The Moon Rock, Arthur J. Rees [reading books for 5 year olds .txt] 📗
- Author: Arthur J. Rees
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“Dead? Robert dead!” Her startled eye sought his averted face, and her feminine intuition gathered that which he was seeking to withhold. “Do you mean that he has been killed?” she whimpered.
“I fear that there has been—an accident,” he replied evasively. He stood in front of them in a way which obscured their view of the prone figure, and a small shining thing lying alongside, which he alone had seen. “Come,” he said, in a professional manner, taking her by the arm. “Let me take you downstairs.” He got her away from the threshold, and pulled the broken door to, shutting out the spectacle within.
“Are you going to leave him there—like that?” whispered Mrs. Pendleton.
“It is necessary, till the police have seen him,” he assured her. “We had better send Thalassa in the car to the churchtown. Go for Sergeant Pengowan, Thalassa, and tell him to come at once. And afterwards you had better call at Mr. Austin Turold’s lodgings and tell him and his son. Hurry away with you, my man. Don’t lose a moment!”
Thalassa hastened along the passage as though glad to get away. His heavy boots clattered down the staircase and along the empty hall. Then the front door banged with a crash.
The others followed more slowly, stepping gently in the presence of Death, past the little lamps, hardly bigger than fireflies, which flickered feebly in their alcoves. They went into the front room, where a table lamp gave forth a subdued light. Mrs. Pendleton turned up the wick and sank into a chair, covering her face with her hands.
It was the room where only that afternoon Robert Turold had unfolded the history of his life’s quest: a large gloomy room with heavy old furniture, faded prints of the Cornish coast, and a whitefaced clock on the mantel-piece with a loud clucking tick. Dr. Ravenshaw knew the room well, but Robert Turold’s sister had seen it for the first time that day, and the recollection of what had taken place there was so fresh in her memory that it brought a flood of tears.
“Poor Bob!” she sobbed. “He denied himself all his life for the sake of the title, and what’s the good of it all—now?”
That was the only light in which she was able to see the tragedy in the first moment of the shock. Other thoughts and revelations about her brother’s strange death were to come later, when her mind recovered its bearings. For the moment she was incapable of thinking coherently. She was conscious only of the fact that her brother had been cut off in the very moment of success—before it, indeed; ere he had actually tasted the sweets of the ambition he had given all his years to gain.
Silence fell between them, broken only by the clucking of the whitefaced clock and the dreary sound of the wind outside, crying round the old house like a frightened woman in the dark. Nearly an hour passed before they heard the sound of a guarded knock at the front door. Dr. Ravenshaw went and opened it. Austin Turold was standing on the threshold.
“This is bad news, doctor,” he said, stepping quickly inside. “I came ahead of the others—walked over. Thalassa is waiting at the churchtown for the sergeant, who is away on some official business, but expected back shortly. They may be here at any minute.”
He spoke a little breathlessly, as though with running, and seemed anxious to talk. He went on—.
“How did it happen? Tell me everything. I could get nothing out of Thalassa. He was detained at the police station for a considerable time, waiting for Pengowan, before he came to me with the news. He gave a great knock at the door of my lodgings like the thunder of doom, and when I got downstairs he blurted out that my brother was killed—shot—but not another word of explanation could I get out of him. What does it all mean?”
“I cannot say. Your sister and I reached the house just as Thalassa was about to leave it to seek my assistance. Your sister is in the sitting-room.”
Austin Turold brushed past the doctor and opened the door of the lighted room. At his entrance Mrs. Pendleton sprang from her seat to greet him. Grief and horror were in her look, but surprise contended with other emotions in Austin’s face. She kissed him with clinging hands on his shoulders.
“Oh, Austin,” she cried, “Robert is dead—killed!”
“The news has shocked me to the last degree,” responded her brother. “What has happened? Did somebody send for you? Is that what brought you here?”
Mrs. Pendleton shook her head, embarrassed in her grief. She remembered that she wished to keep the object of her visit secret from her younger brother, and she could not very well disclose the truth then.
“Not exactly,” she replied, a trifle incoherently. “I wanted to see Robert again before I returned to London in the morning. So we motored over after dinner, and found him—dead.” Fresh tears broke from her.
Austin Turold wandered around the room quickly and nervously, then drew Dr. Ravenshaw to the door with a glance. “I should like to go upstairs before the police come,” he whispered.
Dr. Ravenshaw nodded, and they went upstairs together. The shattered door creaked open to their touch, revealing the lighted interior and the dead man prone on the floor. Austin approached his brother’s corpse, eyed it shudderingly, and turned away. Then he stooped to look at the small revolver lying alongside, but did not touch it. Again he bent over the corpse, this time with more composure in his glance.
The object on which the outstretched arms rested was an old Dutch hood clock, which had fallen or been dragged from a niche in the wall, and lay face uppermost, the glass case open and smashed, the hands: stopped at the hour of half-past nine. It was a clock of the seventeenth century, of a design still to be found occasionally in old English houses. A landscape scene was painted in the arch above the dial, showing the moon above a wood, in a sky crowded with stars. The moon was depicted as a human face, with eyes which moved in response to the swing of the pendulum. But the pendulum was motionless, and the goggle eyes of the mechanism stared up almost reproachfully, as though calling upon the two men to rescue it from such an undignified position. At the bottom of the dial appeared the name of Jan Fromantel, the famous Dutch clockmaker, and underneath was an inscription in German lettering—
Cuts short the time you have to live.
