Life of St. Francis of Assisi, Paul Sabatier [ebook reader with android os txt] 📗

Italian translation contained only the last chapters of the legend, those which tell of the death, the stigmata, and the translation of the remains.[42] It was, then, made at a time when the suppressed portion had not been replaced by a short summary of the other legends.

From all this two conclusions emerge for the critics: 1. This final summary has not the same authority as the rest of the work, since the time when it was added is unknown. 2. Fragments of a legend by Brother Leo or by the Three Companions scattered through later compilations may be perfectly authentic.

In its present condition this legend of the Three Companions is the finest piece of Franciscan literature, and one of the most delightful productions of the Middle Ages. There is something indescribably sweet, confiding, chaste, in these pages, an energy of virile youth which the Fioretti suggest but never attain to. At more than six hundred years of distance the purest dream that ever thrilled the Christian Church seems to live again.

These friars of Greccio, who, scattered over the mountain, under the shade of the olive-trees, passed their days in singing the Hymn of the Sun, are the true models of the primitive Umbrian Masters. They are all alike; they are awkwardly posed; everything in and around them sins against the most elementary rules of art, and yet their memory pursues you, and when you have long forgotten the works of impeccable modern artists you recall without effort these creations of those unknown painters; for love calls for love, and these vapid personages have very true and pure hearts, a more than human love shines forth from their whole being, they speak to you and make you better.

Such is this book, the first utterance of the Spiritual Franciscans, in which we already see the coming to life of some of those bold doctrines that not only divided the Franciscan family into two hostile branches, but which were to bring some of their defenders to the heretic's stake.[43]


V. FRAGMENTS OF THE SUPPRESSED PART OF THE LEGEND OF THE THREE COMPANIONS

We may now take a step forward and try to group the fragments of the Legend of the Three Companions, or of Brother Leo, which are to be found in later writings.

We must here be more than ever on our guard against absolute theories; one of the most fruitful principles of historic criticism is to prefer contemporary documents, or at least those which are nearest them; but even with these it is necessary to use a little discretion.

It seems impossible to attack the reasoning of the Bollandists, who refuse to know anything of legends written after that of St. Bonaventura (1260), under pretext that, coming after several other authorized biographies, he was better situated than anyone for getting information and completing the work of his predecessors.[44] In reality this is absurd, for it assumes that Bonaventura undertook to write as a historian. This is to forget that he wrote not only for the purpose of edification, but also as minister-general of the Minor Brothers. From this fact his first duty was to keep silent on many facts, and those not the least interesting. What shall we say of a biography where Francis's Will is not even mentioned?

It is easy to turn away from a writing of the fourteenth century, on the ground that the author did not see what was going on a hundred years before; still we must not forget that many books of the end of the Middle Ages resemble those old mansions at which four or five generators have toiled. An inscription on their front often only shows the touch of the last restorer or the last destroyer, and the names which are set forth with the greatest complacency are not always those of the real workmen.

Such have been many Franciscan books; to attribute them to any one author would be impracticable; very different hands have worked upon them, and such an amalgam has its own charm and interest.

Turning them over--I had almost said associating with them--we come to see clearly into this tangled web, for every work of man bears the trace of the hand that made it: this trace may perhaps be of an almost imperceptible delicacy; it exists none the less, ready to reveal itself to practised eyes. What is more impersonal than the photograph of a landscape or of a painting, and yet among several hundreds of proofs the amateur will go straight to the work of the operator he prefers.

These reflections were suggested by the careful study of a curious book printed many times since the sixteenth century, the Speculum Vitæ S. Francisci et sociorum ejus .[45] A complete study of this work, its sources, its printed editions, the numerous differences in the manuscripts, would by itself require a volume and an epitome of the history of the Order. I can give here only a few notes, taking for base the oldest edition, that of 1504.

The confusion which reigns here is frightful. Incidents in the life of Francis and his companions are brought together with no plan; several of them are repeated after the interval of a few pages in a quite different manner;[46] certain chapters are so awkwardly introduced that the compiler has forgotten to remove the number that they bore in the work from which he borrowed them;[47] finally, to our great surprise, we find several Incipit .[48]

However, with a little perseverance we soon perceive a few openings in the labyrinth. In the first place, here are several chapters of the legend of Bonaventura which seem to have been put in the van as if to protect the rest of the book. If we abstract them and the whole series of chapters from the Fioretti, we shall have diminished the work by nearly three-quarters.

