Emile, Jean-Jacques Rousseau [fantasy books to read txt] 📗

of philosophy, virtue must be able to resist temptation; she must know beforehand what she may hear and what she should think of it.

Moreover, in submission to man’s judgment she should deserve his esteem; above all she should obtain the esteem of her husband; she should not only make him love her person, she should make him approve her conduct; she should justify his choice before the world, and do honour to her husband through the honour given to the wife.

But how can she set about this task if she is ignorant of our institutions, our customs, our notions of propriety, if she knows nothing of the source of man’s judgment, nor the passions by which it is swayed! Since she depends both on her own conscience and on public opinion, she must learn to know and reconcile these two laws, and to put her own conscience first only when the two are opposed to each other. She becomes the judge of her own judges, she decides when she should obey and when she should refuse her obedience. She weighs their prejudices before she accepts or rejects them; she learns to trace them to their source, to foresee what they will be, and to turn them in her own favour; she is careful never to give cause for blame if duty allows her to avoid it. This cannot be properly done without cultivating her mind and reason.

I always come back to my first principle and it supplies the solution of all my difficulties. I study what is, I seek its cause, and I discover in the end that what is, is good. I go to houses where the master and mistress do the honours together. They are equally well educated, equally polite, equally well equipped with wit and good taste, both of them are inspired with the same desire to give their guests a good reception and to send every one away satisfied. The husband omits no pains to be attentive to every one; he comes and goes and sees to every one and takes all sorts of trouble; he is attention itself. The wife remains in her place; a little circle gathers round her and apparently conceals the rest of the company from her; yet she sees everything that goes on, no one goes without a word with her; she has omitted nothing which might interest anybody, she has said nothing unpleasant to any one, and without any fuss the least is no more overlooked than the greatest. Dinner is announced, they take their places; the man knowing the assembled guests will place them according to his knowledge; the wife, without previous acquaintance, never makes a mistake; their looks and bearing have already shown her what is wanted and every one will find himself where he wishes to be. I do not assert that the servants forget no one. The master of the house may have omitted no one, but the mistress perceives what you like and sees that you get it; while she is talking to her neighbour she has one eye on the other end of the table; she sees who is not eating because he is not hungry and who is afraid to help himself because he is clumsy and timid. When the guests leave the table every one thinks she has had no thought but for him, everybody thinks she has had no time to eat anything, but she has really eaten more than anybody.

When the guests are gone, husband and wife tails over the events of the evening. He relates what was said to him, what was said and done by those with whom he conversed. If the lady is not always quite exact in this respect, yet on the other hand she perceived what was whispered at the other end of the room; she knows what so-and-so thought, and what was the meaning of this speech or that gesture; there is scarcely a change of expression for which she has not an explanation in readiness, and she is almost always right.

The same turn of mind which makes a woman of the world such an excellent hostess, enables a flirt to excel in the art of amusing a number of suitors. Coquetry, cleverly carried out, demands an even finer discernment than courtesy; provided a polite lady is civil to everybody, she has done fairly well in any case; but the flirt would soon lose her hold by such clumsy uniformity; if she tries to be pleasant to all her lovers alike, she will disgust them all. In ordinary social intercourse the manners adopted towards everybody are good enough for all; no question is asked as to private likes or dislikes provided all are alike well received. But in love, a favour shared with others is an insult. A man of feeling would rather be singled out for ill-treatment than be caressed with the crowd, and the worst that can befall him is to be treated like every one else. So a woman who wants to keep several lovers at her feet must persuade every one of them that she prefers him, and she must contrive to do this in the sight of all the rest, each of whom is equally convinced that he is her favourite.

If you want to see a man in a quandary, place him between two women with each of whom he has a secret understanding, and see what a fool he looks. But put a woman in similar circumstances between two men, and the results will be even more remarkable; you will be astonished at the skill with which she cheats them both, and makes them laugh at each other. Now if that woman were to show the same confidence in both, if she were to be equally familiar with both, how could they be deceived for a moment? If she treated them alike, would she not show that they both had the same claims upon her?

