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far superior to those in use with the English operators. Each consists of a wooden box (a,) having firmly embeded within it a stout glass jar (c), the edges of which are ground. Over this is placed the sliding cover b, double the length of the box, one half occupied by a piece of ground glass (e), tightly pressed upon the glass pot by a spring (i) beneath the cross bar g, and fits the pot so accurately that it effectually prevents the escape of the vapor of the iodine, bromine or other accelerating liquid contained therein. The other half of the lid is cut through, shoulders being left at the four angles for the different sizes of frames, designed to recieve the plate while undergoing the coating process. When the plate is put into the frame, the cover b is shoved under the second lid h and when coated to the proper degree, it resumes its former position and the plate is placed in the holder of the camera box. To test the tightness of the box, light a piece of paper, put it into the pot and cover it with the sliding lid. The burning paper expels the air from the pot, and if it be perfectly tight you may raise the whole box by the lid.

VI. GLASS FUNNELS.--Are a necessary article to the Daguerreotypist, for filtering water, solutions, &c.

Fig. 14 (HIPHO_14.GIF)

VII. GILDING STAND.--For nervous persons the gilding stand is a useful article. It is adjusted to a perfect level by thumb screws placed in its base.

VIII. SPIRIT LAMPS.--The most useful and economical of those made are the Britania, as they are less liable to break; and the tube for the wick being fastened to the body by a screw renders it less liable to get out of order or explode. Glass is the cheapest, and for an amateur will do very well, but for a professed artist the Britania should always be obtained.

IX. COLOR BOX.--These are generally found on sale at the shops, and usually contain eight colors, four brushes and a gold cup. The artist would, however, do well to obtain, all the colors mentioned in the last chapter of this work, and be sure to get the very best, as there are various qualities of the same color, particularly carmine, which is very expensive, and the cupidity of some may induce them to sell a poor article for the sake of larger profits.

Fig. 15 (HIPHO_15.GIF)

STILL.--Daguerreotypists should always use distilled water for solutions, and washing the plate, as common water holds various substances in solution which detract very materially from the excellence of a photograph, and often gives much trouble, quite unaccountable to many. For the purpose of distilling water the apparatus represented at Fig. 16 is both convenient and economical.

It may be either wholly of good stout tin, or of sheet iron tinned on the inside, and may be used over a common fire, or on a stove. A is the body, which may be made to hold from one to four gallons of water, which is introduced at the opening b, which is then stopped by a cork. The tube d connects the neck a of the still with the worm tub, or refrigerator B, at e, which is kept filled with cold water by means of the funnel c, and drawn off as fast as it becomes warm by the cock f. The distilled water is condensed in the worm--and passes off at the cock b, under which a bottle, or other vessel, should be placed to receive it. The different joints are rendered tight by lute, or in its absence, some stiff paste spread upon a piece of linen and wrapped around them will answer very well; an addition of sealing wax over all will make them doubly secure.

Fig. 16 (HIPHO_16.GIF)

HYGROMETER.--This is an instrument never to be found, I believe, in the rooms of our operators, although it would be of much use to them, for ascertaining the quantity of moisture floating about the room; and as it is necessary to have the atmosphere as dry as possible to prevent an undue absorption of this watery vapor by the iodine &c., and to procure good pictures,--its detection becomes a matter of importance. Mason's hygrometer, manufactured by Mr. Roach and sold by Mr. Anthony, 205 Broadway, New York is the best in use.

It consists of two thermometre tubes placed, side by side, on a metalic scale, which is graduated equally to both tubes. The bulb of one of these tubes communicates, by means of a net-work of cotton, with a glass reservoir of water attached to the back of the scale. Fig. 17 and 18 represent a front and back view of this instrument.

Fig. 17 is the front view, showing the tubes with their respective scales; the bulb b being covered with the network of cotton communicating with the reservoir c fig. 18, at d.

Fig. 17 (HIPHO_17.GIF)


Fig. 18 (HIPHO_18.GIF)

The evaporation of the water from this bulb decreases the temperature of the mercury in the tube b in proportion to the dryness of the atmosphere, and the number of degrees the tube b indicates below that of the other, shows the real state of the atmosphere in the room; for instance, if b stands at forty and a at sixty-one the room is in a state of extreme dryness, the difference of twenty-one degrees between the thermometers--let a stand at any one point--gives this result. If they do not differ, or there is only four or five degrees variation, the atmosphere of the room is very moist and means should be taken to expel the superfluous quantity.

HEAD RESTS.--The button head rest with chair back clip, A fig. 19--is much the best for travelling artists, as it can be taken apart, into several pieces and closely packed; is easily and firmly fixed to the back of a chair by the clamp and screw a and b, and is readily adjusted to the head, as the buttons c, c and arms d, d are movable.

Sometimes the button rest is fixed to a pole, which is screwed to the chair; but this method is not so secure and solid as the clip and occupies more room in packing. Both the pole and clip, are furnished in some cases with brass band rests instead of the button; but the only recommendation these can possibly possess in the eyes of any artist, is their cheapness.

