The Conspirators, Alexandre Dumas père [books to read this summer TXT] 📗
- Author: Alexandre Dumas père
Book online «The Conspirators, Alexandre Dumas père [books to read this summer TXT] 📗». Author Alexandre Dumas père
that he should sleep badly that night; but he reflected that in sitting up he should force Bathilde to sit up, and should see her in the morning with red eyes and pale cheeks, and, with his usual sacrifice of self, he told Bathilde that she was right--that he felt that sleep would do him good--lit his candle--kissed her forehead--and went up to his own room; not without stopping two or three times on the staircase to hear if there was any noise.
Left alone, Bathilde listened to the steps of Buvat, who went up into his own room; then she heard the creaking of his door, which he double locked; then, almost as trembling as Buvat himself, she ran to the window, forgetting even to pray.
She remained thus for nearly an hour, but without having kept any measure of time. Then she gave a cry of joy, for through the window, which no curtain now obscured, she saw her neighbor's door open, and D'Harmental enter with a candle in his hand.
By a miracle of foresight Bathilde had been right--the man in the felt hat and the cloak, who had protected Buvat, was really the young stranger, for the stranger had on a felt hat and a cloak; and moreover, hardly had he returned and shut the door, with almost as much care as Buvat had his, and thrown his cloak on a chair, than she saw that he had a tight coat of a dark color, and in his belt a sword and pistols. There was no longer any doubt: it was from head to foot the description given by Buvat. Bathilde was the more able to assure herself of this, that D'Harmental, without taking off any of his attire, took two or three turns in his room, his arms crossed, and thinking deeply; then he took his pistols from his belt, assured himself that they were primed, and placed them on the table near his bed, unclasped his sword, took it half out of the scabbard, replaced it, and put it under his pillow; then, shaking his head, as if to shake out the somber ideas that annoyed him, he approached the window, opened it, and gazed earnestly at that of the young girl, who, forgetting that she could not be seen, stepped back, and let the curtain fall before her, as if the darkness which surrounded her were not a sufficient screen.
She remained thus motionless and silent, her hand on her heart, as if to still its beatings; then she quietly raised the curtain, but that of her neighbor was down, and she saw nothing but his shadow passing and repassing before it.
CHAPTER XVIII.
THE CONSUL DUILIUS.
The morning following the day, or rather the night, on which the events we have just related had occurred, the Duc d'Orleans, who had returned to the Palais Royal without accident, after having slept all night as usual, passed into his study at his accustomed hour--that is to say, about eleven o'clock. Thanks to the sang-froid with which nature had blessed him, and which he owed chiefly to his great courage, to his disdain for danger, and his carelessness of death, not only was it impossible to observe in him any change from his ordinary calm, which ennui only turned to gloom, but he had most probably already forgotten the strange event of which he had so nearly been the victim.
The study into which he had just entered was remarkable as belonging to a man at once a savant, a politician, and an artist. Thus a large table covered with a green cloth, and loaded with papers, inkstand, and pens, occupied the middle of the room; but all round, on desks, on easels, on stands, were an opera commenced, a half-finished drawing, a chemical retort, etc. The regent, with a strange versatility of mind, passed in an instant from the deepest problems of politics to the most capricious fancies of painting, and from the most delicate calculations of chemistry to the somber or joyous inspirations of music. The regent feared nothing but ennui, that enemy against whom he struggled unceasingly, without ever quite succeeding in conquering it, and which, repulsed by work, study, or pleasure, yet remained in sight--if one may say so--like one of those clouds on the horizon, toward which, even in the finest days, the pilot involuntarily turns his eyes. The regent was never unoccupied, and had the most opposite amusements always at hand.
On entering his study, where the council were to meet in two hours, he went toward an unfinished drawing, representing a scene from "Daphnis and Chloe," and returned to the work, interrupted two days before by that famous game of tennis, which had commenced by a racket blow, and finished by the supper at Madame de Sabran's.
A messenger came to tell him that Madame Elizabeth Charlotte, his mother, had asked twice if he were up. The regent, who had the most profound respect for the princess palatine, sent word that not only was he visible, but that if madame were ready to receive him, he would pay her a visit directly. He then returned to his work with all the eagerness of an artist. Shortly after the door opened, and his mother herself appeared.
