Robert Falconer, George MacDonald [beach read .TXT] 📗

/> 'I'm thinkin', sir, ye'll be sair wantit at hame the nicht It wad be better to gang at ance, an' lat the puir fowk luik efter themsels for ae nicht.'

'I'm sorry I dinna ken ye, man. Do ye ken me?'

'Fine that, Mr. Falconer. There's mony ane kens you and praises God.'

'God be praised!' returned Falconer. 'Why am I wanted at home?'

''Deed I wad raither not say, sir.-Hey!'

This last exclamation was addressed to a cab just disappearing down King Street from Whitehall. The driver heard, turned, and in a moment more was by their side.

'Ye had better gang into her an' awa' hame, and lea' the poor lassie to me. I'll tak guid care o' her.'

She clung to Falconer's arm. The man opened the door of the cab. Falconer put her in, told the driver to go to Queen Square, and if he could not make haste, to stop the first cab that could, got in himself, thanked his unknown friend, who did not seem quite satisfied, and drove off.

Happily Miss St. John was at home, and there was no delay. Neither was any explanation of more than six words necessary. He jumped again into the cab and drove home. Fortunately for his mood, though in fact it mattered little for any result, the horse was fresh, and both able and willing.

When he entered John Street, he came to observe before reaching his own door that a good many men were about in little quiet groups-some twenty or so, here and there. When he let himself in with his pass-key, there were two men in the entry. Without stopping to speak, he ran up to his own chambers. When he got into his sitting-room, there stood De Fleuri, who simply waved his hand towards the old sofa. On it lay an elderly man, with his eyes half open, and a look almost of idiocy upon his pale, puffed face, which was damp and shining. His breathing was laboured, but there was no further sign of suffering. He lay perfectly still. Falconer saw at once that he was under the influence of some narcotic, probably opium; and the same moment the all but conviction darted into his mind that Andrew Falconer, his grandmother's son, lay there before him. That he was his own father he had no feeling yet. He turned to De Fleuri.

'Thank you, friend,' he said. 'I shall find time to thank you.'

'Are we right?' asked De Fleuri.

'I don't know. I think so,' answered Falconer; and without another word the man withdrew.

His first mood was very strange. It seemed as if all the romance had suddenly deserted his life, and it lay bare and hopeless. He felt nothing. No tears rose to the brim of their bottomless wells-the only wells that have no bottom, for they go into the depths of the infinite soul. He sat down in his chair, stunned as to the heart and all the finer chords of his nature. The man on the horsehair sofa lay breathing-that was all. The gray hair about the pale ill-shaven face glimmered like a cloud before him. What should he do or say when he awaked? How approach this far-estranged soul? How ever send the cry of father into that fog-filled world? Could he ever have climbed on those knees and kissed those lips, in the far-off days when the sun and the wind of that northern atmosphere made his childhood blessed beyond dreams? The actual-that is the present phase of the ever-changing-looked the ideal in the face; and the mirror that held them both, shook and quivered at the discord of the faces reflected. A kind of moral cold seemed to radiate from the object before him, and chill him to the very bones. This could not long be endured. He fled from the actual to the source of all the ideal-to that Saviour who, the infinite mediator, mediates between all hopes and all positions; between the most debased actual and the loftiest ideal; between the little scoffer of St. Giles's and his angel that ever beholds the face of the Father in heaven. He fell on his knees, and spoke to God, saying that he had made this man; that the mark of his fingers was on the man's soul somewhere. He prayed to the making Spirit to bring the man to his right mind, to give him once more the heart of a child, to begin him yet again at the beginning. Then at last, all the evil he had done and suffered would but swell his gratitude to Him who had delivered him from himself and his own deeds. Having breathed this out before the God of his life, Falconer rose, strengthened to meet the honourable debased soul when it should at length look forth from the dull smeared windows of those ill-used eyes.

