The Man Who Laughs, Victor Hugo [best book clubs .txt] 📗

stir was perceptible. The passengers, if, as was likely, there were any, were already on board, the vessel being ready to sail, and the cargo stowed, as was apparent from the state of the hold, which was full of bales and cases. But they were, doubtless, lying asleep in the cabins below, as the passage was to take place during the night. In such cases the passengers do not appear on deck till they awake the following morning. As for the crew, they were probably having their supper in the men's cabin, whilst awaiting the hour fixed for sailing, which was now rapidly approaching. Hence the silence on the two decks connected by the gangway.

The wolf had almost run across the wharf; once on board, he slackened his pace into a discreet walk. He still wagged his tail—no longer joyfully, however, but with the sad and feeble wag of a dog troubled in his mind. Still preceding Gwynplaine, he passed along the after-deck, and across the gangway.

Gwynplaine, having reached the gangway, perceived a light in front of him. It was the same that he had seen from the shore. There was a lantern on the deck, close to the foremast, by the gleam of which was sketched in black, on the dim background of the night, what Gwynplaine recognized to be Ursus's old four-wheeled van.

This poor wooden tenement, cart and hut combined, in which his childhood had rolled along, was fastened to the bottom of the mast by thick ropes, of which the knots were visible at the wheels. Having been so long out of service, it had become dreadfully rickety; it leant over feebly on one side; it had become quite paralytic from disuse; and, moreover, it was suffering from that incurable malady—old age. Mouldy and out of shape, it tottered in decay. The materials of which it was built were all rotten. The iron was rusty, the leather torn, the wood-work worm-eaten. There were lines of cracks across the window in front, through which shone a ray from the lantern. The wheels were warped. The lining, the floor, and the axletrees seemed worn out with fatigue. Altogether, it presented an indescribable appearance of beggary and prostration. The shafts, stuck up, looked like two arms raised to heaven. The whole thing was in a state of dislocation. Beneath it was hanging Homo's chain.

Does it not seem that the law and the will of nature would have dictated Gwynplaine's headlong rush to throw himself upon life, happiness, love regained? So they would, except in some case of deep terror such as his. But he who comes forth, shattered in nerve and uncertain of his way, from a series of catastrophes, each one like a fresh betrayal, is prudent even in his joy; hesitates, lest he should bear the fatality of which he has been the victim to those whom he loves; feels that some evil contagion may still hang about him, and advances towards happiness with wary steps. The gates of Paradise reopen; but before he enters he examines his ground.

Gwynplaine, staggering under the weight of his emotion, looked around him, while the wolf went and lay down silently by his chain.

 

 

 

CHAPTER II. BARKILPHEDRO, HAVING AIMED AT THE EAGLE, BRINGS DOWN THE DOVE.

 

The step of the little van was down—the door ajar—there was no one inside. The faint light which broke through the pane in front sketched the interior of the caravan vaguely in melancholy chiaroscuro. The inscriptions of Ursus, gloryifying the grandeur of Lords, showed distinctly on the worn-out boards, which were both the wall without and the wainscot within. On a nail, near the door, Gwynplaine saw his esclavine and his cape hung up, as they hang up the clothes of a corpse in a dead-house. Just then he had neither waistcoat nor coat on.

Behind the van something was laid out on the deck at the foot of the mast, which was lighted by the lantern. It was a mattress, of which he could make out one corner. On this mattress some one was probably lying, for he could see a shadow move.

Some one was speaking. Concealed by the van, Gwynplaine listened. It was Ursus's voice. That voice, so harsh in its upper, so tender in its lower, pitch; that voice, which had so often upbraided Gwynplaine, and which had taught him so well, had lost the life and clearness of its tone. It was vague and low, and melted into a sigh at the end of every sentence. It bore but a confused resemblance to his natural and firm voice of old. It was the voice of one in whom happiness is dead. A voice may become a ghost.

He seemed to be engaged in monologue rather than in conversation. We are already aware, however, that soliloquy was a habit with him. It was for that reason that he passed for a madman.

Gwynplaine held his breath, so as not to lose a word of what Ursus said, and this was what he heard.

