Dombey and Son, Charles Dickens [top ten ebook reader .TXT] 📗

Turn we our eyes upon two homes; not lying side by side, but wide apart, though both within easy range and reach of the great city of London.

The first is situated in the green and wooded country near Norwood. It is not a mansion; it is of no pretensions as to size; but it is beautifully arranged, and tastefully kept. The lawn, the soft, smooth slope, the flower-garden, the clumps of trees where graceful forms of ash and willow are not wanting, the conservatory, the rustic verandah with sweet-smelling creeping plants entwined about the pillars, the simple exterior of the house, the well-ordered offices, though all upon the diminutive scale proper to a mere cottage, bespeak an amount of elegant comfort within, that might serve for a palace. This indication is not without warrant; for, within, it is a house of refinement and luxury. Rich colours, excellently blended, meet the eye at every turn; in the furniture—its proportions admirably devised to suit the shapes and sizes of the small rooms; on the walls; upon the floors; tingeing and subduing the light that comes in through the odd glass doors and windows here and there. There are a few choice prints and pictures too; in quaint nooks and recesses there is no want of books; and there are games of skill and chance set forth on tables—fantastic chessmen, dice, backgammon, cards, and billiards.

And yet amidst this opulence of comfort, there is something in the general air that is not well. Is it that the carpets and the cushions are too soft and noiseless, so that those who move or repose among them seem to act by stealth? Is it that the prints and pictures do not commemorate great thoughts or deeds, or render nature in the Poetry of landscape, hall, or hut, but are of one voluptuous cast—mere shows of form and colour—and no more? Is it that the books have all their gold outside, and that the titles of the greater part qualify them to be companions of the prints and pictures? Is it that the completeness and the beauty of the place are here and there belied by an affectation of humility, in some unimportant and inexpensive regard, which is as false as the face of the too truly painted portrait hanging yonder, or its original at breakfast in his easy chair below it? Or is it that, with the daily breath of that original and master of all here, there issues forth some subtle portion of himself, which gives a vague expression of himself to everything about him?

It is Mr Carker the Manager who sits in the easy chair. A gaudy parrot in a burnished cage upon the table tears at the wires with her beak, and goes walking, upside down, in its dome-top, shaking her house and screeching; but Mr Carker is indifferent to the bird, and looks with a musing smile at a picture on the opposite wall.

‘A most extraordinary accidental likeness, certainly,’ says he.

Perhaps it is a Juno; perhaps a Potiphar’s Wife’; perhaps some scornful Nymph—according as the Picture Dealers found the market, when they christened it. It is the figure of a woman, supremely handsome, who, turning away, but with her face addressed to the spectator, flashes her proud glance upon him.

It is like Edith.

With a passing gesture of his hand at the picture—what! a menace? No; yet something like it. A wave as of triumph? No; yet more like that. An insolent salute wafted from his lips? No; yet like that too—he resumes his breakfast, and calls to the chafing and imprisoned bird, who coming down into a pendant gilded hoop within the cage, like a great wedding-ring, swings in it, for his delight.

The second home is on the other side of London, near to where the busy great north road of bygone days is silent and almost deserted, except by wayfarers who toil along on foot. It is a poor small house, barely and sparely furnished, but very clean; and there is even an attempt to decorate it, shown in the homely flowers trained about the porch and in the narrow garden. The neighbourhood in which it stands has as little of the country to recommend it, as it has of the town. It is neither of the town nor country. The former, like the giant in his travelling boots, has made a stride and passed it, and has set his brick-and-mortar heel a long way in advance; but the intermediate space between the giant’s feet, as yet, is only blighted country, and not town; and, here, among a few tall chimneys belching smoke all day and night, and among the brick-fields and the lanes where turf is cut, and where the fences tumble down, and where the dusty nettles grow, and where a scrap or two of hedge may yet be seen, and where the bird-catcher still comes occasionally, though he swears every time to come no more—this second home is to be found.’

She who inhabits it, is she who left the first in her devotion to an outcast brother. She withdrew from that home its redeeming spirit, and from its master’s breast his solitary angel: but though his liking for her is gone, after this ungrateful slight as he considers it; and though he abandons her altogether in return, an old idea of her is not quite forgotten even by him. Let her flower-garden, in which he never sets his foot, but which is yet maintained, among all his costly alterations, as if she had quitted it but yesterday, bear witness!

Harriet Carker has changed since then, and on her beauty there has fallen a heavier shade than Time of his unassisted self can cast, all-potent as he is—the shadow of anxiety and sorrow, and the daily struggle of a poor existence. But it is beauty still; and still a gentle, quiet, and retiring beauty that must be sought out, for it cannot vaunt itself; if it could, it would be what it is, no more.

