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and reads the tablet to the memory of little Paul. The gallant Mr Toots, attended by the faithful Chicken, leaves the building in torments of love. The Chicken is as yet unable to elaborate a scheme for winning Florence, but his first idea has gained possession of him, and he thinks the doubling up of Mr Dombey would be a move in the right direction. Mr Dombey’s servants come out of their hiding-places, and prepare to rush to Brook Street, when they are delayed by symptoms of indisposition on the part of Mrs Perch, who entreats a glass of water, and becomes alarming; Mrs Perch gets better soon, however, and is borne away; and Mrs Miff, and Mr Sownds the Beadle, sit upon the steps to count what they have gained by the affair, and talk it over, while the sexton tolls a funeral.

Now, the carriages arrive at the Bride’s residence, and the players on the bells begin to jingle, and the band strikes up, and Mr Punch, that model of connubial bliss, salutes his wife. Now, the people run, and push, and press round in a gaping throng, while Mr Dombey, leading Mrs Dombey by the hand, advances solemnly into the Feenix Halls. Now, the rest of the wedding party alight, and enter after them. And why does Mr Carker, passing through the people to the hall-door, think of the old woman who called to him in the Grove that morning? Or why does Florence, as she passes, think, with a tremble, of her childhood, when she was lost, and of the visage of Good Mrs Brown?

Now, there are more congratulations on this happiest of days, and more company, though not much; and now they leave the drawing-room, and range themselves at table in the dark-brown dining-room, which no confectioner can brighten up, let him garnish the exhausted negroes with as many flowers and love-knots as he will.

The pastry-cook has done his duty like a man, though, and a rich breakfast is set forth. Mr and Mrs Chick have joined the party, among others. Mrs Chick admires that Edith should be, by nature, such a perfect Dombey; and is affable and confidential to Mrs Skewton, whose mind is relieved of a great load, and who takes her share of the champagne. The very tall young man who suffered from excitement early, is better; but a vague sentiment of repentance has seized upon him, and he hates the other very tall young man, and wrests dishes from him by violence, and takes a grim delight in disobliging the company. The company are cool and calm, and do not outrage the black hatchments of pictures looking down upon them, by any excess of mirth. Cousin Feenix and the Major are the gayest there; but Mr Carker has a smile for the whole table. He has an especial smile for the Bride, who very, very seldom meets it.

Cousin Feenix rises, when the company have breakfasted, and the servants have left the room; and wonderfully young he looks, with his white wristbands almost covering his hands (otherwise rather bony), and the bloom of the champagne in his cheeks.

‘Upon my honour,’ says Cousin Feenix, ‘although it’s an unusual sort of thing in a private gentleman’s house, I must beg leave to call upon you to drink what is usually called a—in fact a toast.’

The Major very hoarsely indicates his approval. Mr Carker, bending his head forward over the table in the direction of Cousin Feenix, smiles and nods a great many times.

‘A—in fact it’s not a—’ Cousin Feenix beginning again, thus, comes to a dead stop.

‘Hear, hear!’ says the Major, in a tone of conviction.

Mr Carker softly claps his hands, and bending forward over the table again, smiles and nods a great many more times than before, as if he were particularly struck by this last observation, and desired personally to express his sense of the good it has done.

‘It is,’ says Cousin Feenix, ‘an occasion in fact, when the general usages of life may be a little departed from, without impropriety; and although I never was an orator in my life, and when I was in the House of Commons, and had the honour of seconding the address, was—in fact, was laid up for a fortnight with the consciousness of failure—’

The Major and Mr Carker are so much delighted by this fragment of personal history, that Cousin Feenix laughs, and addressing them individually, goes on to say:

‘And in point of fact, when I was devilish ill—still, you know, I feel that a duty devolves upon me. And when a duty devolves upon an Englishman, he is bound to get out of it, in my opinion, in the best way he can. Well! our family has had the gratification, to-day, of connecting itself, in the person of my lovely and accomplished relative, whom I now see—in point of fact, present—’

Here there is general applause.

‘Present,’ repeats Cousin Feenix, feeling that it is a neat point which will bear repetition,—‘with one who—that is to say, with a man, at whom the finger of scorn can never—in fact, with my honourable friend Dombey, if he will allow me to call him so.’

Cousin Feenix bows to Mr Dombey; Mr Dombey solemnly returns the bow; everybody is more or less gratified and affected by this extraordinary, and perhaps unprecedented, appeal to the feelings.

‘I have not,’ says Cousin Feenix, ‘enjoyed those opportunities which I could have desired, of cultivating the acquaintance of my friend Dombey, and studying those qualities which do equal honour to his head, and, in point of fact, to his heart; for it has been my misfortune to be, as we used to say in my time in the House of Commons, when it was not the custom to allude to the Lords, and when the order of parliamentary proceedings was perhaps better observed than it is now—to be in—in point of fact,’ says Cousin Feenix, cherishing his joke, with great slyness, and finally bringing it out with a jerk, “‘in another place!”’

