The Best Ghost Stories, - [books for students to read .TXT] 📗

hands before his eyes, and exclaimed, "Oh, my God, what a face!" For some time he was overcome with terror, and at length reluctantly looked up, and cried:

"Thank Heavens, it's gone!"

"What was it?" asked the Count.

"Nothing human," replied the Colonel—"nothing belonging to this world. It was a woman of no earthly type, with a queer-shaped, gleaming face, a mass of red hair, and eyes that would have been beautiful but for their expression, which was hellish. She had on a green hood, after the fashion of an Irish peasant."

An American lady present suggested that the description tallied with that of the Banshee, upon which the Count said:

"I am an O'Neill—at least I am descended from one. My family name is, as you know, Neilsini, which, little more than a century ago, was O'Neill. My great-grandfather served in the Irish Brigade, and on its dissolution at the time of the French Revolution had the good fortune to escape the general massacre of officers, and in company with an O'Brien and a Maguire fled across the frontier and settled in Italy. On his death his son, who had been born in Italy, and was far more Italian than Irish, changed his name to Neilsini, by which name the family has been known ever since. But for all that we are Irish."

"The Banshee was yours, then!" ejaculated the Colonel. "What exactly does it mean?"

"It means," the Count replied solemnly, "the death of some one very nearly associated with me. Pray Heaven it is not my wife or daughter."

On that score, however, his anxiety was speedily removed, for within two hours he was seized with a violent attack of angina pectoris, and died before morning.[H]

Mr. Elliott O'Donnell, to whose article on "Banshees" we are indebted for the above, adds: "The Banshee never manifests itself to the person whose death it is prognosticating. Other people may see or hear it, but the fated one never, so that when every one present is aware of it but one, the fate of that one may be regarded as pretty well certain."

THE MAN WHO WENT TOO FAR By E.F. Benson

The little village of St. Faith's nestles in a hollow of wooded hill up on the north bank of the river Fawn in the county of Hampshire, huddling close round its gray Norman church as if for spiritual protection against the fays and fairies, the trolls and "little people," who might be supposed still to linger in the vast empty spaces of the New Forest, and to come after dusk and do their doubtful businesses. Once outside the hamlet you may walk in any direction (so long as you avoid the high road which leads to Brockenhurst) for the length of a summer afternoon without seeing sign of human habitation, or possibly even catching sight of another human being. Shaggy wild ponies may stop their feeding for a moment as you pass, the white scuts of rabbits will vanish into their burrows, a brown viper perhaps will glide from your path into a clump of heather, and unseen birds will chuckle in the bushes, but it may easily happen that for a long day you will see nothing human. But you will not feel in the least lonely; in summer, at any rate, the sunlight will be gay with butterflies, and the air thick with all those woodland sounds which like instruments in an orchestra combine to play the great symphony of the yearly festival of June. Winds whisper in the birches, and sigh among the firs; bees are busy with their redolent labor among the heather, a myriad birds chirp in the green temples of the forest trees, and the voice of the river prattling over stony places, bubbling into pools, chuckling and gulping round corners, gives you the sense that many presences and companions are near at hand.

Yet, oddly enough, though one would have thought that these benign and cheerful influences of wholesome air and spaciousness of forest were very healthful comrades for a man, in so far as nature can really influence this wonderful human genus which has in these centuries learned to defy her most violent storms in its well-established houses, to bridle her torrents and make them light its streets, to tunnel her mountains and plow her seas, the inhabitants of St. Faith's will not willingly venture into the forest after dark. For in spite of the silence and loneliness of the hooded night it seems that a man is not sure in what company he may suddenly find himself, and though it is difficult to get from these villagers any very clear story of occult appearances, the feeling is widespread. One story indeed I have heard with some definiteness, the tale of a monstrous goat that has been seen to skip with hellish glee about the woods and shady places, and this perhaps is connected with the story which I have here attempted to piece together. It too is well-known to them; for all remember the young artist who died here not long ago, a young man, or so he struck the beholder, of great personal beauty, with something about him that made men's faces to smile and brighten when they looked on him. His ghost they will tell you "walks" constantly by the stream and through the woods which he loved so, and in especial it haunts a certain house, the last of the village, where he lived, and its garden in which he was done to death. For my part I am inclined to think that the terror of the Forest dates chiefly from that day. So, such as the story is, I have set it forth in connected form. It is based partly on the accounts of the villagers, but mainly on that of Darcy, a friend of mine and a friend of the man with whom these events were chiefly concerned.