Oh, she is far too clever for that; so far from treating them just alike, she makes a marked difference between them, and she does it so skilfully that the man she flatters thinks it is affection, and the man she ill uses think it is spite. So that each of them believes she is thinking of him, when she is thinking of no one but herself.

A general desire to please suggests similar measures; people would be disgusted with a woman’s whims if they were not skilfully managed, and when they are artistically distributed her servants are more than ever enslaved.

“Usa ogn’arte la donna, onde sia colto Nella sua rete alcun novello amante; Ne con tutti, ne sempre un stesso volto Serba; ma cangia a tempo atto e sembiante.”

Tasso, Jerus. Del., c. iv., v. 87.

What is the secret of this art? Is it not the result of a delicate and continuous observation which shows her what is taking place in a man’s heart, so that she is able to encourage or to check every hidden impulse? Can this art be acquired? No; it is born with women; it is common to them all, and men never show it to the same degree.

It is one of the distinctive characters of the sex. Self-possession, penetration, delicate observation, this is a woman’s science; the skill to make use of it is her chief accomplishment.

This is what is, and we have seen why it is so. It is said that women are false. They become false. They are really endowed with skill not duplicity; in the genuine inclinations of their sex they are not false even when they tell a lie. Why do you consult their words when it is not their mouths that speak? Consult their eyes, their colour, their breathing, their timid manner, their slight resistance, that is the language nature gave them for your answer.

The lips always say “No,” and rightly so; but the tone is not always the same, and that cannot lie. Has not a woman the same needs as a man, but without the same right to make them known? Her fate would be too cruel if she had no language in which to express her legitimate desires except the words which she dare not utter. Must her modesty condemn her to misery? Does she not require a means of indicating her inclinations without open expression? What skill is needed to hide from her lover what she would fain reveal! Is it not of vital importance that she should learn to touch his heart without showing that she cares for him? It is a pretty story that tale of Galatea with her apple and her clumsy flight. What more is needed? Will she tell the shepherd who pursues her among the willows that she only flees that he may follow? If she did, it would be a lie; for she would no longer attract him. The more modest a woman is, the more art she needs, even with her husband. Yes, I maintain that coquetry, kept within bounds, becomes modest and true, and out of it springs a law of right conduct.

One of my opponents has very truly asserted that virtue is one; you cannot disintegrate it and choose this and reject the other.

If you love virtue, you love it in its entirety, and you close your heart when you can, and you always close your lips to the feelings which you ought not to allow. Moral truth is not only what is, but what is good; what is bad ought not to be, and ought not to be confessed, especially when that confession produces results which might have been avoided. If I were tempted to steal, and in confessing it I tempted another to become my accomplice, the very confession of my temptation would amount to a yielding to that temptation. Why do you say that modesty makes women false? Are those who lose their modesty more sincere than the rest? Not so, they are a thousandfold more deceitful. This degree of depravity is due to many vices, none of which is rejected, vices which owe their power to intrigue and falsehood. [Footnote: I know that women who have openly decided on a certain course of conduct profess that their lack of concealment is a virtue in itself, and swear that, with one exception, they are possessed of all the virtues; but I am sure they never persuaded any but fools to believe them. When the natural curb is removed from their sex, what is there left to restrain them? What honour will they prize when they have rejected the honour of their sex?

Having once given the rein to passion they have no longer any reason for self-control. “Nec femina, amissa pudicitia, alia abnuerit.”

No author ever understood more thoroughly the heart of both sexes than Tacitus when he wrote those words.]

On the other hand, those who are not utterly shameless, who take no pride in their faults, who are able to conceal their desires even from those who inspire them, those who confess their passion most reluctantly, these are the truest and most sincere, these are they on whose fidelity you may generally rely.

The only example I know which might be quoted as a recognised exception to these remarks is Mlle. de L’Enclos; and she was considered a prodigy. In her scorn for the virtues of women, she practised, so they say, the virtues of a man. She is praised for her frankness and uprightness; she was a trustworthy acquaintance and a faithful friend. To complete the picture of her glory it is said that she became a man. That may be, but in spite of her high reputation I should no more desire that man as my friend than as my mistress.

This is not so irrelevant as it seems. I am aware of the tendencies of our modern