He felt his pulse. There was no danger from the narcotic. The coma would pass away. Meantime he would get him to bed. When he began to undress him a new reverence arose which overcame all disgust at the state in which he found him. At length one sad little fact about his dress, revealing the poverty-stricken attempt of a man to preserve the shadow of decency, called back the waters of the far-ebbed ocean of his feelings. At the prick of a pin the heart's blood will flow: at the sight of-a pin it was-Robert burst into tears, and wept like a child; the deadly cold was banished from his heart, and he not only loved, but knew that he loved-felt the love that was there. Everything then about the worn body and shabby garments of the man smote upon the heart of his son, and through his very poverty he was sacred in his eyes. The human heart awakened the filial-reversing thus the ordinary process of Nature, who by means of the filial, when her plans are unbroken, awakes the human; and he reproached himself bitterly for his hardness, as he now judged his late mental condition-unfairly, I think. He soon had him safe in bed, unconscious of the helping hands that had been busy about him in his heedless sleep; unconscious of the radiant planet of love that had been folding him round in its atmosphere of affection.

But while he thus ministered, a new question arose in his mind-to meet with its own new, God-given answer. What if this should not be the man after all?-if this love had been spent in mistake, and did not belong to him at all? The answer was, that he was a man. The love Robert had given he could not, would not withdraw. The man who had been for a moment as his father he could not cease to regard with devotion. At least he was a man with a divine soul. He might at least be somebody's father. Where love had found a moment's rest for the sole of its foot, there it must build its nest.

When he had got him safe in bed, he sat down beside him to think what he would do next. This sleep gave him very needful leisure to think. He could determine nothing-not even how to find out if he was indeed his father. If he approached the subject without guile, the man might be fearful and cunning-might have reasons for being so, and for striving to conceal the truth. But this was the first thing to make sure of, because, if it was he, all the hold he had upon him lay in his knowing it for certain. He could not think. He had had little sleep the night before. He must not sleep this night. He dragged his bath into his sitting-room, and refreshed his faculties with plenty of cold water, then lighted his pipe and went on thinking-not without prayer to that Power whose candle is the understanding of man. All at once he saw how to begin. He went again into the chamber, and looked at the man, and handled him, and knew by his art that a waking of some sort was nigh. Then he went to a corner of his sitting-room, and from beneath the table drew out a long box, and from the box lifted Dooble Sandy's auld wife, tuned the somewhat neglected strings, and laid the instrument on the table.

When, keeping constant watch over the sleeping man, he judged at length that his soul had come near enough to the surface of the ocean of sleep to communicate with the outer world through that bubble his body, which had floated upon its waves all the night unconscious, he put his chair just outside the chamber door, which opened from his sitting-room, and began to play gently, softly, far away. For a while he extemporized only, thinking of Rothieden, and the grandmother, and the bleach-green, and the hills, and the waste old factory, and his mother's portrait and letters. As he dreamed on, his dream got louder, and, he hoped, was waking a more and more vivid dream in the mind of the sleeper. 'For who can tell,' thought Falconer, 'what mysterious sympathies of blood and childhood's experience there may be between me and that man?-such, it may be, that my utterance on the violin will wake in his soul the very visions of which my soul is full while I play, each with its own nebulous atmosphere of dream-light around it.' For music wakes its own feeling, and feeling wakes thought, or rather, when perfected, blossoms into thought, thought radiant of music as those lilies that shine phosphorescent in the July nights. He played more and more forcefully, growing in hope. But he had been led astray in some measure by the fulness of his expectation. Strange to tell, doctor as he was, he had forgotten one important factor in his calculation: how the man would awake from his artificial sleep. He had not reckoned of how the limbeck of his brain would be left discoloured with vile deposit, when the fumes of the narcotic should have settled and given up its central spaces to the faintness of desertion.

Robert was very keen of hearing. Indeed he possessed all his senses keener than any other man I have known. He heard him toss on his bed. Then he broke into a growl, and damned the miauling, which, he said, the strings could never have learned anywhere but in a cat's belly. But Robert was used to bad language; and there are some bad things which, seeing that there they are, it is of the greatest consequence to get used to. It gave him, no doubt, a pang of disappointment to hear such an echo to his music from the soul which he had hoped especially fitted to respond in harmonious unison with the wail of his violin. But not for even this moment did he lose his presence of mind. He instantly moderated the tone of the instrument, and gradually drew the sound away once more into the distance of hearing. But he did not therefore let it die. Through various changes it floated in the thin æther of the soul, changes delicate as when the wind leaves the harp of the reeds by a river's brink, and falls a-ringing at the heather bells, or playing