Praise thy Maker, mend thy ways,
Till Death, the thief, shall steal thy days."
“Look at the blood!” said Austin Turold, pointing to a streak of blood on the large white dial. “How did it happen?”
“I know very little more than yourself. Your sister called at my house about an hour ago and asked me to accompany her here. She wished to see your brother on some private business, and she was very anxious that I should accompany her. Thalassa let us in, and said he was afraid that there was something wrong with his master. We came upstairs immediately, burst in the door, and found—this.”
“Did Thalassa hear the shot?”
“He says not, only the crash.”
“That would be the clock, of course. Was my brother quite dead when you found him?”
“Just dead. The body was quite warm.”
“The door was locked from inside, I think you said.”
“We found it locked.”
“Then it must have been locked from inside,” returned the other, who appeared to be pursuing some hidden train of thought. “But where’s the key? I do not see it in the door. Oh, here it is!” He stooped swiftly and picked up a key from the floor. “Robert must have taken it out after locking the door.”
“Perhaps it fell out when we were breaking in the door,” observed the doctor.
“Of course. I forgot that. I notice that the clock is stopped at half-past nine.” He bent down to examine it. “My brother kept private papers in the clock-case,” he added. “Yes—it is as I thought. Here are some private documents, including his will. I had better take charge of them.”
“Yes; I should if I were you,” counselled his companion.
Austin rose to his feet and placed the papers in his pocket.
“It is plain to me—now—how it happened,” he said. “Poor Robert must have shot himself, then tried to get his will from the clock-case when he fell, bringing down the clock with him.”
“Is that what you think?” said Dr. Ravenshaw.
“I see no other way of looking at it,” returned Austin rapidly. “The door was locked on the inside, and the room couldn’t be reached from the window. This house stands almost on the edge of the cliff, which is nearly two hundred feet high. My feeling is that after my poor brother shot himself he remembered in his dying moments that his will was hidden in the clock-case and might not be found. He made a desperate effort to reach it and dragged it down as he fell.”
The doctor listened attentively to this imaginary picture of Robert Turold’s last moments.
“But why should he destroy himself?” he queried.
“Grief and remorse. Do you remember the disclosure he made to us this afternoon? It is a matter which might well have preyed upon his mind.”
“I see,” said the other thoughtfully. “Yes, perhaps you may be right.”
Their conversation was interrupted by the sound of a loud knocking downstairs.
“That must be the police,” observed Dr. Ravenshaw. “Let us go down.”
Chapter X“Why should Robert commit suicide?”
That was the burden of Mrs. Pendleton’s cry, then and afterwards. There was an angry scene in the old cliff house between brother and sister before the events of that night were concluded. She utterly refused to accept Austin’s theory that their brother, with his own hand, had discharged the revolver bullet which had put an end to his life and ambitions. Sitting bolt upright in indignant amazement, she rejected the idea in the sharpest scorn. It was nothing to her that the police sergeant from the churchtown shared her brother’s view, and that Dr. Ravenshaw was passively acquiescent. She brushed aside the plausible web of circumstances with the impatient hand of an angry woman. They might talk till Doomsday, but they wouldn’t convince her that Robert, of all men, had done anything so disgraceful as take his own life. Arguments and events, the locked door and the inaccessible windows—pathetically masculine insistence on mere details—were wasted on her. The marshalled array of facts made not the slightest impression on her firm belief that Robert had not shot himself.
Shaking a large finger of angry import at Austin, and addressing herself to him alone, she had said—
“Robert has been murdered, Austin, I feel sure. I don’t care what you say, but if there’s law in England I’ll have his murderer discovered.”
And with that conclusion she had indignantly left the house with her husband, leaving her brother to walk back to his lodgings at the churchtown in moody solitude across the rainy darkness of the moors.
For herself, she returned to her hotel to pass a sleepless night, tossing by the side of her placidly unconscious husband as she passed the tragic events of the night in review and vainly sought for some clue to the mystery. The dreadful logic of the circumstances which pointed to suicide, hammered at her consciousness with deadening persistence, but she resolutely refused to give it entry. Why should Robert commit suicide? Why indeed? It was the question which had sprung to her lips when she first heard Austin’s belief, and it was to that she now clung in the midst of her agonizing doubts, as though the mere wordless insistence in her mind made it an argument of negation which gathered force and cogency by frequent repetition.
But in the mass of teeming thoughts which crowded her brain in the silence of the small hours, she long and vainly sought for any other theory which would account for her brother’s death. If he had been murdered, as in the first flush of her indignation she had declared, who had killed him? Who had gone to the lonely old house in the darkness of the night, and struck him down?
It was not until the first faint glimmering of dawn was pushing its grey way through the closed shutters that there came to her the recollection of an incident of the previous
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