If we take away two more chapters taken from St. Bernard of Clairvaux and those containing Franciscan prayers, or various attestations concerning the indulgence of Portiuncula, we finally arrive at a sort of residue, if the expression may be forgiven, of a remarkable homogeneity.

Here the style is very different from that in the surrounding pages, closely recalling that of the Three Companions; a single thought inspires these pages, that the corner-stone of the Order is the love of poverty.

Why should we not have here some fragments of the original legend of the Three Companions? We find here nothing which does not fit in with what we know, nothing which suggests the embellishments of a late tradition.

To confirm this hypothesis come different passages which we find cited by Ubertini di Casali and by Angelo Clareno as being by Brother Leo, and an attentive comparison of the text shows that these authors can neither have drawn them from the Speculum nor the Speculum from them.

There is, besides, one phrase which, apart from the inspiration and style, will suffice at the first glance to mark the common origin of most of these pieces.[49] Nos qui cum ipso fuimus . "We who have been with him." These words, which recur in almost every incident,[49] are in many cases only a grateful tribute to their spiritual father, but sometimes, too, they have a touch of bitterness. These hermits of Greccio suddenly recall to mind their rights. Are we not the only, the true interpreters of the Saint's instructions--we who lived continually with him; we who, hour after hour, have meditated upon his words, his sighs, and his hymns?

We can understand that such pretensions were not to the taste of the Common Observance, and that Crescentius, with an incontestable authority, has suppressed nearly all this legend.[51]

As for the fragments that have been preserved to us, though they furnish many details about the last years of St. Francis's life, they still are not those whose loss is so much to be regretted. The authors who reproduce them were defending a cause. We owe them little more than the incidents which in one way or another concern the question of poverty. They had nothing to do with the other accounts, as they were not writing a biography. But even within these narrow limits these fragments are in the first order of importance; and I have not hesitated to use them largely. It is needless to say that while ascribing their origin to the Three Companions, and in particular to Brother Leo, we must not suppose that we have the very letter in the texts which have come down to us. The pieces given by Ubertini di Casali and Angelo Clareno are actual citations, and deserve full confidence as such. As for those which are preserved to us in the Speculum, they may often have been abridged, explanatory notes may have slipped into the text, but nowhere do we find interpolations in the bad sense of the word.[52]

Finally, if we compare the fragments with the corresponding accounts in the Second Life of Celano, we see that the latter has often borrowed verbatim from Brother Leo, but generally he has considerably abridged the passages, adding reflections here and there, especially retouching the style to make it more elegant.

Such a comparison soon proves that Brother Leo's narratives are the original and that it is impossible to see in them a later amplification of those of Thomas of Celano, as we might at first be tempted to think them.[53]


VI. SECOND LIFE BY THOMAS OF CELANO[54]

First Part

In consequence of the decision of the chapter of 1244 search was begun in all quarters for memorials of the early times of the Order. In view of the ardor of this inquiry, in which zeal for the glory of the Franciscan institute certainly cast the interests of history into the background, the minister-general, Crescentius, was obliged to take certain precautions.

Many of the pieces that he received were doing double duty; others might contradict one another; many of them, under color of telling the life of the Saint, had no other object than to oppose the present to the past.

It soon became imperative to constitute a sort of commission charged to study and coördinate all this matter.[55] What more natural than to put Thomas of Celano at its head? Ever since the approbation of the first legend by Gregory IX. he had appeared to be in a sense the official historiographer of the Order.[56]

This view accords perfectly with the contents of the seventeen chapters which contain the first part of the second legend. It offers itself at the outset as a compilation. Celano is surrounded with companions who help him.[57] A more attentive examination shows that its principal source is the Legend of the Three Companions, which the compilers worked over, sometimes filling out certain details, more often making large excisions.

Everything that does not concern St. Francis is ruthlessly proscribed; we feel the well-defined purpose to leave in the background the disciples who so complacently placed themselves in the foreground.[58]

The work of the Three Companions had been finished August 11, 1246. On July 13, 1247, the chapter of Lyons put an end to the powers of Crescentius. It is, therefore, between these two dates that we must place the composition of the first part of Thomas of Celano's Second Life.[59]


VII. SECOND LIFE BY THOMAS OF CELANO[59]

Second Part

The election of Giovanni di Parma (1247-1257) as successor of Crescentius was a victory for the Zealots. This man, in whose work-table the birds came to make their nests,[61] was to astonish the world by his virtues. No one saw more deeply into St. Francis's heart, no one was more worthy to take up and