has never been satisfactorily cleared up.

"Many people shook their heads dubiously when they remembered that, after all, Charles Lavender was killed with a knife which one witness had sworn belonged to Lord Arthur; others, again, reverted to the original theory that George Higgins was the murderer, that he and James Terry had concocted the story of Lavender's attempt at blackmail on Lord Arthur, and that the murder had been committed for the sole purpose of robbery.

"Be that as it may, the police have not so far been able to collect sufficient evidence against Higgins or Terry, and the crime has been classed by press and public alike in the category of so-called impenetrable mysteries."

 

 

CHAPTER IX A BROKEN-HEARTED WOMAN

 

The man in the corner called for another glass of milk, and drank it down slowly before he resumed:

"Now Lord Arthur lives mostly abroad," he said. "His poor, suffering wife died the day after he was liberated by the magistrate. She never recovered consciousness even sufficiently to hear the joyful news that the man she loved so well was innocent after all.

"Mystery!" he added as if in answer to Polly's own thoughts. "The murder of that man was never a mystery to me. I cannot understand how the police could have been so blind when every one of the witnesses, both for the prosecution and defence, practically pointed all the time to the one guilty person. What do you think of it all yourself?"

"I think the whole case so bewildering," she replied, "that I do not see one single clear point in it."

"You don't?" he said excitedly, while the bony fingers fidgeted again with that inevitable bit of string. "You don't see that there is one point clear which to me was the key of the whole thing?

"Lavender was murdered, wasn't he? Lord Arthur did not kill him. He had, at least, in Colonel McIntosh an unimpeachable witness to prove that he could not have committed that murder—and yet," he added with slow, excited emphasis, marking each sentence with a knot, "and yet he deliberately tries to throw the guilt upon a man who obviously was also innocent. Now why?"

"He may have thought him guilty."

"Or wished to shield or cover the retreat of one he knew to be guilty."

"I don't understand."

"Think of someone," he said excitedly, "someone whose desire would be as great as that of Lord Arthur to silence a scandal round that gentleman's name. Someone who, unknown perhaps to Lord Arthur, had overheard the same conversation which George Higgins related to the police and the magistrate, someone who, whilst Chipps was taking Lavender's card in to his master, had a few minutes' time wherein to make an assignation with Lavender, promising him money, no doubt, in exchange for the compromising bills."

"Surely you don't mean—" gasped Polly.

"Point number one," he interrupted quietly, "utterly missed by the police. George Higgins in his deposition stated that at the most animated stage of Lavender's conversation with Lord Arthur, and when the bookmaker's tone of voice became loud and threatening, a voice from the top of the steps interrupted that conversation, saying: 'Your tea is getting cold.'"

"Yes—but—" she argued.

"Wait a moment, for there is point number two. That voice was a lady's voice. Now, I did exactly what the police should have done, but did not do. I went to have a look from the racecourse side at those garden steps which to my mind are such important factors in the discovery of this crime. I found only about a dozen rather low steps; anyone standing on the top must have heard every word Charles Lavender uttered the moment he raised his voice."

"Even then—"

"Very well, you grant that," he said excitedly. "Then there was the great, the all-important point which, oddly enough, the prosecution never for a moment took into consideration. When Chipps, the footman, first told Lavender that Lord Arthur could not see him the bookmaker was terribly put out; Chipps then goes to speak to his master; a few minutes elapse, and when the footman once again tells Lavender that his lordship won't see him, the latter says 'Very well,' and seems to treat the matter with complete indifference.

"Obviously, therefore, something must have happened in between to alter the bookmaker's frame of mind. Well! What had happened? Think over all the evidence, and you will see that one thing only had occurred in the interval, namely, Lady Arthur's advent into the room.

"In order to go into the smoking-room she must have crossed the hall; she must have seen Lavender. In that brief interval she must have realized that the man was persistent, and therefore a living danger to her husband. Remember, women have done strange things; they are a far greater puzzle to the student of human nature than the sterner, less complex sex has ever been. As I argued before—as the police should have argued all along—why did Lord Arthur deliberately accuse an innocent man of murder if not to shield the guilty one?

"Remember, Lady Arthur may have been discovered; the man, George Higgins, may have caught sight of her before she had time to make good her retreat. His attention, as well us that of the constables, had to be diverted. Lord Arthur acted on the blind impulse of saving his wife at any cost."

"She may have been met by Colonel McIntosh," argued Polly.