Yes. This slight, small, patient figure, neatly dressed in homely stuffs, and indicating nothing but the dull, household virtues, that have so little in common with the received idea of heroism and greatness, unless, indeed, any ray of them should shine through the lives of the great ones of the earth, when it becomes a constellation and is tracked in Heaven straightway—this slight, small, patient figure, leaning on the man still young but worn and grey, is she, his sister, who, of all the world, went over to him in his shame and put her hand in his, and with a sweet composure and determination, led him hopefully upon his barren way.

‘It is early, John,’ she said. ‘Why do you go so early?’

‘Not many minutes earlier than usual, Harriet. If I have the time to spare, I should like, I think—it’s a fancy—to walk once by the house where I took leave of him.’

‘I wish I had ever seen or known him, John.’

‘It is better as it is, my dear, remembering his fate.’

‘But I could not regret it more, though I had known him. Is not your sorrow mine? And if I had, perhaps you would feel that I was a better companion to you in speaking about him, than I may seem now.’

‘My dearest sister! Is there anything within the range of rejoicing or regret, in which I am not sure of your companionship?’

‘I hope you think not, John, for surely there is nothing!’

‘How could you be better to me, or nearer to me then, than you are in this, or anything?’ said her brother. ‘I feel that you did know him, Harriet, and that you shared my feelings towards him.’

She drew the hand which had been resting on his shoulder, round his neck, and answered, with some hesitation:

‘No, not quite.’

‘True, true!’ he said; ‘you think I might have done him no harm if I had allowed myself to know him better?’

‘Think! I know it.’

‘Designedly, Heaven knows I would not,’ he replied, shaking his head mournfully; ‘but his reputation was too precious to be perilled by such association. Whether you share that knowledge, or do not, my dear—’

‘I do not,’ she said quietly.

‘It is still the truth, Harriet, and my mind is lighter when I think of him for that which made it so much heavier then.’ He checked himself in his tone of melancholy, and smiled upon her as he said ‘Good-bye!’

‘Good-bye, dear John! In the evening, at the old time and place, I shall meet you as usual on your way home. Good-bye.’

The cordial face she lifted up to his to kiss him, was his home, his life, his universe, and yet it was a portion of his punishment and grief; for in the cloud he saw upon it—though serene and calm as any radiant cloud at sunset—and in the constancy and devotion of her life, and in the sacrifice she had made of ease, enjoyment, and hope, he saw the bitter fruits of his old crime, for ever ripe and fresh.

She stood at the door looking after him, with her hands loosely clasped in each other, as he made his way over the frowzy and uneven patch of ground which lay before their house, which had once (and not long ago) been a pleasant meadow, and was now a very waste, with a disorderly crop of beginnings of mean houses, rising out of the rubbish, as if they had been unskilfully sown there. Whenever he looked back—as once or twice he did—her cordial face shone like a light upon his heart; but when he plodded on his way, and saw her not, the tears were in her eyes as she stood watching him.

Her pensive form was not long idle at the door. There was daily duty to discharge, and daily work to do—for such commonplace spirits that are not heroic, often work hard with their hands—and Harriet was soon busy with her household tasks. These discharged, and the poor house made quite neat and orderly, she counted her little stock of money, with an anxious face, and went out thoughtfully to buy some necessaries for their table, planning and conniving, as she went, how to save. So sordid are the lives of such low natures, who are not only not heroic to their valets and waiting-women, but have neither valets nor waiting-women to be heroic to withal!

While she was absent, and there was no one in the house, there approached it by a different way from that the brother had taken, a gentleman, a very little past his prime of life perhaps, but of a healthy florid hue, an upright presence, and a bright clear aspect, that was gracious and good-humoured. His eyebrows were still black, and so was much of his hair; the sprinkling of grey observable among the latter, graced the former very much, and showed his broad frank brow and honest eyes to great advantage.

After knocking once at the door, and obtaining no response, this gentleman sat down on a bench in the little porch to wait. A certain skilful action of his fingers as he hummed some bars, and beat time on the seat beside him, seemed to denote the musician; and the extraordinary satisfaction he derived from humming something very slow and long, which had no recognisable tune, seemed to denote that he was a scientific one.

The gentleman was still twirling a theme, which seemed to go round and round and round, and in and in and in, and to involve itself like a corkscrew twirled upon a table, without getting any nearer to anything, when Harriet appeared returning. He rose up as she advanced, and stood with his head uncovered.

‘You are come again, Sir!’ she said, faltering.

‘I take that liberty,’ he answered. ‘May I ask for five minutes of your leisure?’

After a moment’s hesitation, she