The day had been one of untarnished midsummer splendor, and as the sun drew near to its setting, the glory of the evening grew every moment more crystalline, more miraculous. Westward from St. Faith's the beechwood which stretched for some miles toward the heathery upland beyond already cast its veil of clear shadow over the red roofs of the village, but the spire of the gray church, over-topping all, still pointed a flaming orange finger into the sky. The river Fawn, which runs below, lay in sheets of sky-reflected blue, and wound its dreamy devious course round the edge of this wood, where a rough two-planked bridge crossed from the bottom of the garden of the last house in the village, and communicated by means of a little wicker gate with the wood itself. Then once out of the shadow of the wood the stream lay in flaming pools of the molten crimson of the sunset, and lost itself in the haze of woodland distances.

This house at the end of the village stood outside the shadow, and the lawn which sloped down to the river was still flecked with sunlight. Garden-beds of dazzling color lined its gravel walks, and down the middle of it ran a brick pergola, half-hidden in clusters of rambler-rose and purple with starry clematis. At the bottom end of it, between two of its pillars, was slung a hammock containing a shirt-sleeved figure.

The house itself lay somewhat remote from the rest of the village, and a footpath leading across two fields, now tall and fragrant with hay, was its only communication with the high road. It was low-built, only two stories in height, and like the garden, its walls were a mass of flowering roses. A narrow stone terrace ran along the garden front, over which was stretched an awning, and on the terrace a young silent-footed man-servant was busied with the laying of the table for dinner. He was neat-handed and quick with his job, and having finished it he went back into the house, and reappeared again with a large rough bath-towel on his arm. With this he went to the hammock in the pergola.

"Nearly eight, sir," he said.

"Has Mr. Darcy come yet?" asked a voice from the hammock.

"No, sir."

"If I'm not back when he comes, tell him that I'm just having a bathe before dinner."

The servant went back to the house, and after a moment or two Frank Halton struggled to a sitting posture, and slipped out on to the grass. He was of medium height and rather slender in build, but the supple ease and grace of his movements gave the impression of great physical strength: even his descent from the hammock was not an awkward performance. His face and hands were of very dark complexion, either from constant exposure to wind and sun, or, as his black hair and dark eyes tended to show, from some strain of southern blood. His head was small, his face of an exquisite beauty of modeling, while the smoothness of its contour would have led you to believe that he was a beardless lad still in his teens. But something, some look which living and experience alone can give, seemed to contradict that, and finding yourself completely puzzled as to his age, you would next moment probably cease to think about that, and only look at this glorious specimen of young manhood with wondering satisfaction.

He was dressed as became the season and the heat, and wore only a shirt open at the neck, and a pair of flannel trousers. His head, covered very thickly with a somewhat rebellious crop of short curly hair, was bare as he strolled across the lawn to the bathing-place that lay below. Then for a moment there was silence, then the sound of splashed and divided waters, and presently after, a great shout of ecstatic joy, as he swam up-stream with the foamed water standing in a frill round his neck. Then after some five minutes of limb-stretching struggle with the flood, he turned over on his back, and with arms thrown wide, floated down-stream, ripple-cradled and inert. His eyes were shut, and between half-parted lips he talked gently to himself.

"I am one with it," he said to himself, "the river and I, I and the river. The coolness and splash of it is I, and the water-herbs that wave in it are I also. And my strength and my limbs are not mine but the river's. It is all one, all one, dear Fawn."

A quarter of an hour later he appeared again at the bottom of the lawn, dressed as before, his wet hair already drying into its crisp short curls again. There he paused a moment, looking back at the stream with the smile with which men look on the face of a friend, then turned towards the house. Simultaneously his servant came to the door leading on to the terrace, followed by a man who appeared to be some half-way through the fourth decade of his years. Frank and he saw each other across the bushes and garden-beds, and each quickening his step, they met suddenly face to face round an angle of the garden walk, in the fragrance of syringa.

"My dear Darcy," cried Frank, "I am charmed to see you."

But the other stared at him in amazement.

"Frank!" he exclaimed.

"Yes, that is my name," he said laughing, "what is the matter?"

Darcy took his hand.

"What have you done to yourself?" he asked. "You are a boy again."

"Ah, I have a lot to tell you," said Frank. "Lots that you will hardly believe, but I shall convince you——"

He broke off suddenly, and held up his hand.

"Hush, there is my nightingale," he said.

The smile of recognition and welcome with which he had greeted his friend faded from his face, and a look of rapt wonder took its place, as of a lover listening to the