"Perhaps she was," he said. "Who knows? The gallant colonel had to swear to his friend's innocence. He could do that in all conscience—after that his duty was accomplished. No innocent man was suffering for the guilty. The knife which had belonged to Lord Arthur would always save George Higgins. For a time it had pointed to the husband; fortunately never to the wife. Poor thing, she died probably of a broken heart, but women when they love, think only of one object on earth—the one who is beloved.

"To me the whole thing was clear from the very first. When I read the account of the murder—the knife! stabbing!—bah! Don't I know enough of English crime not to be certain at once that no Englishman, be he ruffian from the gutter or be he Duke's son, ever stabs his victim in the back. Italians, French, Spaniards do it, if you will, and women of most nations. An Englishman's instinct is to strike and not to stab. George Higgins or Lord Arthur Skelmerton would have knocked their victim down; the woman only would lie in wait till the enemy's back was turned. She knows her weakness, and she does not mean to miss.

"Think it over. There is not one flaw in my argument, but the police never thought the matter out—perhaps in this case it was as well."

He had gone and left Miss Polly Burton still staring at the photograph of a pretty, gentle-looking woman, with a decided, wilful curve round the mouth, and a strange, unaccountable look in the large pathetic eyes; and the little journalist felt quite thankful that in this case the murder of Charles Lavender the bookmaker—cowardly, wicked as it was—had remained a mystery to the police and the public.

 

 

CHAPTER X THE MYSTERIOUS DEATH ON THE UNDERGROUND RAILWAY

 

It was all very well for Mr. Richard Frobisher (of the London Mail) to cut up rough about it. Polly did not altogether blame him.

She liked him all the better for that frank outburst of manlike ill-temper which, after all said and done, was only a very flattering form of masculine jealousy.

Moreover, Polly distinctly felt guilty about the whole thing. She had promised to meet Dickie—that is Mr. Richard Frobisher—at two o'clock sharp outside the Palace Theatre, because she wanted to go to a Maud Allan matinée, and because he naturally wished to go with her.

But at two o'clock sharp she was still in Norfolk Street, Strand, inside an A.B.C. shop, sipping cold coffee opposite a grotesque old man who was fiddling with a bit of string.

How could she be expected to remember Maud Allan or the Palace Theatre, or Dickie himself for a matter of that? The man in the corner had begun to talk of that mysterious death on the underground railway, and Polly had lost count of time, of place, and circumstance.

She had gone to lunch quite early, for she was looking forward to the matinée at the Palace.

The old scarecrow was sitting in his accustomed place when she came into the A.B.C. shop, but he had made no remark all the time that the young girl was munching her scone and butter. She was just busy thinking how rude he was not even to have said "Good morning," when an abrupt remark from him caused her to look up.

"Will you be good enough," he said suddenly, "to give me a description of the man who sat next to you just now, while you were having your cup of coffee and scone."

Involuntarily Polly turned her head towards the distant door, through which a man in a light overcoat was even now quickly passing. That man had certainly sat at the next table to hers, when she first sat down to her coffee and scone: he had finished his luncheon—whatever it was—moment ago, had paid at the desk and gone out. The incident did not appear to Polly as being of the slightest consequence.

Therefore she did not reply to the rude old man, but shrugged her shoulders, and called to the waitress to bring her bill.

"Do you know if he was tall or short, dark or fair?" continued the man in the corner, seemingly not the least disconcerted by the young girl's indifference. "Can you tell me at all what he was like?"

"Of course I can," rejoined Polly impatiently, "but I don't see that my description of one of the customers of an A.B.C. shop can have the slightest importance."

He was silent for a minute, while his nervous fingers fumbled about in his capacious pockets in search of the inevitable piece of string. When he had found this necessary "adjunct to thought," he viewed the young girl again through his half-closed lids, and added maliciously:

"But supposing it were of paramount importance that you should give an accurate description of a man who sat next to you for half an hour to-day, how would you proceed?"

"I should say that he was of medium height—"

"Five foot eight, nine, or ten?" he interrupted quietly.

"How can one tell to an inch or two?" rejoined Polly crossly. "He was between colours."

"What's that?" he inquired blandly.

"Neither fair nor dark—his nose—"

"Well, what was his nose like? Will you sketch it?"

"I am not an artist. His nose was fairly straight—his eyes—"

"Were neither dark nor light—his hair had the same striking peculiarity—he was neither short nor tall—his nose was neither aquiline nor snub—" he recapitulated sarcastically.

"No," she retorted; "he was just ordinary looking."

"Would you know him again—say to-morrow, and among a number of other men who were 'neither tall nor short, dark nor fair, aquiline nor snub-nosed,' etc.?"

"I don't know—I might—he was