Fig. 19 (HIPHO_19.GIF)

For a Daguerreotypist permanently located the independent iron head-rest, B fig. 19, is the most preferable, principally on account of its solidity. It is entirely of iron, is supported by a tripod (a) of the same metal and can be elevated by means of a rod (b) passing through the body of the tripod, to a height sufficient for a person, standing, to rest against.

Fig. 20 (HIPHO_20.GIF)

GALVANIC BATTERY.--This article is used for the purpose of giving to imperfectly coated plates a thicker covering of silver. The form of battery now most universally employed for electrotype, and other galvanic purposes, is Smee's--Fig. 20. It consists of a piece of platinized silver, A, on the top of which is fixed a beam of wood, B, to prevent contact with the silver. A binding screw C is soldered on to the silver plate to connect it with any desired object, by means of the copper wire, e. A plate of amalgamated zinc, D, varying with the fancy of the operator from one half to the entire width of the silver is placed on each side of the wood. This is set into a glass vessel, P,--the extreme ends of the wood resting upon its edge--on which the acid with which it is charged has no effect. The jar is charged with sulphuric acid, (common oil of vitriol) diluted in eight parts its bulk of water. The zinc plates of the battery have been amalgamated with quicksilver, and when the battery is set into the jar of acid there should be no action percieved upon them when the poles F, G, are not in contact. Should any action be percieved, it indicates imperfect amalgamation; this can be easily remedied by pouring a little mercury upon them immediately after removing them from the acid, taking care to get none upon the centre plate A.

Directions for use.--A sheet of silver must be attached to the wire connected with the centre plate A of the battery, and placed in the silver solution--prepared as directed below. The plate to be silvered is first cleaned with diluted sulphuric acid, and then attached to the wire, G, proceeding from the zinc plates D, D, and placed in the silver solution, opposite the silver plate attached to the pole F, and about half an inch from it. A slight effervescence will now be percieved from the battery, and the silver will be deposited upon the Daguerreotype plate, while at the same time a portion of the silver plate is dissolved.

To prepare the solution of silver.--Dissolve one ounce of chloride of silver in a solution of two ounces of cyanide of potassium, previously dissolved in one quart of water. The oxide of silver may be used instead of the chloride. This solution is put into a tumbler, or other vessel.

Fig. 21 (HIPHO_21.GIF)


Fig. 22 (HIPHO_22.GIF)

This battery with the necessary articles for using it may be obtained of E. Anthony, 205 Broadway, New York city.

The other articles required by every operator may be simply enumerated, viz:

Sticking, or sealing paper.

A pair of pliers, or forceps.

Porcelain pans or dishes, for applying the hyposulphite of soda and washing after the imagine is fixed, something in form like fig. 23.

A support for holding the plate while being washed, like fig. 24.

[Updater's note: Figures 23 and 24 were missing from the image set.]

Fig. 25 (HIPHO_25.GIF)

BUFF STICKS.--Fig. 25.--These are usually from one to three feet in length, and about three inches wide--some think two and a half sufficient. The underside, which is convex, is covered with a strip of finely prepared buckskin, or velvet, well padded with cotton or tow.

All the articles enumerated in this chapter may be obtained, of the very best quality and at the most reasonable rates, of Mr. E. Anthony, 205, Broadway, New York.




CHAP. VI. THE DAGUERREOTYPE PROCESS.

The process of taking Daguerreotype pictures differs very materially from all others of the photographic art, inasmuch as the production of the image is effected upon plates of copper coated with silver. The silver employed should be as pure as possible; the thickness of the plate is of little consequence, provided there be sufficient silver to bear the cleaning and polishing--is free from copper spots, is susceptible of a high polish, an exquisitely sensitive coating and a pleasing tone. These qualities are possessed to an eminent degree by the French plates.

Having already enumerated the various processes--and the apparatus necessary for the manipulation, I will here give a list of the chemicals to be used, and then proceed to explain them more fully. The requisite chemicals are--

  NITRIC ACID,             ROUGE,
  DRY IODINE,              MERCURY,
  DRYING POWDER,           HYPOSULPHITE OF SODA,
  CYANIDE OF POTASSIUM,    CHLORIDE OF GOLD; OR
  ROTTENSTONE,             HYPOSULPHITE OF GOLD.
  TRIPOLI,                 CHLORIDE OF SILVER.
  CHLORIDE OF IODINE,  } their compounds, or other
  BROMINE              } accelerating mixtures.

FIRST OPERATION.--Cleaning and polishing the plate.--For this purpose the operator will require the--

Plate Blocks,

Plate Vice

Spirit Lamp,

Polishing Buffs,

Nitric Acid, diluted in fifteen times its bulk of water

Galvanic Battery, to galvanize the plate, if it is too imperfect to be used without, previous cleaning it, as directed in the last chapter.

Rottenstone,

Tripoli, which is too often dispensed with.

Rouge, or lampblack--the first being most preferable. The English operators mix the two together.

Prepared cotton Wool, or Canton flannel. If the first is used, it should be excluded from the dust, as it is not so easily cleansed as the latter.

The plate is secured, with its silver side upward, to the block, by the means described on page 58--having

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