American Notes, Charles Dickens [best ereader for students txt] 📗
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There was an English thief, who had been there but a few days out of seven years: a villainous, low-browed, thin-lipped fellow, with a white face; who had as yet no relish for visitors, and who, but for the additional penalty, would have gladly stabbed me with his shoemaker’s knife. There was another German who had entered the jail but yesterday, and who started from his bed when we looked in, and pleaded, in his broken English, very hard for work. There was a poet, who after doing two days’ work in every four-and-twenty hours, one for himself and one for the prison, wrote verses about ships (he was by trade a mariner), and ‘the maddening wine-cup,’
and his friends at home. There were very many of them. Some reddened at the sight of visitors, and some turned very pale. Some two or three had prisoner nurses with them, for they were very sick; and one, a fat old negro whose leg had been taken off within the jail, had for his attendant a classical scholar and an accomplished surgeon, himself a prisoner likewise. Sitting upon the stairs, engaged in some slight work, was a pretty coloured boy.
‘Is there no refuge for young criminals in Philadelphia, then?’
said I. ‘Yes, but only for white children.’ Noble aristocracy in crime
There was a sailor who had been there upwards of eleven years, and who in a few months’ time would be free. Eleven years of solitary confinement!
‘I am very glad to hear your time is nearly out.’ What does he say? Nothing. Why does he stare at his hands, and pick the flesh upon his fingers, and raise his eyes for an instant, every now and then, to those bare walls which have seen his head turn grey? It is a way he has sometimes.
Does he never look men in the face, and does he always pluck at those hands of his, as though he were bent on parting skin and bone? It is his humour: nothing more.
It is his humour too, to say that he does not look forward to going out; that he is not glad the time is drawing near; that he did look forward to it once, but that was very long ago; that he has lost all care for everything. It is his humour to be a helpless, crushed, and broken man. And, Heaven be his witness that he has his humour thoroughly gratified!
There were three young women in adjoining cells, all convicted at the same time of a conspiracy to rob their prosecutor. In the silence and solitude of their lives they had grown to be quite beautiful. Their looks were very sad, and might have moved the sternest visitor to tears, but not to that kind of sorrow which the contemplation of the men awakens. One was a young girl; not twenty, as I recollect; whose snow-white room was hung with the work of some former prisoner, and upon whose downcast face the sun in all its splendour shone down through the high chink in the wall, where one narrow strip of bright blue sky was visible. She was very penitent and quiet; had come to be resigned, she said (and I believe her); and had a mind at peace. ‘In a word, you are happy here?’ said one of my companions. She struggled - she did struggle very hard - to answer, Yes; but raising her eyes, and meeting that glimpse of freedom overhead, she burst into tears, and said, ‘She tried to be; she uttered no complaint; but it was natural that she should sometimes long to go out of that one cell: she could not help THAT,’ she sobbed, poor thing!
I went from cell to cell that day; and every face I saw, or word I heard, or incident I noted, is present to my mind in all its painfulness. But let me pass them by, for one, more pleasant, glance of a prison on the same plan which I afterwards saw at Pittsburg.
When I had gone over that, in the same manner, I asked the governor if he had any person in his charge who was shortly going out. He had one, he said, whose time was up next day; but he had only been a prisoner two years.
Two years! I looked back through two years of my own life - out of jail, prosperous, happy, surrounded by blessings, comforts, good fortune - and thought how wide a gap it was, and how long those two years passed in solitary captivity would have been. I have the face of this man, who was going to be released next day, before me now. It is almost more memorable in its happiness than the other faces in their misery. How easy and how natural it was for him to say that the system was a good one; and that the time went ‘pretty quick - considering;’ and that when a man once felt that he had offended the law, and must satisfy it, ‘he got along, somehow:’ and so forth!
‘What did he call you back to say to you, in that strange flutter?’
I asked of my conductor, when he had locked the door and joined me in the passage.
‘Oh! That he was afraid the soles of his boots were not fit for walking, as they were a good deal worn when he came in; and that he would thank me very much to have them mended, ready.’
Those boots had been taken off his feet, and put away with the rest of his clothes, two years before!