"This is a very dangerous kind of craft, because there are no bulwarks to it. If we were to slip, there is nothing to prevent our going overboard. If we have bad weather, we shall have to take her below, and that will be dreadful. An awkward step, a fright, and we shall have a rupture of the aneurism. I have seen instances of it. O my God! what is to become of us? Is she asleep? Yes. She is asleep. Is she in a swoon? No. Her pulse is pretty strong. She is only asleep. Sleep is a reprieve. It is the happy blindness. What can I do to prevent people walking about here? Gentlemen, if there be anybody on deck, I beg of you to make no noise. Do not come near us, if you do not mind. You know a person in delicate health requires a little attention. She is feverish, you see. She is very young. 'Tis a little creature who is rather feverish. I put this mattress down here so that she may have a little air. I explain all this so that you should be careful. She fell down exhausted on the mattress as if she had fainted. But she is asleep. I do hope that no one will awake her. I address myself to the ladies, if there are any present. A young girl, it is pitiful! We are only poor mountebanks, but I beg a little kindness, and if there is anything to pay for not making a noise, I will pay it. I thank you, ladies and gentlemen. Is there any one there? No? I don't think there is. My talk is mere loss of breath. So much the better. Gentlemen, I thank you, if you are there; and I thank you still more if you are not. Her forehead is all in perspiration. Come, let us take our places in the galleys again. Put on the chain. Misery is come back. We are sinking again. A hand, the fearful hand which we cannot see, but the weight of which we feel ever upon us, has suddenly struck us back towards the dark point of our destiny. Be it so. We will bear up. Only I will not have her ill. I must seem a fool to talk aloud like this, when I am alone; but she must feel she has some one near her when she awakes. What shall I do if somebody awakes her suddenly! No noise, in the name of Heaven! A sudden shock which would awake her suddenly would be of no use. It will be a pity if anybody comes by. I believe that every one on board is asleep. Thanks be to Providence for that mercy. Well, and Homo? Where is he, I wonder? In all this confusion I forgot to tie him up. I do not know what I am doing. It is more than an hour since I have seen him. I suppose he has been to look for his supper somewhere ashore. I hope nothing has happened to him. Homo! Homo!"

Homo struck his tail softly on the planks of the deck.

"You are there. Oh! you are there! Thank God for that. If Homo had been lost, it would have been too much to bear. She has moved her arm. Perhaps she is going to awake. Quiet, Homo! The tide is turning. We shall sail directly. I think it will be a fine night. There is no wind: the flag droops. We shall have a good passage. I do not know what moon it is, but there is scarcely a stir in the clouds. There will be no swell. It will be a fine night. Her cheek is pale; it is only weakness! No, it is flushed; it is only the fever. Stay! It is rosy. She is well! I can no longer see clearly. My poor Homo, I no longer see distinctly. So we must begin life afresh. We must set to work again. There are only we two left, you see. We will work for her, both of us! She is our child, Ah! the vessel moves! We are off! Good-bye, London! Good evening! good-night! To the devil with horrible London!"

He was right. He heard the dull sound of the unmooring as the vessel fell away from the wharf. Abaft on the poop a man, the skipper, no doubt, just come from below, was standing. He had slipped the hawser and was working the tiller. Looking only to the rudder, as befitted the combined phlegm of a Dutchman and a sailor, listening to nothing but the wind and the water, bending against the resistance of the tiller, as he worked it to port or starboard, he looked in the gloom of the after-deck like a phantom bearing a beam upon its shoulder. He was alone there. So long as they were in the river the other sailors were not required. In a few minutes the vessel was in the centre of the current, with which she drifted without rolling or pitching. The Thames, little disturbed by the ebb, was calm. Carried onwards by the tide, the vessel made rapid way. Behind her the black scenery of London was fading in the mist.

Ursus went on talking.

"Never mind, I will give her digitalis. I am afraid that delirium will supervene. She perspires in the palms of her hands. What sin can we have committed in the sight of God? How quickly has all this misery come upon us! Hideous rapidity of evil! A stone falls. It has claws. It is the hawk swooping on the lark. It is destiny. There you lie, my sweet child! One comes to London. One says: What a fine city! What fine buildings! Southwark is a magnificent suburb. One settles there. But now they are horrid places. What would you have me do there? I am going to leave. This is the 30th of April. I always distrusted the month of April. There are but two lucky days in April, the 5th and the 27th; and four unlucky ones—the 10th, the 20th, the 29th, and the 30th. This has been placed beyond doubt by the calculations of Cardan. I wish this day were over. Departure is a comfort. At dawn we shall be at Gravesend, and to-morrow evening at Rotterdam. Zounds! I will begin life again in the van. We will draw it, won't we, Homo?"

A light tapping announced the wolf's consent.

Ursus continued,—

"If one could only get out of a grief as one gets out of a city! Homo, we must yet be happy. Alas! there must always be the one who is no more. A shadow remains on those who survive. You know whom I mean, Homo. We were four, and now we are but three. Life is but a long loss of those whom we love. They leave behind them a train of