The Conspirators, Alexandre Dumas père [books to read this summer TXT] 📗

which arose from the street, raising its ears, and stretching out its elegant head over the window-sill; then it lay down again, placing one of its little paws upon its mistress's knees. All this was deliciously lighted up by the rays of the sinking sun, which penetrated into the room, sparkling on the steel ornaments of the harpsichord and the gold beading of the picture-frames. The rest was in twilight.

Then it seemed to the chevalier (doubtless on account of the disposition of mind he was in when this picture had struck his eye) that this young girl, with the calm and sweet face, entered into his life, like one of those personages who always remain behind a veil, and make their entrance on a piece in the second or third act to take part in the action, and, sometimes, to change the denouement.

Since the age when one sees angels in one's dreams, he had seen no one like her. She was a mixture of beauty, candor, and simplicity, such as Greuze has copied, not from nature, but from the reflections in the mirror of his imagination. Then, forgetting everything, the humble condition in which without doubt she had been born, the street where he had found her, the modest room which she had inhabited, seeing nothing in the woman except the woman herself, he attributed to her a heart corresponding with her face, and thought what would be the happiness of the man who should first cause that heart to beat; who should be looked upon with love by those beautiful eyes, and who, in the words, "I love you!" should gather from those lips, so fresh and so pure, that flower of the soul--a first kiss.

Such are the different aspects which the same objects borrow from the situation of him who looks at them. A week before, in the midst of his gayety, in his life which no danger menaced, between a breakfast at the tavern and a stag-hunt, between a wager at tennis and a supper at La Fillon's, if D'Harmental had met this young girl, he would doubtless have seen in her nothing but a charming grisette, whom he would have had followed by his valet-de-chambre, and to whom, the next day, he would have outrageously offered a present of some twenty-five louis.

But the D'Harmental of a week ago existed no more. In the place of the handsome seigneur--elegant, wild, dissipated, and certain of life--was an insulated young man, walking in the shade, alone, and self-reliant, without a star to guide him, who might suddenly feel the earth open under his feet, and the heavens burst above his head. He had need of a support, so feeble was he; he had need of love, he had need of poetry. It was not then wonderful that, searching for a Madonna to whom to address his prayers, he raised in his imagination this young and beautiful girl from the material and prosaic sphere in which he found her, and that, drawing her into his own, he placed her, not such as she was, doubtless, but such as he wished her to be, on the empty pedestal of his past adorations.

All at once the young girl raised her head, and happened to look in his direction, and saw the pensive figure of the chevalier through the glass. It appeared evident to her that the young man remained there for her, and that it was at her he was looking. Then a bright blush spread over her face. Still she pretended she had seen nothing, and bent her head once more over her embroidery. But a minute afterward she rose, took a few turns round her room; then, without affectation, without false prudery, but nevertheless with a certain embarrassment, she returned and shut the window. D'Harmental remained where he was, and as he was; continuing, in spite of the shutting of the window, to advance into the imaginary country where his thoughts were straying.

Once or twice he thought that he saw the curtain of his neighbor's window raised, as if she wished to know whether he whose indiscretion had driven her from her place was still at his. At last a few masterly chords were heard; a sweet harmony followed; and it was then D'Harmental who opened his window in his turn.

He had not been mistaken, his neighbor was an admirable musician; she executed two or three little pieces, but without blending her voice with the sound of the instrument; and D'Harmental found almost as much pleasure in listening to her as he had found in looking at her. Suddenly she stopped in the midst of a passage. D'Harmental supposed either that she had seen him at his window, and wished to punish him for his curiosity, or that some one had come in and interrupted her. He retired into his room, but so as not to lose sight of the window, and soon discovered that his last supposition was the true one.

A man came to the window, raised the curtain, and pressed his fat, good-natured face against the glass, while with one hand he beat a march against the panes. The chevalier recognized, in spite of a sensible difference which there was in his toilet, the man of the water-jet whom he had seen on the terrace in the morning, and who, with a perfect air of familiarity, had twice pronounced the name of "Bathilde."

This apparition, more than prosaic, produced the effect which might naturally have been expected; that is to say, it brought D'Harmental back from imaginary to real life. He had forgotten this man, who made such a strange and perfect contrast with the young girl, and who must doubtless be either her father, her lover, or her husband. But in either of these cases, what could there be in common between the daughter, the wife, or the mistress of such a man, and the noble and aristocratic chevalier? The wife! It is a misfortune of her dependent situation that she rises and falls according to the grandeur or vulgarity of him on whose arm she leans; and it must be confessed that the gardener was not formed to maintain poor Bathilde at the height to which the chevalier had raised her in his dreams.