Madame, the wife of Philippe, the first brother of the king, came to France after the strange and unexpected death of Madame Henriette of England, to take the place of that beautiful and gracious princess, who had passed from the scene like a dream. This comparison, difficult to sustain for any new-comer, was doubly so to the poor German princess, who, if we may believe her own portrait, with her little eyes, her short and thick nose, her long thin lips, her hanging cheeks and her large face, was far from being pretty. Unfortunately, the faults of her face were not compensated for by beauty of figure. She was little and fat, with a short body and legs, and such frightful hands that she avows herself that there were none uglier to be found in the world, and that it was the only thing about her to which Louis XIV. could never become accustomed. But Louis XIV. had chosen her, not to increase the beauties of his court, but to extend his influence beyond the Rhine.
By the marriage of his brother with the princess palatine, Louis XIV., who had already acquired some chance of inheritance in Spain, by marrying Maria Theresa, and by Philippe the First's marriage with the Princess Henriette, only sister of Charles II., would acquire new rights over Bavaria, and probably in the Palatinate. He calculated, and calculated rightly, that her brother, who was delicate, would probably die young, and without children.
Madame, instead of being treated at her husband's death according to her marriage contract, and forced to retire into a convent, or into the old castle of Montargis, was, in spite of Madame de Maintenon's hatred, maintained by Louis XIV. in all the titles and honors which she enjoyed during her husband's lifetime, although the king had not forgotten the blow which she gave to the young Duc de Chartres at Versailles, when he announced his marriage with Mademoiselle de Blois. The proud princess, with her thirty-two quarterings, thought it a humiliation that her son should marry a woman whom the royal legitimation could not prevent from being the fruit of a double adultery, and at the first moment, unable to command her feelings, she revenged herself by this maternal correction, rather exaggerated, when a young man of eighteen was the object, for the affront offered to the honor of her ancestors.
As the young Duc de Chartres had himself only consented unwillingly to this marriage, he easily understood his mother's dislike to it, though he would have preferred, doubtless, that she should have shown it in a rather less Teutonic manner. The result was, that when Monsieur died, and the Duc de Chartres became Duc d'Orleans, his mother, who might have feared that the blow at Versailles had left some disagreeable reminiscence in the mind of the new master of the Palais Royal, found, on the contrary, a more respectful son than ever. This respect increased, and as regent he gave his mother a position equal to that of his wife. When Madame de Berry, his much-loved daughter, asked her father for a company of guards, he granted it, but ordered at the same time that a similar company should be given to his mother.
Madame held thus a high position, and if, in spite of that position, she had no political influence, the reason was that the regent made it a principle of action never to allow women to meddle with state affairs. It may be also, that Philippe the Second, regent of France, was more reserved toward his mother than toward his mistresses, for he knew her epistolary inclinations, and he had no fancy for seeing his projects made the subjects of the daily correspondence which she kept up with the Princess Wilhelmina Charlotte, and the Duke Anthony Ulric of Brunswick. In exchange for this loss, he left her the management of the house and of his daughters, which, from her overpowering idleness, the Duchesse d'Orleans abandoned willingly to her mother-in-law. In this last particular, however, the poor palatine (if one may believe the memoirs written at the time) was not happy. Madame de Berry lived publicly with Riom, and Mademoiselle de Valois was secretly the mistress of Richelieu, who, without anybody knowing how, and as if he had the enchanted ring of Gyges, appeared to get into her rooms, in spite of the guards who watched the doors, in spite of the spies with whom the regent surrounded him, and though, more than once, he had hidden himself in his daughter's room to watch.
As to Mademoiselle de Chartres, whose character had as yet seemed much more masculine than feminine, she, in making a man of herself, as one may say, seemed to forget that other men existed, when, some days before the time at which we have arrived, being at the opera, and hearing her music master, Cauchereau, the finished and expressive singer of the Academic Royal, who, in a love scene, was prolonging a note full of the most exquisite grace and feeling, the young princess, carried away by artistic enthusiasm, stretched out her arms and cried aloud--"Ah! my dear Cauchereau!" This unexpected exclamation had troubled her mother, who had sent away the beautiful tenor, and, putting aside her habitual apathy, determined to watch over her daughter herself. There remained the Princess Louise, who was afterward Queen of Spain, and Mademoiselle Elizabeth, who became the Duchesse de Lorraine, but as to them there was nothing said; either they were really wise, or else they understood better than their elders how to restrain the sentiments of their hearts, or the accents of passion. As soon as the prince saw his mother appear, he thought something new was wrong in the rebellious troop of which she had taken the command, and which gave her such trouble; but, as nothing could make him forget the respect which, in public and in private, he paid to his mother, he rose on seeing her, and after having bowed, and taking her hand to lead her to a seat, he remained standing himself.
"Well, my son," said madame, with a strong German accent, "what is this that I hear, and what happened to you last evening?"