The Major falls into convulsions, and is recovered with difficulty.

‘But I know sufficient of my friend Dombey,’ resumes Cousin Feenix in a graver tone, as if he had suddenly become a sadder and wiser man, ‘to know that he is, in point of fact, what may be emphatically called a—a merchant—a British merchant—and a—and a man. And although I have been resident abroad, for some years (it would give me great pleasure to receive my friend Dombey, and everybody here, at Baden-Baden, and to have an opportunity of making ‘em known to the Grand Duke), still I know enough, I flatter myself, of my lovely and accomplished relative, to know that she possesses every requisite to make a man happy, and that her marriage with my friend Dombey is one of inclination and affection on both sides.’

Many smiles and nods from Mr Carker.

‘Therefore,’ says Cousin Feenix, ‘I congratulate the family of which I am a member, on the acquisition of my friend Dombey. I congratulate my friend Dombey on his union with my lovely and accomplished relative who possesses every requisite to make a man happy; and I take the liberty of calling on you all, in point of fact, to congratulate both my friend Dombey and my lovely and accomplished relative, on the present occasion.’

The speech of Cousin Feenix is received with great applause, and Mr Dombey returns thanks on behalf of himself and Mrs Dombey. J. B. shortly afterwards proposes Mrs Skewton. The breakfast languishes when that is done, the violated hatchments are avenged, and Edith rises to assume her travelling dress.

All the servants in the meantime, have been breakfasting below. Champagne has grown too common among them to be mentioned, and roast fowls, raised pies, and lobster-salad, have become mere drugs. The very tall young man has recovered his spirits, and again alludes to the exciseman. His comrade’s eye begins to emulate his own, and he, too, stares at objects without taking cognizance thereof. There is a general redness in the faces of the ladies; in the face of Mrs Perch particularly, who is joyous and beaming, and lifted so far above the cares of life, that if she were asked just now to direct a wayfarer to Ball’s Pond, where her own cares lodge, she would have some difficulty in recalling the way. Mr Towlinson has proposed the happy pair; to which the silver-headed butler has responded neatly, and with emotion; for he half begins to think he is an old retainer of the family, and that he is bound to be affected by these changes. The whole party, and especially the ladies, are very frolicsome. Mr Dombey’s cook, who generally takes the lead in society, has said, it is impossible to settle down after this, and why not go, in a party, to the play? Everybody (Mrs Perch included) has agreed to this; even the Native, who is tigerish in his drink, and who alarms the ladies (Mrs Perch particularly) by the rolling of his eyes. One of the very tall young men has even proposed a ball after the play, and it presents itself to no one (Mrs Perch included) in the light of an impossibility. Words have arisen between the housemaid and Mr Towlinson; she, on the authority of an old saw, asserting marriages to be made in Heaven: he, affecting to trace the manufacture elsewhere; he, supposing that she says so, because she thinks of being married her own self: she, saying, Lord forbid, at any rate, that she should ever marry him. To calm these flying taunts, the silver-headed butler rises to propose the health of Mr Towlinson, whom to know is to esteem, and to esteem is to wish well settled in life with the object of his choice, wherever (here the silver-headed butler eyes the housemaid) she may be. Mr Towlinson returns thanks in a speech replete with feeling, of which the peroration turns on foreigners, regarding whom he says they may find favour, sometimes, with weak and inconstant intellects that can be led away by hair, but all he hopes, is, he may never hear of no foreigner never boning nothing out of no travelling chariot. The eye of Mr Towlinson is so severe and so expressive here, that the housemaid is turning hysterical, when she and all the rest, roused by the intelligence that the Bride is going away, hurry upstairs to witness her departure.

The chariot is at the door; the Bride is descending to the hall, where Mr Dombey waits for her. Florence is ready on the staircase to depart too; and Miss Nipper, who has held a middle state between the parlour and the kitchen, is prepared to accompany her. As Edith appears, Florence hastens towards her, to bid her farewell.

Is Edith cold, that she should tremble! Is there anything unnatural or unwholesome in the touch of Florence, that the beautiful form recedes and contracts, as if it could not bear it! Is there so much hurry in this going away, that Edith, with a wave of her hand, sweeps on, and is gone!

Mrs Skewton, overpowered by her feelings as a mother, sinks on her sofa in the Cleopatra attitude, when the clatter of the chariot wheels is lost, and sheds several tears. The Major, coming with the rest of the company from table, endeavours to comfort her; but she will not be comforted on any terms, and so the Major takes his leave. Cousin Feenix takes his leave, and Mr Carker takes his leave. The guests all go away. Cleopatra, left alone, feels a little giddy from her strong emotion, and falls asleep.

Giddiness prevails below stairs too. The very tall young man whose excitement came on so soon, appears to have his head glued to the table in the pantry, and cannot be detached from it. A violent revulsion has taken place in the spirits of Mrs Perch, who is low on account of Mr Perch, and tells cook

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