I took that opportunity of inquiring how they conducted themselves immediately before going out; adding that I presumed they trembled very much.
‘Well, it’s not so much a trembling,’ was the answer - ‘though they do quiver - as a complete derangement of the nervous system. They can’t sign their names to the book; sometimes can’t even hold the pen; look about ‘em without appearing to know why, or where they are; and sometimes get up and sit down again, twenty times in a minute. This is when they’re in the office, where they are taken with the hood on, as they were brought in. When they get outside the gate, they stop, and look first one way and then the other; not knowing which to take. Sometimes they stagger as if they were drunk, and sometimes are forced to lean against the fence, they’re so bad:- but they clear off in course of time.’
As I walked among these solitary cells, and looked at the faces of the men within them, I tried to picture to myself the thoughts and feelings natural to their condition. I imagined the hood just taken off, and the scene of their captivity disclosed to them in all its dismal monotony.
At first, the man is stunned. His confinement is a hideous vision; and his old life a reality. He throws himself upon his bed, and lies there abandoned to despair. By degrees the insupportable solitude and barrenness of the place rouses him from this stupor, and when the trap in his grated door is opened, he humbly begs and prays for work. ‘Give me some work to do, or I shall go raving mad!’
He has it; and by fits and starts applies himself to labour; but every now and then there comes upon him a burning sense of the years that must be wasted in that stone coffin, and an agony so piercing in the recollection of those who are hidden from his view and knowledge, that he starts from his seat, and striding up and down the narrow room with both hands clasped on his uplifted head, hears spirits tempting him to beat his brains out on the wall.
Again he falls upon his bed, and lies there, moaning. Suddenly he starts up, wondering whether any other man is near; whether there is another cell like that on either side of him: and listens keenly.
There is no sound, but other prisoners may be near for all that.
He remembers to have heard once, when he little thought of coming here himself, that the cells were so constructed that the prisoners could not hear each other, though the officers could hear them.
Where is the nearest man - upon the right, or on the left? or is there one in both directions? Where is he sitting now - with his face to the light? or is he walking to and fro? How is he dressed?
Has he been here long? Is he much worn away? Is he very white and spectre-like? Does HE think of his neighbour too?
Scarcely venturing to breathe, and listening while he thinks, he conjures up a figure with his back towards him, and imagines it moving about in this next cell. He has no idea of the face, but he is certain of the dark form of a stooping man. In the cell upon the other side, he puts another figure, whose face is hidden from him also. Day after day, and often when he wakes up in the middle of the night, he thinks of these two men until he is almost distracted. He never changes them. There they are always as he first imagined them - an old man on the right; a younger man upon the left - whose hidden features torture him to death, and have a mystery that makes him tremble.
The weary days pass on with solemn pace, like mourners at a funeral; and slowly he begins to feel that the white walls of the cell have something dreadful in them: that their colour is horrible: that their smooth surface chills his blood: that there is one hateful corner which torments him. Every morning when he wakes, he hides his head beneath the coverlet, and shudders to see the ghastly ceiling looking down upon him. The blessed light of day itself peeps in, an ugly phantom face, through the unchangeable crevice which is his prison window.
By slow but sure degrees, the terrors of that hateful corner swell until they beset him at all times; invade his rest, make his dreams hideous, and his nights dreadful. At first, he took a strange dislike to it; feeling as though it gave birth in his brain to something of corresponding shape, which ought not to be there, and racked his head with pains. Then he began to fear it, then to dream of it, and of men whispering its name and pointing to it.
Then he could not bear to look at it, nor yet to turn his back upon it. Now, it is every night the lurking-place of a ghost: a shadow:- a silent something, horrible to see, but whether bird, or beast, or muffled human shape, he cannot tell.
When he is in his cell by day, he fears the little yard without.
When he is in the yard, he dreads to re-enter the cell. When night comes, there stands the phantom in the corner. If he have the courage to stand in its place, and drive it out (he had once: being desperate), it broods upon his bed. In the twilight, and always at the same hour, a voice calls to him by name; as the darkness thickens, his Loom begins to live; and even that, his comfort, is a hideous figure, watching him till daybreak.
Again, by slow degrees, these horrible fancies depart from
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