"Last evening?" said the regent, recalling his thoughts and questioning himself.
"Yes," answered the palatine, "last evening, in coming home from Madame de Sabran's."
"Oh! it is only that," said the prince.
"How, only that! your friend Simiane goes about everywhere saying that they wanted to carry you off,
Left alone, Bathilde listened to the steps of Buvat, who went up into his own room; then she heard the creaking of his door, which he double locked; then, almost as trembling as Buvat himself, she ran to the window, forgetting even to pray.
She remained thus for nearly an hour, but without having kept any measure of time. Then she gave a cry of joy, for through the window, which no curtain now obscured, she saw her neighbor's door open, and D'Harmental enter with a candle in his hand.
By a miracle of foresight Bathilde had been right--the man in the felt hat and the cloak, who had protected Buvat, was really the young stranger, for the stranger had on a felt hat and a cloak; and moreover, hardly had he returned and shut the door, with almost as much care as Buvat had his, and thrown his cloak on a chair, than she saw that he had a tight coat of a dark color, and in his belt a sword and pistols. There was no longer any doubt: it was from head to foot the description given by Buvat. Bathilde was the more able to assure herself of this, that D'Harmental, without taking off any of his attire, took two or three turns in his room, his arms crossed, and thinking deeply; then he took his pistols from his belt, assured himself that they were primed, and placed them on the table near his bed, unclasped his sword, took it half out of the scabbard, replaced it, and put it under his pillow; then, shaking his head, as if to shake out the somber ideas that annoyed him, he approached the window, opened it, and gazed earnestly at that of the young girl, who, forgetting that she could not be seen, stepped back, and let the curtain fall before her, as if the darkness which surrounded her were not a sufficient screen.
She remained thus motionless and silent, her hand on her heart, as if to still its beatings; then she quietly raised the curtain, but that of her neighbor was down, and she saw nothing but his shadow passing and repassing before it.
CHAPTER XVIII.
THE CONSUL DUILIUS.
The morning following the day, or rather the night, on which the events we have just related had occurred, the Duc d'Orleans, who had returned to the Palais Royal without accident, after having slept all night as usual, passed into his study at his accustomed hour--that is to say, about eleven o'clock. Thanks to the sang-froid with which nature had blessed him, and which he owed chiefly to his great courage, to his disdain for danger, and his carelessness of death, not only was it impossible to observe in him any change from his ordinary calm, which ennui only turned to gloom, but he had most probably already forgotten the strange event of which he had so nearly been the victim.
The study into which he had just entered was remarkable as belonging to a man at once a savant, a politician, and an artist. Thus a large table covered with a green cloth, and loaded with papers, inkstand, and pens, occupied the middle of the room; but all round, on desks, on easels, on stands, were an opera commenced, a half-finished drawing, a chemical retort, etc. The regent, with a strange versatility of mind, passed in an instant from the deepest problems of politics to the most capricious fancies of painting, and from the most delicate calculations of chemistry to the somber or joyous inspirations of music. The regent feared nothing but ennui, that enemy against whom he struggled unceasingly, without ever quite succeeding in conquering it, and which, repulsed by work, study, or pleasure, yet remained in sight--if one may say so--like one of those clouds on the horizon, toward which, even in the finest days, the pilot involuntarily turns his eyes. The regent was never unoccupied, and had the most opposite amusements always at hand.
On entering his study, where the council were to meet in two hours, he went toward an unfinished drawing, representing a scene from "Daphnis and Chloe," and returned to the work, interrupted two days before by that famous game of tennis, which had commenced by a racket blow, and finished by the supper at Madame de Sabran's.
A messenger came to tell him that Madame Elizabeth Charlotte, his mother, had asked twice if he were up. The regent, who had the most profound respect for the princess palatine, sent word that not only was he visible, but that if madame were ready to receive him, he would pay her a visit directly. He then returned to his work with all the eagerness of an artist. Shortly after the door opened, and his mother herself appeared.
Madame, the wife of Philippe, the first brother of the king, came to France after the strange and unexpected death of Madame Henriette of England, to take the place of that beautiful and gracious princess, who had passed from the scene like a dream. This comparison, difficult to sustain for any new-comer, was doubly so to the poor German princess, who, if we may believe her own portrait, with her little eyes, her short and thick nose, her long thin lips, her hanging cheeks and her large face, was far from being pretty. Unfortunately, the faults of her face were not compensated for by beauty of figure. She was little and fat, with a short body and legs, and such frightful hands that she avows herself that there were none uglier to be found in the world, and that it was the only thing about her to which Louis XIV. could never become accustomed. But Louis XIV. had chosen her, not to increase the beauties of his court, but to extend his influence beyond the Rhine.