Then he began to laugh at his own folly; and the night having arrived, and as he had not been outside the door since the day before, he determined to take a walk through the town, in order to assure himself of the truth of the Prince de Cellamare's reports. He wrapped himself in his cloak, descended the four stories, and bent his steps toward the Luxembourg, where the note which the Abbe Brigaud had brought him in the morning said that the regent was going to supper without guards.

Arrived opposite the palace of the Luxembourg, the chevalier saw none of those signs which should announce that the Duc d'Orleans was at his daughter's house: there was only one sentinel at the door, while from the moment that the regent entered a second was generally placed there. Besides, he saw no carriage waiting in the court, no footmen or outriders; it was evident, then, that he had not come. The chevalier waited to see him pass, for, as the regent never breakfasted, and took nothing but a cup of chocolate at two o'clock in the afternoon, he rarely supped later than six o'clock; but a quarter to six had struck at the St. Surplice at the moment when the chevalier turned the corner of the Rue de Conde, and the Rue de Vaugirard.

The chevalier waited an hour and a half in the Rue de Tournon, going from the Rue du Petit-Lion to the palace, without seeing what he had come to look for. At a quarter to eight he saw some movement in the Luxembourg. A carriage, with outriders armed with torches, came to the foot of the steps. A minute after three women got in; he heard the coachman call to the outriders, "To the Palais Royal;" and the outriders set off at a gallop, the carriage followed, the sentinel presented arms; and, quickly as the elegant equipage with the royal arms of France passed, the chevalier recognized the Duchesse de Berry, Madame de Mouchy, her lady of honor, and Madame de Pons, her tire-woman.

There had been an important error in the report sent to the chevalier; it was the daughter who went to the father, not the father who came to the daughter.

Nevertheless, the chevalier still waited, for some accident might have happened to the regent, which detained him at home. An hour after he saw the carriage repass. The Duchesse de Berry was laughing at a story which Broglie was telling her. There had not then been any serious accident; it was the police of the Prince de Cellamare, then, that were at fault.

The chevalier returned home about ten o'clock without having been met or recognized. He had some trouble to get the door opened, for, according to the patriarchal habits of Madame Denis's house, the porter had gone to bed, and came out grumbling to unfasten the bolts. D'Harmental slipped a crown into his hand, saying to him, once for all, that he should sometimes return late, but that each time that he did so he would give him the same; upon which the porter thanked him, and assured him that he was perfectly welcome to come home at any time he liked, or even not to return at all.

On returning to his room, D'Harmental saw that his neighbor's was lighted up; he placed his candle behind a piece of furniture, and approached the window, so that, as much as the muslin curtains allowed, he could see into her room, while she could not see into his.

She was seated near a table, drawing, probably, on a card which she held on her knees, for he saw her profile standing out black against the light behind her. Shortly another shadow, which the chevalier recognized as that of the good man of the terrace, passed twice between the light and the window. At last the shade approached the young girl, she offered her forehead, the shadow imprinted a kiss on it, and went away, with his candle in his hand. Directly afterward the windows of the fifth story were lighted up. All these little circumstances spoke a language which it was impossible not to understand. The man of the terrace was not the husband of Bathilde, he must be her father.

D'Harmental, without knowing why, felt overjoyed at this discovery; he opened his window as softly as he could, and leaned on the bar, which served him as a support, with his eyes fixed on the shadow. He fell into the same reverie out of which he had been startled that morning by the grotesque apparition of his neighbor. In about an hour the girl rose, put down her card and crayons on the table, advanced toward the alcove, knelt on a chair before the second window, and offered up her prayers. D'Harmental understood that her laborious watch was finished, but remembering the curiosity of his beautiful neighbor, when he had begun to play the first time, he wished to see if he could prolong that watch, and he sat down to his spinet. What he had foreseen happened; at the first notes which reached her, the young girl, not knowing that from the position of the light he could see her shadow through the curtains, approached the window on tiptoe, and thinking herself hidden, she listened to the melodious instrument, which, like the nightingale, awoke to sing in the middle of the night.

The concert would have probably continued thus for some hours, for D'Harmental,