By the marriage of his brother with the princess palatine, Louis XIV., who had already acquired some chance of inheritance in Spain, by marrying Maria Theresa, and by Philippe the First's marriage with the Princess Henriette, only sister of Charles II., would acquire new rights over Bavaria, and probably in the Palatinate. He calculated, and calculated rightly, that her brother, who was delicate, would probably die young, and without children.
Madame, instead of being treated at her husband's death according to her marriage contract, and forced to retire into a convent, or into the old castle of Montargis, was, in spite of Madame de Maintenon's hatred, maintained by Louis XIV. in all the titles and honors which she enjoyed during her husband's lifetime, although the king had not forgotten the blow which she gave to the young Duc de Chartres at Versailles, when he announced his marriage with Mademoiselle de Blois. The proud princess, with her thirty-two quarterings, thought it a humiliation that her son should marry a woman whom the royal legitimation could not prevent from being the fruit of a double adultery, and at the first moment, unable to command her feelings, she revenged herself by this maternal correction, rather exaggerated, when a young man of eighteen was the object, for the affront offered to the honor of her ancestors.
As the young Duc de Chartres had himself only consented unwillingly to this marriage, he easily understood his mother's dislike to it, though he would have preferred, doubtless, that she should have shown it in a rather less Teutonic manner. The result was, that when Monsieur died, and the Duc de Chartres became Duc d'Orleans, his mother, who might have feared that the blow at Versailles had left some disagreeable reminiscence in the mind of the new master of the Palais Royal, found, on the contrary, a more respectful son than ever. This respect increased, and as regent he gave his mother a position equal to that of his wife. When Madame de Berry, his much-loved daughter, asked her father for a company of guards, he granted it, but ordered at the same time that a similar company should be given to his mother.
Madame held thus a high position, and if, in spite of that position, she had no political influence, the reason was that the regent made it a principle of action never to allow women to meddle with state affairs. It may be also, that Philippe the Second, regent of France, was more reserved toward his mother than toward his mistresses, for he knew her epistolary inclinations, and he had no fancy for seeing his projects made the subjects of the daily correspondence which she kept up with the Princess Wilhelmina Charlotte, and the Duke Anthony Ulric of Brunswick. In exchange for this loss, he left her the management of the house and of his daughters, which, from her overpowering idleness, the Duchesse d'Orleans abandoned willingly to her mother-in-law. In this last particular, however, the poor palatine (if one may believe the memoirs written at the time) was not happy. Madame de Berry lived publicly with Riom, and Mademoiselle de Valois was secretly the mistress of Richelieu, who, without anybody knowing how, and as if he had the enchanted ring of Gyges, appeared to get into her rooms, in spite of the guards who watched the doors, in spite of the spies with whom the regent surrounded him, and though, more than once, he had hidden himself in his daughter's room to watch.
As to Mademoiselle de Chartres, whose character had as yet seemed much more masculine than feminine, she, in making a man of herself, as one may say, seemed to forget that other men existed, when, some days before the time at which we have arrived, being at the opera, and hearing her music master, Cauchereau, the finished and expressive singer of the Academic Royal, who, in a love scene, was prolonging a note full of the most exquisite grace and feeling, the young princess, carried away by artistic enthusiasm, stretched out her arms and cried aloud--"Ah! my dear Cauchereau!" This unexpected exclamation had troubled her mother, who had sent away the beautiful tenor, and, putting aside her habitual apathy, determined to watch over her daughter herself. There remained the Princess Louise, who was afterward Queen of Spain, and Mademoiselle Elizabeth, who became the Duchesse de Lorraine, but as to them there was nothing said; either they were really wise, or else they understood better than their elders how to restrain the sentiments of their hearts, or the accents of passion. As soon as the prince saw his mother appear, he thought something new was wrong in the rebellious troop of which she had taken the command, and which gave her such trouble; but, as nothing could make him forget the respect which, in public and in private, he paid to his mother, he rose on seeing her, and after having bowed, and taking her hand to lead her to a seat, he remained standing himself.
"Well, my son," said madame, with a strong German accent, "what is this that I hear, and what happened to you last evening?"
"Last evening?" said the regent, recalling his thoughts and questioning himself.
"Yes," answered the palatine, "last evening, in coming home from Madame de Sabran's."
"Oh! it is only that," said the prince.
"How, only that! your friend Simiane goes about everywhere saying that they wanted to carry you off,
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